Catalog 93web

VINTAGE POSTERS
PRINTS & WORKS ON PAPER

NOVEMBER 14, 2020
POTTER & POTTER AUCTIONS • NOVEMBER 14, 2020 1
Public Auction #93
VINTAGE POSTERS
PRINTS & WORKS ON PAPER
AUCTION CONTENTS
Noveber 14, 2020 TRAVEL................................................................ 2
10:00am CST SPORTS............................................................. 65
ADVERTISING..................................................... 68
INQUIRIES WAR & PROPAGANDA......................................... 81
Joe Slabaugh MAGIC & CIRCUS............................................... 93
joeslabaugh@potterauctions.com ARTWORK, PRINTS & MULTIPLES....................... 96
phone: 773-472-1442
MUSIC, MOVIES & ENTERTAINMENT................. 116
Previews are available by CIVIL RIGHTS & AFRICAN AMERICANA.............. 129
appointment. Please contact POSTCARDS..................................................... 136
the department for more
information or to schedule
an appointment.
Potter & Potter Auctions, Inc.

3759 N. Ravenswood Ave. Suite 121
Chicago, IL 60613
2 VINTAGE POSTERS, PRINTS & WORKS ON PAPER

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1. Adams, Ansel. Face of Half Dome / National Parks USA. 4. National Parks Centennial 1872–1972. Colorful lithograph
Washington, DC: National Park Service/U.S. Department of printed on vinyl with wood rods for hanging; produced by Dodge
the Interior, 1968. Photographic lithograph after the photo Motors. 41 x 28”. A.
by Adams, showing a large cliff in Yosemite National Park, 80/125
California. 41 x 28”. Linen backed. A.
200/300 5. North Rim Grand Canyon National Park / Union Pacific
Railroad. Photograph lithograph showing a picturesque view of
2. Adams, Ansel. Glacier Bay National Monument / National the Grand Canyon. 26 ½ x 35”. Linen backed. A.
TRAVEL
Parks USA. Washington, DC: National Park Service/U.S. 200/300
Department of the Interior, 1968. Photographic lithograph
after the photo by Adams, showing an iceberg in Alaska’s 6. Sivard, Robert. The House Where Lincoln Died / National
national park. 41 x 28”. Linen backed. A. Parks USA. Washington, DC: National Park Service/U.S.
200/300 Department of the Interior, 1968. A painterly design showing
the Petersen House at 516 10th Street NW in Washington,
3. Mora, Jo (1876–1947). Yosemite. 1931 (1949 reissue). DC where Abraham Lincoln died after being shot the previous
Colorful pictorial map of Yosemite National Park. This is the evening at Ford’s Theatre. 41 x 28”. Linen backed. A.
second color printing, with two men running from a skunk in 200/300
place of the Coulterville Road sign. 19 x 15 ½”. Pinholes with
professional inpainting. Linen backed. A.
300/500

7 9 13 15
8 14
13. Alitalia / Italy. 1960s. Photo-offset travel poster depicts

the Piazza Navona in Rome at night. 38 ½ x 26 ¼”. Repaired
corner tear with slight in-painting upper right. Linen backed. A-.
125/225
14. Ameijide, Raymond (1924–2000). Bermuda / Pan Am.

Circa 1950. 42 x 28”. Lithograph in colors. Linen backed. A.
600/800
15. American Airlines / San Francisco. USA, ca. 1960s. Color

photo-offset travel poster with a view of buzzing Market Street,
including cable cars, neon signs, and automobiles. 20 ¼ x 15”.
Minor creases. Linen backed. A-.
125/225
16. Degen, Paul. American Airlines / Los Angeles. 1960s.

A travel poster featuring vibrant colors and images of Los
10 11 12
Angeles night life with palm trees dominating the foreground.
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40 x 30”. Minor expertly repaired tears. Linen backed. A-.
7. American Airlines / Los Angeles. 1960s. Lithograph 10. Alaska Airlines / Arctic. 1970s. Offset lithograph travel 400/600
travel poster with a views of a crowded street and a harbor, poster with an illustration of Eskimos. 40 ½ x 25”. Minor
blue lettering. 40 x 30”. Minor expertly repaired tears. Linen repaired tears. Linen backed. A-. 17. American Airlines / New York. 1960s. Lithograph travel
backed. A-. 200/300 poster with views of Harbor Ferry and the Statue of Liberty.
200/300 40 x 30”. Scattered over-painting in image. Linen backed. B+.
11. Alaska Airlines / Southeast Alaska. 1974. Offset lithograph 200/300
8. Apolloni, Livio. Cattolica / Riviera Adriatica. Rome: Novissima, travel poster with an illustration of people of the Pacific
1926. Lithograph tourism poster advertising travel to the Italian Northwest and a totem pole. 39 ½ x 25 ½”. Linen backed. A.
town near San Marino on the Adriatic coast. 39 ¼ x 27 ½”. 200/300
Black ink offset into upper image area; vertical and horizontal
folds; minor closed tears and crease. Unmounted. B+. 12. Alitalia / Positano. 1960s. Photo-offset travel poster
600/900 depicting the picturesque Italian village on the Amalfi Coast.
38 ½ x 26 ¼”. Linen backed. A.
9. Alaska Airlines / See All Alaska. 1960s. Airline poster 125/225
advertising Golden Nugget Jet Service, depicting an Eskimo
dance, with small inset vignettes of various Alaskan attractions.
36 x 24”. Linen backed. A.
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200/300
4 VINTAGE POSTERS, PRINTS & WORKS ON PAPER POTTER & POTTER AUCTIONS • NOVEMBER 14, 2020 5
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18. American Airlines / Australia. Circa 1960s. A painterly 24. American Airlines / Aruba. USA, 1970s. From the “endless
color lithograph of a koala bear. 40 x 30”. Linen backed. A. summer” series. Small version. 20 x 15”. Linen backed.
100/200 Slightest marginal repairs. A.
150/250
19. Hill, Bern (1911–1977). American Airlines / New England.
Circa 1950s. Travel poster with a view of a shipyard with a 25. American Airlines / St. Thomas / St. Croix. USA, 1970s.
church steeple in the background as a jet flies overhead. 40 x From the “endless summer” series. Small version. 20 x 15”.
30”. Pinholes to margins, upper corner tear, few closed tears to Linen backed. A.
lower border. Unmounted. B. 125/225
125/225
26. Parker, A. American Airlines / Mexico. 1950s. Vintage
20. Kauffer, Edward McKnight (1890-1954). American airline poster depicting a beautiful Mexican woman. Clean and
Airlines / East Coast. 1948. Vintage travel poster depicts a brightly colored. Signed on the plate by artist. 40 x 30”. Linen
sailor carving a portion of a model ship. 39 ½ x 30 ¼”. Expert backed. Short creases and tears around edges. A-.
restoration to closed tears along borders; inpainting. Linen 125/225
backed. B-.
21 22 23 125/225 27. Amspoker, Aaron. England and All of Europe / Pan
American. Circa 1960s. An image of Big Ben and the Union
21. Kauffer, Edward McKnight (1890-1954). American Airlines Jack are seen in the background. 35 x 22”. Linen backed. A.
/ Washington. 1950s. Lithographed travel poster combines a 200/300
central image of the U.S. Capitol and a starry sky evoking the
American flag. 40 x 30 ¼”. Scant over-painting in margins. 28. Amspoker, Aaron. Japan / Pan American. Circa 1960s.
Linen backed. A-. Silkscreen in colors featuring a woman in a kimono. 34 x
300/500 22 ½”. Short closed tears to edges with losses at corners;
expertly repaired. Linen backed. B.
22. Kauffer, Edward McKnight. American Airlines / Mexico. 250/350
USA, ca. 1948. Vintage airline poster depicts a sombrero-
wearing man with birdcages on his back. 40 x 30”. Linen 29. Ansett-Ana / New South Wales. 1960s. Travel poster for
backed. Slight creasing around edges, short closed tears. A-. the Australian airline, depicting a Waratah flower, the floral
150/250 emblem of NSW. 36 x 24”. Linen backed. A.
125/225
23. American Airlines / San Francisco. 1970s. A vibrantly
colored travel poster depicting downtown San Francisco with
images of the Golden Gate Bridge, Chinatown, and an iconic
trolley car. 40 x 30”. Few small pinholes to corners; expertly
repaired, inpainting to upper corner, light creasing near top
24 25 26
edge. Linen backed. B+/A-.
300/500
30 31 32 35
36
30. Badmin, Stanley Roy (1906–1989). Come and Explore…

Britain. W.S. Cowell, 1950s. Color offset lithograph travel
poster invites tourists to explore England’s historic cathedrals.
30 x 19 ¾”. Few tiny creases to outer margins, vertical crease
to upper image corner. Unmounted. B+.
100/200
31. Baumberger, Otto (1889–1960). Switzerland / The

Electric Simplon Line. Zurich: Fretz, 1934. Lithograph in colors
depicting the electrified rail track within the city of Sion. 40 x
25”. Small area of inpainting to upper border slightly affecting
image; expertly repaired. Linen backed. B+/A-.
400/600
32. Bellini, E. Nice – Thermal. Cannes: Robaudy, ca. 1940s.

