Portrait of Don Tadeo Bravo de Rivero Francisco de Goya y Lucientes (Spanish, 1746-1828). Portrait of Don Tadeo Bravo de Rivero, 1806. Oil on canvas, 81 1/2 x 45 11/16in. (207 x 116cm). In their formal full-length portraits, Old and New World elites proudly defined themselves through their things. The colonial Peruvian nobleman Tadeo Bravo de Rivero sat for Francisco de Goya y Lucientes wearing the brilliant scarlet uniform of a cavalry officer. The medal of the chivalric Order of Santiago displayed on his lapel points to one of the ways that Creoles (American-born Spaniards) elevated their r

Portrait of Don Tadeo Bravo de Rivero Francisco de Goya y Lucientes (Spanish, 1746-1828). Portrait of Don Tadeo Bravo de Rivero, 1806. Oil on canvas, 81 1/2 x 45 11/16in. (207 x 116cm). In their formal full-length portraits, Old and New World elites proudly defined themselves through their things. The colonial Peruvian nobleman Tadeo Bravo de Rivero sat for Francisco de Goya y Lucientes wearing the brilliant scarlet uniform of a cavalry officer. The medal of the chivalric Order of Santiago displayed on his lapel points to one of the ways that Creoles (American-born Spaniards) elevated their r Stock Photo

RMID:2M9222K

Image details

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BBM / Alamy Stock Photo

Image ID:

2M9222K

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14.3 MB (829.8 KB Compressed download)

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2176 x 2297 px | 36.8 x 38.9 cm | 14.5 x 15.3 inches | 150dpi

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Portrait of Don Tadeo Bravo de Rivero Francisco de Goya y Lucientes (Spanish, 1746-1828). Portrait of Don Tadeo Bravo de Rivero, 1806. Oil on canvas, 81 1/2 x 45 11/16in. (207 x 116cm). In their formal full-length portraits, Old and New World elites proudly defined themselves through their things. The colonial Peruvian nobleman Tadeo Bravo de Rivero sat for Francisco de Goya y Lucientes wearing the brilliant scarlet uniform of a cavalry officer. The medal of the chivalric Order of Santiago displayed on his lapel points to one of the ways that Creoles (American-born Spaniards) elevated their rank within the empire’s social and racial hierarchy. At the officer’s feet is a dog, the traditional symbol of fidelity, suggesting the subject’s devotion to his king. European Art 1806

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