Painterly lithograph of a woman at the beach. 47 x 31 ½”. Faint
toning to edges. Linen backed. A.
150/250
37 38 39 40
33
33. Benscathy, Henry K. (1909–1996). Chicago / American
Airlines. Circa 1960s. A travel poster featuring Chicago’s most 35. Blechman, R.O (b. 1930). The New Yorker. 1979. Large 38. BOAC / Bermuda. 1960s. Image of a couple being ferried
iconic buildings in a Modernist style. 39 ¾ x 30 ½”. Linen poster of the artist’s stylized illustration of the New York City in a Pedi carriage along the shoreline. 35 x 16 ¼”. Slight
backed. A. skyline at night, which appeared on the Oct. 1, 1979 cover repaired tears not affecting image. Linen backed. A-.
600/800 of the magazine. 40 x 30”. Expertly repaired touch-ups and 300/500
restoration to corners. Linen backed. B+.
34. Bland, G.H. Ireland / Glengarriff. Printed for the Great 200/300 39. BOAC / Britain and Europe. 1960s. Offset lithograph panel
Southern Railways, ca. 1935. Colorful image featuring Heron poster of children dressed in traditional clothing gazing up at
Island. Framed, 41 x 24”. Short creasing visible at or near 36. Bobri. Europe / Pan Am. Circa 1960s. A pilot’s arms a jet flying overhead. 28 x 12 ¼”. Minor restored losses in
margins. B. squeeze together a globe showing New York and Europe are corners. Linen backed. A-.
300/400 “only 7 jet magic hours” away from each other when flying 200/300
on Pan Am. 40 x 27”. Few spots of professional inpainting at
margins. Linen backed. A-. 40. BOAC / Jamaica. 1960s. Offset lithograph panel poster
700/900 of Jamaican drummers. Designed by JM (monogram). 35 x
16 ¼”. Linen backed. A.
37. BOAC / The Orient. 1960s. Offset lithograph airline poster. 150/250
28 x 12”. Repaired closed tears to upper image area. Linen
backed. A-.
300/500
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46 47 48
41 44 45
41. Seymour, E.O. BOAC / Fly to South America. 1950. Offset

lithograph travel poster. 29 ¾ x 20”. Repaired marginal tears
with some in-painting. Linen backed. B+.
150/250
42. Boucher, Lucien (1889–1971). Air France / Le Plus

Grand Réseau du Monde. Paris: Perceval, 1959. Pictorial map
showing the flight path for Air France that reaches globally,
vignette borders. 29 x 43”. Linen backed. A.
400/600
43. Boyle, James Neil. California / American Airlines. Circa

1960s. A travel poster depicting a Hollywood stage set with the
42 San Francisco Bay in the background. 40 x 30”. Professional
inpainting at corners; mainly contained to margins. Linen
backed. A-. 49 50 51
500/700
44. Braniff International Airways / Argentina. 1950s. Mid- 46. Braniff International Airways / New Orleans. USA, ca. 49. Braniff International Airways / Minnesota. Circa 1955.
century travel poster depicting a gaucho. 26 x 20”. Scattered 1960s. Silkscreen travel poster with an illustration of Jackson Lithograph in colors depicting a muskie being caught with
expert over-painting around edges, light scuffs. Linen backed. Square. 26 x 20 ¼”. Several spots with over-painting at edges, a lure and fishing net. 26 x 20”. Professional inpainting at
B+. small restored loss right margin. Linen backed. B+. corners and border. A-.
250/350 200/300 200/300
45. Braniff International Airways / Bogota Colombia. 1950s. 47. Braniff International Airways / New York. USA, ca. 1960s. 50. Bremer, Edward Vincent (1883–1971). Rodeo Parade
Offset lithograph. 26 x 20”. Scuffs and light soiling along top Offset lithograph travel poster with an illustration of Times / Northern Pacific. Minneapolis: The Jensen Printing Co.
edge, some over-painting. Linen backed. B. Square. Designed by Kays. 26 ⅛ x 20”. Over-painted tape Lithograph in colors depicting a parade “in the Montana–
200/300 marks in corners and edges. Linen backed. B. Wyoming Dude Ranch Country”. 39 x 30”. Several closed
300/500 tears to margins; expertly repaired, professional inpainting at
corners. Linen backed. B.
48. Braniff International Airways / El Dorado Super Jet. Circa 1,000/1,500
1950s. Travel poster featuring the “world’s fastest jet liner”.
26 x 20”. Pinholes at corners and few closed tears; expertly 51. Bride, Bob. Oaxaca / Aeronaves De Mexico. Circa
repaired. Linen backed. A-. 1970s. Psychedelic-inspired artwork depicts landmarks and
300/400 attractions within a woman’s head of hair. 37 x 24 ½”. Few
closed tears along border; expertly repaired. Linen backed. A.
43 200/300
53 54 55 56
59 60 62
52 57 58 61 63 64
52. Brun, Donald (1909-1999). Swissair to Japan. 1958. 56. Canada Vacations Unlimited. 1950s. Tourism poster 59. Carlu, Jean (French, 1900-1997). Pépa / Bonafé. Paris: 62. Cassandre, Adolphe Mouron (1901–1968). Foire de Paris.
Offset lithograph with overlaying traditional images of a depicts vacationers motoring through the countryside in a Marcel Picard, 1928. Lithograph in colors featuring Carlu’s Paris: Publi–Service, 1957. Advertising for a trade fair in Paris,
Japanese woman, temple, and man with animal. 40 x 25”. Cadillac. 24 ½ x 18”. Linen backed. A-. most enduring posters from this period as well as the only referring to the city as the “business crossroads of the world”.
Expertly repaired tape marks to edges. Linen backed. B+. 100/200 one to feature a woman. 22 x 14”. Several folds visible with 37 x 23”. Linen backed. A.
300/500 inpainting. Linen backed. B. 300/500
57. Carlu, Jean (French, 1900-1997). Air France / France. 400/600
53. Buzzi, Daniele. Ticino / Southern Switzerland. Lithograph Paris: Mourlot Freres, 1958. Abstract travel poster, painterly 63. Cauvy, Leon (1874–1933). Visitez l’Algerie. Alger:
in colors depicting a view of the Swiss village from a balcony. image of a French village. 39 x 24 ½”. Pinholes at corners, 60. Carlu, Jean George (1900–1997). Pan American World Baconnier, ca. 1932. Lithograph in colors depicting an Algerian
40 x 25”. Several folds visible with inpainting. Linen backed. B. occasional spotting to image, few faint creases. Unmounted. B. Airways / Scandinavia by Clipper. 1954. A colorful image of seaside port. 47 x 31”. Folds visible with inpainting, upper
100/200 100/200 a Viking long ship with dragon motif. 42 x 28”. Repaired tears corner completely restored, several spots of professional
around edges; scant over-painting in image. Linen backed. A-. restoration to image and borders. Linen backed. C+.
54. BWIA / Grenada. 1950s. Silkscreen travel poster. 29 58. Carlu, Jean (French, 1900-1997). Air France / Europe. 400/600 200/300
½ x 20”. Repaired tears to edges with over-painting. Linen Paris: S.A. Courbet, ca. 1958. Color lithograph with vignettes
backed. B+. of various sites, landmarks, and characters of Europe. 39 ½ x 61. Cassandre, Adolphe Mouron (1901–1968). Dubonnet 64. Continental Air Lines / San Jose. 1970s. Offset lithograph
150/250 24”. Linen backed. A. / Quinquina. 1953. A French road map advertising for the travel poster with pictorial stained glass illustration. 40 x 25”.
200/300 Dubonnet aperitif. 35 x 27”. Light browning at or near margins, Repaired tears and losses to corners with over-painting. Linen
55. BWIA / Jamaica. 1950s. Silkscreen travel poster for British few creases to title. Linen backed. B+. backed. B+.
West Indian Airways. 29 ½ x 19 ¾”. Scattered over-painting 150/250 125/225
and scuffing. Linen backed. B+.
150/250
65 66 67
73 74 75
65. Fly Continental / Florida. 1970s. Colorful offset lithograph 71. Colin, Paul (French, 1892–1985). Biblothéque du Peuple.
travel poster with imagery of Florida’s natural wonders. 40 1941. Lithograph in colors. 23 ½ x 15 ½”. Folds visible with
x 25 ¼”. Over-painting outside image, repaired tears. Linen inpainting at cross sections. Linen backed. A-.
backed. B+. 80/125
125/225
72. Colin, Paul (French, 1892–1985). Nuit du Ciel Olympia.
66. TCA / Air Canada / Canada. 1970s. Photo-offset travel Paris: St. Martin, ca. 1930s. Lithograph in colors. 23 x 15”.
poster depicting a Native American against a bright blue sky. Few small closed tears at edges. Linen backed.
40 x 25 ½”. Repaired tears with over-painting at edges. Linen 150/250
backed. B.
125/225 73. Colin, Paul (French, 1892–1985). Tabarin. Paris: H.
Chachoin, 1928. Lithograph in colors depicting female
68 67. Chapelain. Paris is 2,000 Years Old. 1951. Paris: S.A. dancers. 23 x 15”. Linen backed. A.
69 70
Corbet, 1951. Offset lithograph poster advertising the national 600/800
festival. 23 ½ x 15 ¼”. Repaired tack holes and losses in
corners, with over-painting partly touching image. B. 74. Colin, Paul (French, 1892–1985). Transatlantique French
150/250 Line. Paris: S.A. Courbet, 1937. A stunning image of the
cruise liner sailing the open ocean with the French flag as the
68. Colin, Paul. French Line / Your gay entree to England and backdrop. 38 x 23”. Few folds visible, small spot of inpainting
France. France, ca. 1949. Offset lithograph. 30 x 24”. Short to outer margin. Linen backed. B+.
closed tears around edges. Linen backed. B+. 300/500
200/300
75. Colin, Jean (1912-1982). Italia. Torino: Gros Monti, ca.
69. Colin, Paul (French, 1892–1985). Bagnoles De L’Orne. 1950s. Bold advertising poster symbolizing Italian Line’s
Paris: Chaix, 1937. A travel poster featuring a lush green design “route of the sun” to North, South, and Central America, and
depicting a bourgeois residential area in the Normandy region to the Pacific. 39 ⅛ x 24 ½”. Over-painting and small repaired
of France. 39 ¼ x 25”. Unmounted. A. tears along left side. Linen backed. B+.
100/200 800/1,200
70. Colin, Paul (French, 1892–1985). Bal des Arts / “Le Bal
Ensorcelé”. 1950. Lithograph in colors depicting an abstract
image of the Devil. 23 x 15”. Linen backed. A.
100/200
71 72
81 82 83 84
76 78
77
76. Coelli, Pietro (1893-1980). Istria (Italy). Italy: Modiano-

Trieste, ca. 1930s. Lithograph travel poster with a route map of
various destinations in the country. 38 ½ x 24”. Linen backed.
Several restored losses around perimeter; scattered repaired
tears and over-painting. B.
250/350
77. Commarmond, Pierre (French, 1897-1983). Gorges De

La Diosaz. Paris: Chaix, ca. 1930s/40s. A travel poster with
painterly designs of a waterfall in the natural gorge with 85 86 one of six 87
walkways in between. 38 ¾ x 24 ½”. Expertly repaired closed
79 tears. Linen backed. A.
500/700
81. Delescluze. Spa. Belgium: Liege, ca. 1950s. Mid-century 85. [Disney] Sweney, Fred. Delta Air Lines / Walt Disney
offset lithograph Belgian tourism poster. 40 x 26”. Linen World. Circa 1971. Offset lithograph poster with a montage
78. Contel, Jean. Lisieux. 1923. Lithograph travel poster for
backed. A few short repaired tears. A-. of vignettes of Florida’s Walt Disney World. 27 ¾ x 22”. Linen
French State Railways. 39 x 24 ½”. Extensive expert over-
150/250 backed. A. Scarce poster from this series by Sweney, dating
painting to edges affecting some lettering, but central image
close to the opening of the theme park.
unaffected. Linen backed. B-.
82. Delta-C&S Air Lines / Miami Beach. 1950s. Color photo- 400/600
150/250
offset travel poster with a scene from a beachside resort. 28 x
22”. Short closed tear lower right side. Linen backed. A-. 86. [Disney] Sweney, Fred. Delta Air Lines / Central Florida.
79. Craste, Leon. Afrique Occidentale Francaise. Paris: A.
150/250 1970s. Offset lithograph with a montage of images of
Karcher, 1930s. A lovely pictorial map of French West Africa
attractions of Central Florida, including Disney World. 28 x 22”.
with vignettes and insets throughout. 32 x 47”. Folds present
83. Dietrich. Badenweiler / Die “Himmlische Landschaft”. Short repaired tears. Linen backed. A-.
with inpainting. Linen backed. B+.
1934. Lithograph in colors depicting a handsome mountainous 200/300
200/300
landscape in Germany. 33 x 22”. Large central closed tear
near lower border. Linen backed. B-. 87. [Disney] How To Catch A Cold. Six Promotional Posters.
80. Delavat, Charles. Cayeux sur Mer. Amiens: A. Valade, ca.
100/200 Walt Disney Productions, 1951. Rare complete set of posters
1927. Lithograph. 39 x 29”. Linen backed. Few spots of light
for an unreleased Disney educational film, sponsored by
marginal soiling. A-.
84. Laycox, Jack. Delta Air Lines / San Francisco. USA, ca. Kleenex tissues. 20 x 14”. Scattered minor repairs to edges.
800/1,200
1975. Painterly depiction of a crowded boulevard with cable Linen backed. A/A-.
cars. 28 x 22”. Minor creases in image; several repaired tears, 500/700
a few with light in-painting. Linen backed. A-.
125/225
80
88 89 one of two 90
94 95 96
93
91
97 98 99
92
88. [Disney] Fly Eastern / Walt Disney World. 1983. Travel 91. [Disney] Petagano. Ain’t Gonna Work On Dizzy’s Farm 94. Donau Ausstellung. 1953. Lithograph in colors. 33 x 23”. 97. [New York] Fly Eastern Airlines. USA, 1960s. Airline poster
poster prominently features Mickey Mouse showing the way to No More. Los Angeles: Gawdawful Graphics, 1970. Blacklight Linen backed. A. Rare. featuring a psychedelic image of the Statue of Liberty with
the attractions at Walt Disney World as a perched parrot and poster of Mickey, Donald, and Goofy smoking from an 150/250 alternating neon blue and orange stripes and purple lettering.
toucan look over his shoulder. 40 x 30”. Toned. Metal frame. enormous hookah. 36 x 24”. Professional inpainting to border. 36 x 24 ¼”. Linen backed. A.
100/200 Linen backing. B+. 95. Dufy, Raoul (1877–1953). France / Normandy. Paris: 250/350
200/300 French Railways, 1954. Offset lithograph railway poster. 39 x
89. [Disney] Disney’s Robin Hood Pair of Posters. Including 24 ½”. Repaired tear to title, Linen backed. B. 98. [New York] New York Airways / Boeing-Vertol 107
a British Quad release (1973); and a promotional poster of 92. [Disney] Visit Progressland / A Walt Disney Presentation 250/350 Turbocopter. 1961. Color photo-offset poster with a expansive
characters from the film (n.d., ca. 1973). Each approx. 30 x at the 1964–65 N.Y. World’s Fair. An advertising poster by view of the New York skyline. 35 x 24 ½”. Minor in-painting not
40”. Folded. Corner tears, creases, other minor wear. B+/B. General Electric depicting the New York World’s Fair. 43 x 28”. 96. Duval, Constant Léon (French 1877-1956). Langeais. affecting image. Linen backed. A-.
40/80 Trifolds visible. Linen backed. A-. Paris: Lucien Serre, 1927. Lithograph in colors. 41 x 29”. 300/400
600/800 Professional inpainting to closed tears at corners and border.
90. [Disney] Fly Eastern / Walt Disney World. 1983. Travel Linen backed. B+/A-. 99. [New York] New York / Capital Airlines. 1950s. Photo of
poster prominently features Mickey Mouse showing the way to 93. [Disney] Walt Disney World / Eastern Airlines. Walt Disney 200/300 the UN Building along the water. 35 ½ x 24”. Minor repaired
the attractions at Walt Disney World as a perched parrot and Productions Inc, [1976]. Mickey welcomes visitors to Disney, tears with over-painting around edges. Linen backed. A-.
toucan look over his shoulder. 20 x 15”. Linen backed. A. an Eastern jet flies above. 28 x 22”. Small closed tear to outer 200/300
200/300 margin. Linen backed. A.
200/300
100 101 102
106 107
103 104 105

108 109 110
100. [New York] New York / Capital Airlines. 1950s. Photo- 103. Excoffon, Roger (French, 1910–1983). Air France / 106. Fine, Aaron. Chicago to London by Jet Clipper. Circa 109. Francois, George. Briançon. Paris: Lucien Serre, 1927.
offset poster with a nighttime view of the skyline. 35 ½ x 24”. USA. Paris: U&O, 1963. Abstract design of a classic American 1960s. A handsome color lithograph produced for Pan Am. 42 A picturesque view of a hillside town in France. 41 x 31”.
Minor repaired tears with over-painting around edges. Linen highway overpass with background images of a cactus, teepee, x 28”. Professional restoration to corners. Linen backed. A. Few short closed tears or tiny punctures to border; expertly
backed. A-. steamboat, and skyscrapers. 39 ¼ x 24 ½”. Few small closed 800/1,000 repaired. Linen backed. A.
200/300 tears to border; expertly repaired. Linen backed. A. 200/300
250/350 107. Fine, Aaron. Italy via Jet Clipper / Pan American. Circa
101. Fly Eastern Airlines. USA, 1960s. Airline poster with 1960s. An iconic color lithograph of the Leaning Tower of Pisa. 110. France / Cote D’Azur-Nice. Paris, ca. 1960s. Photo-offset
a psychedelic rendering of a windsurfer. 36 x 24 ¼”. Linen 104. Feio, J. Estoril / Portugal. Lisbon: Lito de Portugal, 1951. 42 x 28”. Few small short closed tears to lower border; expertly tourism poster with an image of a busy boulevard at night.
backed. A-. Lithograph in colors depicting a starfish sunbathing at the repaired. Linen backed. A. 38 ½ x 24 ¾”. Scattered repaired tears with expert over-
200/300 beach. 39 x 27”. Minor spotting near edges. Linen backed. A. 500/700 painting. Linen backed. B+.
100/200 200/300
102. Fly Eastern Airlines. USA, 1960s. Airline poster with a 108. Fine, Aaron. Japan by Jet Clipper / Pan Am. Circa 1960s.
double image, appearing to be a butterfly viewed horizontally, 105. Jorge, Artur. Estoril / Portugal. Lisbon: Lito de Portugal, A painterly design of kite flying in Japan. 42 x 28”. Professional
and as men in a sailboat vertically. 36 x 24 ¼”. Linen backed. 1951. Lithograph in colors depicting a sunny resort. 39 x 27”. inpainting to margins; partially affecting image area in some
A-. Linen backed. A. spots. Linen backed. B+.
200/300 100/200 300/400
111 112 113 114
119 121
115 116 117 118
111. [French Railways] Giroux, André. Auvergne. Paris: Laure 115. Fuss, Albert. Mittelmeerfahrten / Hamburg–Amerika
Surville, 1938. A painterly image of a mountain range in central Linie. Hamburg: Muhlmeister & Johler. Lithograph in colors.
120 122 one of two 123 124
France. 39 x 24 ½”. Linen backed. A. 33 x 23”. Few scuffs to lower images, small short creases to
150/250 borders. Linen backed. A-.
150/250 119. Games, Abram. Festival of Britain. 1951. Printed by 122. Georget, Guy (French, 1911–1992). Air France / Great
112. French Railways / Getting Ready to Welcome You. Paris: Sanders Phillips & Co. 30 x 20”. Linen backed. Repaired tape Britain. Paris: S.A. Courbet, 1962. Lithograph in color. 39 x
Paul Martial/French National Railways, ca. 1946. Bright image 116. Gallego, Carlos. Jerez / Fiestas de Primavera. Jerez: Orla, mark top edge affecting image; scattered repaired closed tears 25”. Few tiny spots of inpainting to upper edge. Linen backed.
of a field speckled with wildflowers, a castle in the distance 1952. A colorful lithograph depicting the Spanish celebration and marginal restoration. B+. A.
and a train headed toward its destination. 39 ¼ x 24 ½”. Tears (Feria de Jerez), traditionally held in the first or second week 600/800 150/250
along edges expertly repaired. Linen backed. A-. of May. 36 x 25 ½”. Fold lines visible with light rubbing along
200/300 lines. Linen backed. B. 120. Gaynor, Lawrence. American Airlines / Washington. 123. Georget, Guy (French, 1911–1992). Pair of Air France
200/300 Circa. 1960. A travel poster depicting an artist’s rendition of Travel Posters. Paris: S.A. Courbet, 1962. Lithographs in color
113. [French National Railways] Brenet, A. Landing Beaches of the U.S. Capitol Building and Washington Monument. 40 ½ depicting abstract images of India and Spain. 39 ½ x 25 ½”.
Normandy / French National Railroads. 1947. Painterly image 117. Galli, Stan (1912–2009). Southern California / United Air x 30”. Faint creasing with light inpainting at margins. Linen Rolled, unmounted. A.
of two war ships and a tank on the shores of Normandy. 39 ¼ x Lines. Circa 1960s. Travel poster depicting a friar amidst the backed. A. 150/250
24 ¼”. Five spots of restoration to margins. Linen backed. B+. birds at the Santa Barbara Mission. 40 x 25”. Pinholes expertly 150/250
100/200 repaired. Linen backed. A. 124. Georget, Guy. Air France / Mexico. Courbet, ca. 1950s.
200/300 121. George Roux, Tony (French, 1894-1928). Font-Romeu Lithograph airline poster. 39 x 24 ¼”. Linen backed. Slight
114. [French National Railways] Baille, Hervé. Lourdes. Paris: / Sports d’Hiver. Paris: Cornille & Serre, 1923. Winter scene creases to edges. A-.
Snap, 1947. Lithograph in colors. 39 x 24”. Inpainting to 118. Galli, Stan. United Air Lines / New York. Circa 1960. featuring ice skaters in front of a large chalet amongst 100/200
corners and margins, few closed tears. Linen backed. B-. Vintage airline poster with a dramatic close-up of the Statue of mountains. 41 x 27”. Creasing to corners with inpainting. Linen
100/200 Liberty. 40 x 25”. Linen backed. Toned, yellowed edges, slight backed. A-.
blemishes in image. B. 800/1,200
250/350
131 132
125 127 128 129
125. Germany / The Sunny Black Forest Resort. 1950s.

Travel poster prominently featuring a convertible Mercedes-
Benz motoring through the countryside. 29 ¼ x 19 ⅛”. Linen
backed. A. 134
80/125
126. Grace Line / Caribbean South American Cruises. Circa

1957. Colorful offset lithograph. 42 x 28”. Light creasing or
professional inpainting to border. Linen backed. A-.
250/350
127. Grace Line / Caribbean South American Cruises /

Venezuela. 1958. Offset lithograph depicts Venezuelan men in
fishing boats, with the cruise ship anchored in the background
against lush mountainsides. 42 x 28”. Few spots of inpainting
near border. Linen backed. A-.
200/300
133 135 136
126 128. Grassi, Vittorio. Assisi. Rome: Grafia, ca. 1930. Lithograph
in pastel colors. 40 x 25”. Inpainting to upper corners and
margins. Linen backed. A-.
150/250 131. Roth, G. Greyhound / Niagara Falls. 1960s. Offset 134. Hallo, Charles-Jean (French, 1882-1969). Chemin de Fer
lithograph poster. 14 x 11”. Linen backed. A. de Paris a Orleans / La Touraine Jardin de la France. Paris:
129. Gray, B. Connemara / Great Southern Rys. Dublin: Helys 60/90 Lucien Serre & Cie, ca. 1930. A travel poster depicting a sunset
Limited, ca. 1930s. Lithograph in colors depicting “The Old Bog scene of Notre Dame from a bridge over the Loire River. ATO
Road” on the shores of western Ireland. 40 x 24”. Small scuff 132. Roth, G. Greyhound / Philadelphia.. 1960s. Sunset image symbol bottom right corner of image. 41 x 29 ¼”. Few chips
to lower titling. Linen backed. A. of a couple feeding the birds outside of the Pennsylvania State and tears in margins expertly repaired. Linen backed. A-.
200/300 House. Small version. 14 x 11”. Linen backed. A. 500/700
100/200
130. Greyhound / San Francisco. 1960s. Lithograph travel 135. Hallo, Charles-Jean (French, 1882-1969). Chemin de
poster reproducing a graphite sketch of a Chinese New Year 133. Guadalajara / Aeronaves de Mexico. Circa 1950s. A Fer de Pont Ste Maxence. Paris: Marceau, ca. 1930. A scenic
parade in San Francisco’s famous Chinatown neighborhood. bright silkscreen travel poster depicting traditional Mexican image of a French village. 41 x 29”. Outer margins archivally
38 ½ x 28”. A few minor repaired closed tears. Linen backed. A. ceramics. 27 x 21”. Few small creases to upper title. Linen renewed, closed tear to lower corner. Linen backed. B-/B.
300/500 backed. A-. 150/250
150/250
136. [Hawaii] Allison, Donn. Aloha Airlines / Map of The Islands
of Hawaii. 1950s. Small pictorial map poster. 12 x 18”. Slight
tears and losses to edges expertly repaired. Linen backed. A-.
150/250
130
137 138 139
143 144 145
147
146
140 141 142
148
137. [Hawaii] Braniff International / Hawaii. Circa 1960s. 140. [Hawaii] Phillips. Pan Am / Hawaii by Jet. USA, ca. 1962. 143. Christian, Henry B. (American, 1883–1953). Map of 146. Hawaii Stock Travel Poster. Circa 1960s. Original color
Airline poster depicting a native Hawaiian carving against Offset lithograph airline poster depicting an anthropomorphized Honolulu. 1948. Considered to be the most decorative map lithograph, artist signed in plate. Oversized one-sheet, 36 x
a bold purple background. 25 ¾ x 20 ¼”. Minor blemishes pineapple on the beach. 42 x 28”. Linen backed. Nice strong of Honolulu published in the pictographic style, featuring 39”. Horizontal center fold visible with inpainting, closed tears
around edges. Linen backed. A-. copy. A. several inset vignettes along the upper border. 17 x 22”. Fold at margins; expertly repaired. Linen backed. B+/A-.
200/300 600/800 lines visible with professional inpainting, several closed tears; 400/600
expertly repaired. Linen backed. B-. Rare.
138. [Hawaii] Northwest Orient / Hawaii. 1970s. Photo-offset 141. [Hawaii] Pan Am’s World / Hawaii. USA, 1970s. Photo- 250/350 147. [Hawaii] We’ll Be Seeing You in Friendly Hawaii. Hawaii
travel poster depicting a surfer. 20 x 12 ½”. Minor expertly offset airline poster of palm trees silhouetted against a dusky Visitors Bureau, ca. 1960s/70s. Photographic lithograph
repaired tears to edges. Linen backed. A-. sky. 43 x 28”. Repaired tear with in-painting to bottom center 144. Hawaii / Continental Airlines. Circa 1960s. A travel depicting Lumaha’i Beach. 24 ½ x 26”. Corners expertly
200/300 margin. Linen backed. A-. poster detailing a psychedelic image of a rising sun. 40 x 25”. repaired, spots of professional inpainting at borders. Linen
250/350 Professional inpainting at borders and lower image area. Linen backed. B+.
139. [Hawaii] See All Hawaii’s Islands on Hawaiian Airlines. Designed by Ivan Chermayeff’s agency, and one of several backed. B. 100/200
1960s. Color photo-offset poster showing a woman on the posters from the Pan Am’s World series held at the Museum 200/300
beach with one of HAL’s suitcases, route map inset at upper of Modern Art. 148. Otero. Surf Hawaii / Fly the Friendly Skies of United.
right. 28 ½ x 21”. Linen backed. A. 145. Hawaii / Pan Am. Circa 1967. Offset lithograph depicting A painterly design of a man surfing a wave in Hawaii, with
200/300 142. [Hawaii] Freya Tanz/Clarence Lee Design. Fly Hawaiian a surfer with the dusky orange sun reflecting off the water advertisements for various surfing spots around the islands. 40
Air. 1970s. Travel poster featuring a sunset beach scene with before him. 42 x 28 ½”. Linen backed. A. x 25”. Upper corner expertly repaired, professional inpainting
a group canoeing on the waves. 33 ¾ x 23”. Small restored 600/800 at edges. Linen backed. B+.
chips in two corners. Linen backed. A-.
250/350
300/400
149 150 151
154 155 156
149. Henriksen, Sven (1890–1935). Visit Denmark.

Copenhagen: Kruckow–Waldorff, ca. 1930. A view of “The
Old Castle Sottrup”. 39 ½ x 24”. Inpainting to margins and
corners, large closed tear to upper image near border; expertly
repaired. Linen backed. B-.
150/250
150. Herzig, Hans. Rigi. Zurich: Art Institute Orell Fussli,

1925. Lithograph in colors depicting a mountainous range in
Switzerland. 40 x 28”. Border chipped or with few small closed
tears, small creases to image, three small puncture holes to
upper image at border. Rolled. B-.
150/250
157 158 159 160
151. Iberia / Enjoy the Charm of Andalusia. Madrid, ca. 1950s.
Vintage airline poster with a montage of images of Spain.35 ¼
x 26 ¾”. Linen backed. Scattered tears around edges. B+. 154. [India] India / Bank of America. Circa 1950s. Glossy color 158. [India] Newsome, Dorrie. Kashmir. Bombay: G. Claridge,
lithograph. 41 ¼ x 27 ¾”. Faint corner crease; not affecting ca. 1930s. A lovely pastel colored stone lithograph. 39 ½ x
80/150
image. Linen backed. A. 25”. Some inpainting to lower margin, closed tear affecting
250/350 lower image area; expertly repaired. Linen backed. A.
152 152. [India] Channer, F. Simla. Bombay: G. Claridge & Co.,
ca. 1930s. A colorful lithograph of a city in India. 39 x 25”. 300/400
155. [India] India / The Wonderful Land. New Delhi:
Lowe corner completely repaired using archival methods, Government of India, 1958. Colorful lithograph of various
professional inpainting to tears along borders. Linen backed. B. 159. Nielsen, Otto (Danish, 1916-2000). India / Scandinavian
attractions in India with bold lettering. 39 x 25”. Professional
800/1,200 Airlines System. Denmark: Axel Andreasen & Sonner, ca.
inpainting at or near corners, slightly affecting imprint. Linen
1960s. A monkey holds an orange and sits in a tree. 39 ¼ x 24
backed. A-.
153. [India] Fly Jet to India / Pan American World Airways. 200/300 ¾”. Comers expertly repaired, few tiny spots to image touched
Circa 1950s. Lithograph in colors. 40 x 25”. Few closed tears up. Linen backed. A-.
to upper border; expertly repaired. Linen backed. A. 156. [India] Klein, David (1918–2005). India / Fly TWA. Circa 200/300
250/350 1960s. A bejeweled elephant sculpture replete with howdah
fills the center of the poster. 40 ½ x 25”. Pinholes at corners; 160. Singh, Sobha. Kashmir / Indian Railways. Bombay: G.
expertly repaired. Linen backed. A. Claridge. Lithograph in colors. 39 x 25”. Several small creases
600/800 and tears to corners and lower image area; expertly repaired.
Linen backed. B+.
157. [India] Newsome, Dorrie. [India]. Calcutta: E.I.R. Press, 200/300
1938. A colorful stone lithograph of an ocean side city in
India. 39 x 25”. Large closed tear to lower image area; expertly
repaired, professional inpainting to lower corners, few scuffs to
image. Linen backed. B.
153 300/500
166 167 168 169
163 164
161
170 172 173
171
162
165 166. Japan Air Lines / Hong Kong. 1968. Color photo-offset 170. Japan Air Lines. 1970s. Airline poster employs a
airline poster depicts a beautiful woman at a harbor in handsome woodblock print of a geisha. 39 x 25”. Unmounted.
161. Igumnov, Sergey (1900–1942. Soviet Armenia. [USSR]: 163. Jal. Visitez La France / Prenez nos trains et nos autocars. Aberdeen, Hong Kong. 39 ¼ x 25 ¾”. Minor repaired tears. Closed tear to upper margin. B+.
Intourist, 1935. A stunning lithograph depicting the Soviet’s France, ca. 1952. Offset lithograph railways travel poster. 39 x Linen backed. A-. 100/200
engineering skills and advanced modern machinery of 24”. Few spots of soiling, scattered closed tears. Linen backed. 200/300
the period. 35 x 24 ½”. Horizontal creases at borders with B+. 171. Jacquelin, Jean. SS France / French Line. Paris, 1960s.
professional touch ups affecting image area, few spots of 200/300 167. Japan Air Lines / Hong Kong. 1960s. Color photo-offset Bold lithograph travel poster depicts an ocean liner against a
inpainting at margins. Linen backed. B. poster of a woman at a harbor, a DC-7C jetliner illustrated in tri-color backdrop. 24 x 14 ¼”. Linen backed. A.
1,000/2,000 164. Jal. Provence. Paris: Paul Marital/ French National lower right. 29 x 20”. Linen backed. A. 150/250
Railroads, 1952. Painterly design of a French countryside view 150/250
162. Ioffe, Mark Semenovich (Russian, 1864–1941). [The from a window. 39 ¼ x 24 ½”. Tiny spot of inpainting to title. 172. Jarvis, William (1903–1964). Cunard White Star Cruises.
Best Rest is to Vacation on the Volga]. Moscow: Mosgublit, Linen backed. A. 168. Japan Air Lines / Hong Kong. 1960s. Color photo-offset Circa 1935. A stunning bird’s eye view of the Cunard decks.
ca. 1930s. Lithograph in colors designed by a Russian Jewish 250/350 travel poster depicting a woman on a Hong Kong excursion 40 x 25”. Two large closed tears with tiny loses affecting outer
artist and photographer that once employed Marc Chagall boat. 39 x 25”. Over-painting lower left corner. Linen backed. image area; expertly repaired. Linen backed. B.
at his photo atelier. 10 x 14”. Upper corner creased. Linen 165. Japan Air Lines / Formosa. 1960s. Photo-offset travel A-. 300/500
backed. A. Rare. poster depicting an aboriginal girl at Sun-Moon Lake.29 x 20”. 150/250
200/300 Repaired tape marks to corners. Linen backed. B+. 173. Jebary, James. Minneapolis, St. Paul / United Air Lines.
Provenance: from the collection of Viktor Kholodkov (1948– 200/300 169. Japan Air Lines / Singapore. 1960s. Color photo-offset 1969. Offset lithograph travel poster depicting Paul Bunyan
2015), who devoted his life to collecting and dealing prominent poster depicting Singapore River and Raffles Place. 39 x 24 and Babe the Blue Ox. 40 x 25”. Few tiny spots of professional
works of Russian graphic art of the first half of the 20th century. ½”. Linen backed. A. inpainting at margins. Linen backed. A.
150/250 200/300
174 175 176 179
183
181
182
181. Kingman, Dong (1911-2000). Pan Am / 50th Anniversary

of the China Clipper. 1985. Poster depicting a watercolor by
Kingman, with route of the China Clipper from San Francisco to
177 180
Manila. 38 ½ x 27”. Linen backed. A. Smithsonian National Air
178 and Space Museum, A19960182000.
200/300
174. Jegerlehner, Hans (1906–1974). En Suisse les Chemins 178. Kauffer, Edward Mcknight (1890-1954). San Francisco 182. Kingman, Dong (1911-2000). American Airlines /
de fer Montent. Zurich: J.C. Müller, 1951. Lithograph in colors. / American Airlines. Circa 1948. Travel poster depicting the Acapulco. Circa 1960s. Painterly, watercolor image of an
39 x 25”. Tiny loss to lower corner. Unmounted. A-. 184
Golden Gate Bridge, bay area, and hillside homes of San Acapulco beach scene. Small version. 15 x 20”. Linen
100/200 Francisco. 39 ½ x 30”. Short closed tears to margins; expertly backed. A.
repaired with inpainting. Linen backed. A-/A. 150/250
175. Judd, David. Fly There by BOAC. 1961. A painterly 600/800
lithograph featuring a Chinese junk boat. 39 x 25”. Few tiny 183. Kingman, Dong (1911-2000). American Airlines /
spots of professional inpainting near borders. Linen backed. A. 179. Kauffer, Edward McKnight (1890–1954). Pan Am to Mexico. Circa 1960s. Painterly image of a busy square and
200/300 Scandinavia via Oslo by Jet Clipper. Circa 1948. Lithograph cathedral. Small version. 20 x 15”. Linen backed. A.
in colors. 40 x 30”. Light inpainting to upper edge. Linen 250/350
176. Jungbluth, N. Brasil / Varig. Circa 1960s. Color lithograph.
backed. A.
39 ¾ x 23 ½”. Few tiny scuffs affecting image area; expertly 184. Klein, David (American, 1918–2005). Africa / Fly TWA.
150/250
repaired. Linen backed. A-. Circa 1960. Classic travel poster filled with zebras grazing on
200/300 the tall African prairie grass, printed with TWA advertisement in
180. Kaufman, Van. San Diego / American Airlines. Circa
1970s. Colorful lithograph advertising golfing and sailing for lower corner. 39 ¾ x 25 ¼”. Linen backed. A.
177. Kauffer, Edward McKnight (1890–1954). Holland / 500/700
American Airlines. 1948. Original stone lithograph depicting travelers. 40 x 30”. Linen backed. A.
colorful tulips, white clouds and a windmill silhouetted in the 300/400
185. Klein, David (1918–2005). Europe / Fly TWA Superjets.
background. 40 x 30”. Professional inpainting to margins and Circa 1965. Collage of iconic European landmarks fill the
corners, closed tear to lower image; expertly repaired. Linen poster including the Eiffel Tower, Big Ben, and the Coliseum.
backed. B. 40 x 25”. Linen backed. A.
250/350 185
150/250
186 187 191 192
188 189 190 193 194 195
186. Klein, David (1918–2005). Fly TWA Chicago. Circa 188. Klein, David (1918–2005). Holy Land / Fly TWA Jets. 191. Klein, David (1918–2005). New York World’s Fair / Fly 193. Klein, David (1918-2005). Rome / Fly TWA Jets. Circa
1960s. Color lithograph travel poster featuring a view of Lake Circa 1960s. A vibrantly colored lithograph of Noah’s Ark TWA Jets. 1964/65. One of the rarest of all New York World’s 1960s. Colorful offset lithograph. 40 x 25”. Linen backed. A.
Shore Drive, the Water Tower, and other city landmarks. 40 floating towards the Holy Land. 40 x 25”. Few tiny chips to Fair posters filled with fireworks and the fair’s giant globe on 150/250
x 25”. Slight overall browning, inpainting to corners. Linen lower corner margin; expertly repaired. Linen backed. A. a bright orange background. 40 x 25”. Pinholes at corners;
backed. A-. 200/300 expertly repaired. Linen backed. A. 194. Klein, David (1918–2005). Italy / Fly TWA. Circa 1962. A
400/600 1,500/2,500 stylized depiction of Piazza San Marco in Venice as a TWA jet
189. Klein, David (1918-2005). London / Fly TWA Jets. Circa flies over. 40 x 24”. Closed tear to upper margin area; expertly
187. Klein, David (1918–2005). Fly TWA Miami. Circa 1960s. 1960s. Travel poster filled with London landmarks rendered 192. Klein, David (1918–2005). Paris / Fly TWA Jets. 1962. repaired, light inpainting to lower margin. A-/A. Linen backed.
Color lithograph depicting sunshine and shades. 40 x 25”. Few in Klein’s iconic mid-century style, printed with a “round trip Iconic travel poster bearing a central image of the Eiffel Tower 300/500
chips to upper right corner. Unbacked, rolled. B/B+. excursion fare” advertisement. 40 x 25”. Linen backed. A. surrounded by fireworks. 39 ¾ x 25 ¼”. Professional inpainting
400/600 200/300 to corners and edges. Linen backed. A-. 195. Klein, David (1918–2005). Ireland / Fly TWA Superjets.
700/900 Circa 1960s. Mosaic-like depiction of Irish castles, a TWA jet
190. Klein, David (1918–2005). Los Angeles / Fly TWA Jets. overhead in silhouette. 39 x 25”. Old faint adhesive ghosting to
U.S.A., ca 1960s. Vibrant travel poster shows a blazing sun upper corner. Linen backed. A-/A.
over a mission belfry, backed by palm trees. 39 ¾ x 25 ¼”. 250/350
Linen backed. A.
200/300
201 202 203
196 197 198
196. Klein, David (American, 1918–2005). New York World’s

Fair / Fly TWA Jets. U.S.A., 1964/65. One of the rarest of all
New York World’s Fair posters, filled with fireworks and the
fair’s giant globe on a bright orange background. Small version.
24 ¾ x 15 ¾”. Expertly repaired tears with over-painting. Linen
backed. B+.
1,200/1,800
197. Klein, David (1918-2005). London / Fly TWA Jets. USA, ca.
1960s. Airline poster filled with London landmarks rendered
in Klein’s iconic mid-century style. 25 x 15 ¾”. Linen backed.
Nice clean example. A.
250/350 204 205 206
198. Klein, David (American, 1918–2005). Paris / Fly TWA

199 Jets. USA, 1962. Iconic travel poster bears a central image of 201. Klein, David (1918 - 2005). Rome Via TWA. 1960s. 204. Greco, S. Fly TWA to Ireland. Circa 1955. A TWA jet flies
the Eiffel Tower surrounded by fireworks and a silhouette of Vintage travel poster bears Klein’s representation of the over the Irish countryside, a massive Celtic cross fills the right
a TWA jet. 25 x 15 ¾”. Expert over-painting in upper corners Fountain of Neptune. 40 ¼ x 25 ¼”. Minor closed tear at left side of the poster. 40 ¼ x 25”. Linen backed. A.
repairing staple marks. Linen backed. A-. margin. Linen backed. A. 300/500
300/500 300/500
205. Fly TWA Switzerland. Circa 1950s. Lithograph travel
199. Klein, David (1918-2005). Germany / Fly TWA Jets. USA, 202. Klein, David (attributed to). TWA / Star Stream Jet. Circa poster featuring the Swiss mountains and a small village on
1960s. Offset lithograph. Small version. 25 x 15 ½”. Linen 1960s. An iconic image of the tail end of a TWA Star Stream Jet a lake in the foreground. 39 ½ x 25 ¼”. Short closed tears to
backed. A-. airplane. 40 x 25”. Pinholes at corners, lower corner expertly borders; expertly repaired. Linen backed. A-.
150/250 repaired. Linen backed. A-. 300/400
500/700
200. Klein, David (American, 1918-2005). American Airlines 206. Melai, Auguste. KLM / [Far East]. Rotterdam: Kuhn en
/ Chicago. USA, ca. 1975. Offset lithograph on glossy paper. 203. Greco, S. TWA / France. 1950s. A French tailor Zoon, ca. 1954. Vintage airline poster symbolizing travel to
20 ⅛ x 15”. Small pinholes to corners. Linen backed. A-. mannequin draped in a long red robe dominates the image, the Far East, this copy without the over-print. 39 x 24”. Linen
200/300 the city of Paris in the background. 40 x 25”. Over-painting backed. A.
along top edge, repaired tears with in-painting to edges. Linen 250/350
backed. B.
200 300/500
207 209 210 213
214 215 217
214. Ley. Mexico / Perfect Year Round Climate. 1950s.

Tourism poster depicts a woman lounging in sandals and
swimsuit, advertising Mexico’s perfect vacation climate in all
seasons. 37 ½ x 27 ½”. Over-painting along folds; repaired
losses in margins, scattered repaired tears. Linen backed. B.
100/200
215. Ley. Wonderful Mexico has Everything! Juarez: S.

Turanzas, ca. 1950s. Tourism poster of the Sun against a black
background, white lettering. 37 x 28”. Minor over-painting
along folds. Linen backed. B+.
150/250
216 218
216. Wonderful Mexico has Everything. Juarez: S. Turanzas del
Valle, ca. 1950s. Tourism poster with illustrations exemplifying
208 211 212 the many attractions in Mexico. 37 x 27 ½”. Scattered over-
painting along creases and edges. Linen backed. B+.
100/200
207. Maaden, Piet van der. KLM / South Africa. Rotterdam, ca. 211. Landolt, Otto (1889–1951). Lucerne Beach. Aarau:
1950. Vintage airline poster. 39 x 23 ½”. Linen backed. Few A. Trüb, ca. 1929. Lithograph in colors depicting a woman 217. Libiszewski, Herbert Berthold (1897–1985). Switzerland
spots of light soiling. A-. sunbathing at the beach in Switzerland. 37 x 24”. Pinholes / Alpine Postal Motor Coaches. Zuerich: J.C. Muller, ca. 1950s.
200/300 at corners; expertly repaired, few minor touch ups to borders. A brightly colored travel poster of a yellow road twisting through
Linen backed. A-/A. the Swiss Alps. 39 x 24 ½”. Linen backed. A.
208. Lacaze, Julien. Alsace and Lorraine Railways / 400/600 300/400
Picturesque Lorraine. Circa 1920s. Lithograph. 36 ½ x 24”.
Scattered repaired tears, a few affecting image, with over- 212. Laurence, Sydney (1865-1940). Alaska / Northern 218. Ligtelijn, Evert J. (1893–1975). Per Spoor naar Bos en
painting. Linen backed. B+. Pacific. St. Paul: Brown & Bigelow, ca. 1931. Halftone Heide. Circa 1938. Lithograph in colors depicting a young
250/350 lithograph depicting an indigenous Alaskan sailing near a woman and her dog exploring the dense forest. 42 x 31”. Few
mountain. 40 x 30”. Small spot of expert inpainting to upper horizontal creases to lower image area. Linen backed. A-/A.
209. Lancaster, E. Air France / Paris. Paris: A. Karcher, 1956. margin. A. Linen backed. 100/200
Lithograph in colors. 39 x 24”. Large patches of inpainting to 400/600
margin affecting image area. Linen backed. B. 219. London / The Bastion of Liberty. London: Pictorial Maps 219
150/250 213. Ley. More for Your Dollar in Mexico. 1950s. A gleeful tourist Ltd., [ca. 1960s]. Highly detailed pictorial map with an overview
“stretches” his dollar around notable Mexican attractions while of London, vignettes of notable sites and venues along
210. Landolt, Otto (1889–1951). Lucerna. Switzerland: holding a piece of pottery. 38 x 27 ½”. Scattered over-painting borders. 22 x 27 ½”. Pinholes at corners; expertly repaired,
S.A. Balle, ca. 1930s. Lithograph in colors. 37 x 24”. Linen along folds and edges. Linen backed. B+. some inpainting to margins. A. Linen backed.
backed. A. 100/200 400/600
150/250
224 225 226
222
220
229
227
228
224. Loning, Nicholas (Dutch, 20th century). Suriname. Circa 227. Lourdes. Paris: Paul Martial, ca. 1950s. A travel poster
1950s. Color lithograph issued by the Surinam Tourist Bureau. depicting a small town among the Pyrenees. Lourdes is also a
221 223 major Catholic pilgrimage site, which is evidenced by the image
25 x 16 ¼”. A-. Linen backed.
100/200 of thousands of Catholics with lit candles surrounding a small
220. [London Transport] Andrews, Sybil (“Andrew Power”) 222. [London Underground] Galpin. Road–Rail Facilities. church perched in the mountains. 39 x 24 ½”. Professional
(1898–1992). Lord’s / Oval. London: Waterlow & Sons, 1934. London: Waterlow & Sons, 1932. Advertisement for the 225. Loof, Aurel de. Visitez les “Aquariums Mosans”. Morjos restoration to corners, not affecting image. B+/A-. Linen backed.
Lithograph in colors. From 1925 to 1935, Andrews designed London Tube, enabling “passengers to travel by bus or tram to Gand, 1950. Lithograph in colors depicting fish swimming 250/350
nine posters for the London Underground, working under certain Underground stations”. 39 x 25”. Light toning or soiling below a rocky cliff. 36 x 24”. Linen backed. A.
the pseudonym of Andrew Power as “a tribute to Cyril Power, to edges, few tears to upper corners. Old linen backing. B. 200/300 228. Ludekens, Fred (1900–1982). American Airlines /
with whom she shared a studio and collaborated at the time” Rare (we could only locate one copy- that being in the London Arizona. 1950s. Vintage travel poster evoking Western imagery
(London Transport Museum). 39 ½ x 24 ½”. Lower corners Transport Museum). including a saguaro cactus, a couple on horseback, and
226. Louch, Paul. Barbados Trinidad. Trans-Canada Air Lines.
professionally repaired, few small creases to image with light 300/500 Spanish style architecture in the background. 39 ½ x 30 ½”.
Circa 1950s. A vibrant travel poster depicting Caribbean
touch ups, occasional dust soiling. Linen backed. B-. Over-painting to bottom corners. Linen backed. B+.
dancers with an image of a Trans-Canada Airliner. 30 x 20”.
223. [London Underground] This Week Outdoors. London: 600/800
2,500/3,500 Light creasing and expert over-painting to corners and edges.
Waterlow & Sons, 1933. Advertisement for the London Tube,
showing the various London Underground stations travelers Linen backed. B+. 229. Ludekens, Fred. Acapulco / American Airlines. Circa
221. [London Underground] Freedman, Barnett (1901–1958). 250/350
can get off at to watch their favorite sporting match, framed 1950s. An aerial view of a pink-roofed resort surrounded by
Theatre / Go by Underground. London: Curwen Press, 1936.
within a colorful pictorial border. 39 x 25”. Light marginal lush forest with people lounging by the pool and sailing all
Issued by the London Transport. 12 x 14”. Vertical center
toning, two mounting strips affixed to upper border. Old linen cleverly displayed within the silhouette of a flamenco dancer.
crease visible. Linen backed. A-. backing. B. Rare. 39 ¾ x 29 ¾”. Light toning at outer edge. Linen backed. A-/A.
100/200 300/500 200/300
236 237 238 239
230 231 232
240 242
241
233 234 235
230. Lugano. Switzerland, ca. 1940. Lithograph in colors. 40 233. Montels, Jean. Toute l’Afrique / Au Cameroun. Circa 236. Maroc [Morocco Tourism Poster]. Rabat: Office Morocain 240. Fly to Morocco by Sabena. Brussels: Linsmo, ca. 1960s.
x 25”. Few tiny spots of inpainting to border. Linen backed. A. 1950s/60s. A travel poster colored in the traditional Pan– du Tourisme, ca. 1950s. Photo offset poster bearing a photo by Vibrant travel posters advertising travel to Casablanca,
100/200 African colors, depicting a massive elephant partially shaped Pigneux. 39 ½ x 23 ¾”. Linen backed. A-. Marrakech, Rabat, Fez, and Meknes. 39 x 25”. Few small
into the African continent. 34 x 25”. Professional inpainting to 150/250 closed tears at borders; expertly repaired. Linen backed. A.
231. Matisse, Henri, after (1869–1954). Nice / La Danseuse border, faint marring to lower image. Linen backed. A-. 150/250
Creole. Paris: Mourlot, 1965. Color lithograph published by the 300/500 237. Maroc [Morocco Tourism Poster]. Rabat: Office Morocain
French Tourism Office. 39 x 24”. Few creases visible at or near du Tourisme, ca. 1950s. Photo offset poster bearing a photo of 241. Mora, Jo (1876–1947). California. Monterey, CA: Jo Mora
margins, old sellotape to upper corners. Unmounted. B+. 234. Morbiducci, Publio (1889–1963). Ravello. Italy: the Moussems festival. 39 ½ x 23 ¾”. Linen backed. A-. Publishing, 1945. A pictorial map of California with numerous
200/300 Calcocromia LGDA Novara, 1933. Original stone lithograph of 150/250 colorful illustrations. 25 x 19”. Light dust smudging to margins
a painterly design. 39 ½ x 27 ½”. Vertical center fold present, with few small closed tears repaired using archival techniques,
232. Mendoza. Floribbean Vacations / Jet National. Circa few scuffs to image, tiny closed tears to margins; expertly 238. Maroc [Morocco Tourism Poster]. Rabat: Office Morocain light creasing to image. Linen backed. B+/A-.
1960s. Silkscreen advertisement for travel pricing to Florida repaired. A-/A. Linen backed. du Tourisme, ca. 1950s. Photo offset poster bearing a photo by 1,000/1,500
and the Caribbean. 41 ½ x 28 ½”. Professional inpainting at 150/250 Belin. 39 ½ x 23 ¾”. Linen backed. A-.
corners. A. Linen backed. Rare. 150/250 242. Muller, John. TWA / Boycott of Conscience 1986. Kansas
300/500 235. Moreno, A. Iberia / Vuele A Roma. Spain: Departamento City: Allied Printing. Offset lithograph in colors. 53 x 34”. Linen
De Publicidad De Iberia, ca. 1950s. An Iberian jet flies over a 239. Maroc [Morocco Tourism Poster]. Rabat: Office Morocain backed. A.
column from the Roman Forum. 38 ½ x 26 ¼”. Several expertly du Tourisme, ca. 1950s. Photo offset poster bearing a photo of 100/200
repaired closed tears, inpainting to margins. Linen backed. A-. Kasbas Berberes. 39 ½ x 23 ¾”. Linen backed. A-.
150/250 150/250
254 256
255
243 244 245
243. Mykkänen, Martti (1926–2008). Contemporary Finland 250. New Zealand / Go There by NAC. Hastings: Pictorial
/ Lahti. Colorful lithograph of a young boy holding a bunch of Publications, ca. 1960s. Photographic lithograph of Pohutu
balloons. Designed by the winner of the “Best Book Cover of Geyser in Rotorua. 29 x 19 ½”. Linen backed. A.
the Year” award in Finland. 39 x 24”. Linen backed. A. 100/200
150/250
251. Nielsen, Otto (Danish, 1916–2000). Africa / Scandinavian
244. Jet National / Florida. 1960s. Color photo-offset airline Airlines System. Copenhagen: Axel Andreasen & Sonner, ca.
poster. 42 x 28 ½”. Scattered repaired marginal tears. Linen 1960s. Two elephants walk toward the viewer with a green
backed. A-. background and silhouette of an SAS jet flying underneath
100/200 a crescent moon. 39 x 24 ½”. Few corner pinholes, expertly
repaired. A. Linen backed.
245. Nathan-Garamond, Jacques (French, 1910-2001). 200/300
Air France / Amérique du Nord. Paris: S.A. Courbet, ca.
1950s/60s. Colored lithograph. 39 x 24 ½”. A. Linen backed. 252. Northeast Airlines / Maine. 1960s. Photo-offset travel
300/400 poster depicts a couple and their child on the rocky coast of
Maine. 35 x 24”. Minor repairs to edges. Linen backed. A.
246. Nevin, Pat (1912–1995). See Britain from Her Roads. 125/225
246 247 248 249
London: Blades, ca. 1950. Produced for the Tiling Group of
Omnibus Companies in London, illustrating a picturesque 253. Northwest Orient Airlines / Pacific Northwest. 1960s.
fishing village in southeast England. 30 x 19”. Inpainting to Color photo-offset travel poster. 40 x 25”. Repaired tears with
upper margin. Linen backed. A- over-painting around edges. Linen backed. B+.
100/200 100/200
247. Newman, Earl. Sausalito / California. Circa 1964. A full 254. Northwest Orient Airlines / Hong Kong. 1960s. Vintage
spectrum of colors showing downtown Sausalito. 35 x 22”. airline tourism poster depicting a junk boat. 40 x 25 ¼”. Linen
Linen backed. A. backed. A-.
100/200 100/200
248. New Zealand / Go There by NAC. Wellington: R.E. Owen, 255. [Olympics] Sysimetsia, Ilmari (1912-1955). XVth Olympic
ca. 1960s. Photographic lithograph of Lake Wakatipu in Games / Helsinki Finland. Helsinki: Oy. Tilgmann AB, 1952.
Queenstown. 38 ½ x 25”. Tiny spots of professional inpainting English version of the poster featuring a nude man running
to upper corner. Linen backed. A-. across the globe. Small version. 15 ¼ x 10”. Tiny restored
100/200 losses to edges. Linen backed. A-.
300/500
249. New Zealand / Go There by NAC. Wellington: R.E. Owen,
250 251 252 253 ca. 1960s. Photographic lithograph of Fiordland National Park 256. Oskar. Cascais / Portugal. A painterly image of a red sun
in Milford Sound. 38 ½ x 25”. Closed tear to upper margin; towering over the bay. 36 x 24 ½”. Professional inpainting to
expertly repaired. Linen backed. A. few spots of image area and lower corners. Linen backed. A-.
100/200 150/250
263 264 266 267
257 258 259
265 268 269

260 261 262
257. Pan Am / Africa. 1960s. Offset lithograph poster of a 261. Pan Am / South America. USA, 1960s. Photo-offset 263. Pan Am / Find a Place of Your Own. 1970s. Color photo- 267. Fly Piedmont Airlines / Wilmington. Circa 1960s.
stately woman in profile. 42 x 28”. Linen backed. A. travel poster depicting a lush rain forest. 42 ½ x 28”. Linen offset travel poster depicting a woman walking along a tranquil- Photographic lithograph in colors. 35 x 24”. Few tiny
500/700 backed. A. looking stream. 42 x 28”. Linen backed. A. professional touch ups along the borders. Linen backed. A.
200/300 150/250 100/200
258. Pan Am / South America. 1960s. Photo-offset travel Designed by Ivan Chermayeff’s agency, and one of several
poster of the Christ the Redeemer statue atop Corcovado in posters from the Pan Am’s World series held at the Museum 264. Pena, A.X. Tejuanas / La Moda. Mexico, 1935. Lovely Art 268. Prenot. Montreux / Switzerland. Vevey: S.A. Lith.
Rio de Janeiro. 42 x 28”. Minor restored tears to edges. Linen of Modern Art. Deco-style poster/calendar depicting two women with gourds Klausfelder, ca. 1962. Color lithograph of a painterly scene on
backed. A-. and fruit surrounded by lush vegetation. 19 ½ x 13 ½”. Light the Mediterranean. 40 x 25”. Linen backed. A.
200/300 262. Pan Am / South Pacific. USA, 1960s. Photo-offset travel soiling and spotting. Linen backed. A-. 200/300
poster of a lone man silhouetted against a beautiful watery 150/250
259. Pan Am–Panagra / South America. Circa 1960s. Offset landscape. 42 ½ x 28”. Minor repaired edge tears. Linen 269. Pulford, Eric (1915–2005). Africa / Fly There by BOAC.
265. Perronnet, M. Mont St. Michel. Paris: M. Dechaux, ca.
lithograph in colors. 42 x 28”. Linen backed. A. backed. A-. Circa 1960. A handsome lithograph depicting an image of
1930s. Travel poster depicting an image of the island of Mont
200/300 400/600 an elephant with a vignette of several tourist attractions in
St. Michel. 38 ¼ x 24”. Portions of margins expertly repaired,
Designed by Ivan Chermayeff’s agency, and one of several Africa. 29 x 19 ½”. Corners expertly repaired using archival
inpainting to image area. Linen backed. B.
260. Pan Am / Scandinavia. USA, ca. 1964. Photo-offset posters from the Pan Am’s World series held at the Museum 600/800 techniques, few spots of professional inpainting to image area
travel poster, one of Pan Am’s “beautiful women of the world” of Modern Art. and border. Linen backed. B.
series of the mid-1960s. 42 x 28”. Restored corner loss upper 266. Fly Piedmont Airlines / Myrtle Beach. Circa 1960s. 400/600
left; minor touch-ups to edges. Linen backed. A-/B+. Photographic lithograph in vibrant colors. 35 x 24”. Pinholes at
200/300 corners. Linen backed. A.
100/200
274 275
271
270
276 277 278
274. Rogers, Harry (1929-2012). Qantas / New Guinea. 277. Qantas / Australia. 1960s. Color offset airline travel
Sydney: William F. Schey Pty. Ltd., ca. 1950s. A bird of paradise poster executed in the style of an aboriginal bark painting
272 273
watches as a Qantas jet flies overhead. 19 ½ x 14 ½”. Several depicting a Butterfly Cod fish of the Great Barrier Reef. 39 x
repaired tears with over-painting in image. Linen backed. B-. 25 ¼”. Minor marginal wear. Linen backed. A-. From a series of
270. Rallye Automobile Monte-Carlo. Antar. France: Vox, 272. Rhodos / Griechenland. 1969. Photographic litho of 250/350 posters that used a technique of oil painting on glass.
1933/1934. Beautiful color lithograph poster advertising the Greece taken by P. Lambrou. 38 x 27”. Crimped edges, few 200/300
French brand of Antar oil, depicting a cherry red racecar zooming small creases to image area. Rolled. B. 275. Rogers, Harry (Australian, 1929-2012). Qantas / Europe.
through the cliffsides of Monte-Carlo. 31 x 24”. Repaired 40/80 Sydney: William F. Schey Pty. Ltd., ca. 1950s. Color lithograph 278. Qantas / London. 1960s. Color offset poster depicting
marginal tears with light in-painting to image; small restored on linen-finish paper. 40 x 29 ¼”. Repaired tears and losses to St. Paul’s Cathedral. 39 x 25 ¼”. Minor marginal wear. Linen
edge losses; image bright and clean. Linen backed. B+. 273. Rasmussen, Aage (1913–1975). –Til Fods / lower corners with inpainting, repaired marginal tears. Linen backed. A-. From a series of posters that used a technique of
1,500/2,500 Statsbanernes Fodtursbrochure Udleveres Her. Dyva & backed. B+. oil painting on glass.
Jeppesens, 1939. Translated from Danish to English: “On Foot, 300/500 150/250
271. Garnier, Simone. Riviera Cote d’Azur. Bellegarde: Sadag, State Railway’s Walking Tour Brochure is Handed Out Here”.
ca. 1940s. A colorful pictorial map of the French Riviera. 38 x 39 x 24 ½”. Faint horizontal crease to upper image, small ink 276. Rogers, Harry (Australia, 1929-2012). Qantas / Rome.
24”. Two corners expertly repaired, toning at margins. Linen splatter to title. Linen backed. B+/A-. Australia, 1950s. Offset lithograph airline poster depicting
backed. B+. 200/300 the Coliseum as seen from a café table with a wine bottle
250/350 and glass. Designed by HR (monogram). 39 x 29 ¼”. Short
repaired tears at edges. A-.
200/300
281 282
280
283 284 285
280. Rasmussen, Aage. Vinderup / Denmark. Copenhagen: 283. Elms, William Frederick (1900-1956). Santa Fe [Railroad]
Rasmussen & Nilsson, 1952. Tourism poster depicting the / Red Cliffs / Continental Divide, New Mexico. Circa 1950s.
Mute Swan—Denmark’s National Bird—soaring against a blue Offset lithograph railroad travel poster. x 18”. Short crease
background in which a distant village is visible. 39 x 24”. lower center margin. Linen backed. A-.
Scattered restored losses and tears, mainly to edges and 300/500
corners. Linen backed. B+.
600/900 284. Elms, William Frederick (1900-1956). Santa Fe [Railroad]
/ Ten Little Navajos. Circa 1950s. Offset lithograph travel
279. Ragan, Leslie (1897-1972). Rockefeller Center New York / New York Central Lines. Long 281. Salt Lake City / Western Air Lines. Circa 1954. An image poster depicting Navajo children watching a Santa Fe Chief
Island City, N.Y.: Latham Litho & Ptg., ca. 1936. Lithograph. 41 x 27”. Expertly repaired losses of tourists flocking towards the Monument of Brigham Young train approaching. 24 x 20”. Linen backed. A.
at horizontal and vertical fold; restored tears and losses in image; over-painting in margins and and the Mormon Pioneers with the Mormon Temple in the 400/600
image. Linen backed. B-. background. 28 x 21”. Linen backed. A.
4,000/8,000 250/350 285. Santa Fe [Railroad] / Southern California. Circa 1950.
Bright offset lithograph travel poster with an illustration of a
282. Elms, William Frederick (1900-1956). Santa Fe [Railroad] woman in sunglasses wearing a Santa Fe bathing suit. 23 ¾
/ Navajo Land / Arizona-New Mexico. Circa 1950s. Offset x 18 ¼”. Small spot of over-painting upper right corner. Linen
lithograph railroad travel poster depicting a Southwestern backed. A-.
butte and Native American women. 24 x 18”. Linen backed. A. 400/600
400/600
286 287 288 292 293 294
292. Santa Fe Railways / Mission Churches roundabout

Santa Fe, N.M. 1930s. Tourism poster advertising rail travel to
historic churches in the Southwest. 36 x 24”. Restored losses
in margins and edges of image, over-coloring. Linen backed. B-.
200/300
293. Schlatter, Emil Ernst (1883–1954). Schwimmbad

Walzenhausen. Zurich: J.C. Müller, 1935. Lithograph in colors.
39 x 27 ½”. Few tiny closed tears to border. Mounted on
Japanese paper. A.
400/600
294. Seattle / United Air Lines. Circa 1962. Silkscreened

image of the Space Needle produced for the 1962 Seattle
World’s Fair. 41 ½ x 25”. Professional inpainting to upper
corner, few spots to image area. Linen backed. A. Scarce.
400/600
289 290 291
295. Sellheim, Gert (1901–1970). Corroboree / Australia.
Melbourne: F.W. Niven, 1934. Colorful stone lithograph
286. Santa Fe [Railroad] / The Chief Way. Circa 1950s. Offset 289. Perceval, Don (1908-1979). Santa Fe [Railroad] / depicting an Aboriginal dance ceremony; one of the first to
lithograph railroad travel poster depicting a Native American Hopiland. Circa 1950s. Offset lithograph railroad travel poster focus on the continent’s indigenous culture and history. 39 ¾ x
chief in headdress. 24 x 18”. Light over-painting in margins. depicting a Hopi Buffalo Dancer. 24 x 18”. Minor creasing 25”. Few horizontal creases to lower image, closed short tears
Linen backed. A-. lower left. Linen backed. A-. 295
to margin. Linen backed. B+.
400/600 300/500 1,000/1,500
287. Santa Fe [Railroad] / Santa Fe All the Way. Circa 1950s. 290. Villa, Hernando B. Santa Fe [Railroad] / Southwestern 296. Severin, Marc F. (1906–1987). The Belgian Marine
Offset lithograph railroad travel poster depicts a Native Dude Ranches. Circa 1950s. Offset lithograph travel poster Service / Southern Railway. London: Baynard, 1946.
American child lettering a slogan on the ground, as a Santa Fe depicting a cowboy and cowgirl. 24 x 18”. Expert over-painting Lithograph in colors celebrating a century of operating packet-
train passes in the distance. 24 x 18”. Linen backed. A. along top edge, minor touch-ups to edges and corners. A-. boat services between Ostend and Dover. 40 x 25”. Inpainting
300/500 400/600 to corners and edges. Linen backed. B.
150/250
288. Santa Fe [Railroad] / San Francisco. Circa 1950s. Travel 291. Santa Fe Railways / Grand Canyon. 1930s. Travel poster
poster depicting the Golden Gate Bridge at dusk. 24 ½ x 18. with a red-hued photograph of a man looking out over the vast 297. Cosmopolitan Singapore. Kuala Lumpur: The Straits
Linen backed. A. canyons, advertised as a stop for railway passengers “to or Times Press Ltd., ca. 1950s. Collage of Singapore scenes
400/600 from California.” 36 x 24”. Minor scuff in lower lettered area, against a red background with a tourist couple in the center.
minor expert repaired tears, a few into image, over-painting in 33 ½ x 22”. Scattered stains and discoloration in image;
margins. Linen backed. B-. extensive over-painting. Linen backed. B-.
300/500 296 297
150/250
302 303 304
298 300
305 306 307 308
302. [Ski] Shelton, Hal. Ski the Rockies with United Air Lines. 305. [Ski] Ski Vermont / The Beckoning Country. Montpelier:
USA, ca. 1960s. Offset lithograph of the Rocky Mountains, Vermont Development Department, ca. 1960s. Photographic
299 301 labeled with cities and ski towns from Denver to Salt Lake City, poster of cross-country skiers in Vermont’s backcountry. 32
and from Taos to Jackson Hole. 24 ½ x 37”. Expertly repaired x 22 ⅛”. Short repaired tears, some with minor in-painting.
marginal tear into image on right side; over-painted tape marks Linen backed. A-.
298. Smith, Bob. TWA / Los Angeles. Circa 1956. Original 300. Spradberry, Walter E. (1889-1969). Green Line / Flowers in corners. Linen backed. B+. 125/225
airline lithograph poster showcases Los Angeles’s natural of the Season. London: Waterlow & Sons, 1933. Bright 200/300
beauty, sunny skies, and historic Spanish missions, with a lithograph poster advertising the Green Line coaches as a
306. [Ski] Newman, Earl. Sea & Ski. America’s Sun Specialists.
four-engine TWA plane in the sky. 39 ½ x 25”. Repaired tears means of travel to observe spring flowers in the Greater London 303. [Ski] Jepsen, Charles Frederick. Mt. Snow Ski Land. Reno, ca. 1970s. Bold three-color poster advertising the
and over-coloring, mostly along right side, small creases and area. 40 x 25”. Expertly repaired losses in corners and margins; 1950s. Detailed map of Mt. Snow ski slope in Vermont featuring
a few restored small losses in image. Linen backed. B+. suntan lotion. 35 ½ x 22 ½”. Minor creases. Linen backed. A-.
repaired tears around edges. Linen backed. B+. insets of futuristic “aerial tramway” and a “telecabine.” 27 ½ x 150/250
900/1,300 800/1,200 22”. Expertly restored tape marks to corners. Linen backed. B.
Spradberry studied at Walthamstow Art School and exhibited at 300/500
the Royal Academy. He designed numerous posters for London 307. [Ski] U.S. Ski Team / World Championships / Portillo,
299. Soubie, Roger (French, 1898-1984). Chemins de Fer Chile. 1966. Color photo-offset poster advertising the FIS
Transport and Underground, as well as British Railways and 304. [Ski] Banff Springs / CP Hotels. Canada, ca. 1970s.
d’Alsace et de Lorraine / Le Haut–Barr. Paris: Cornille & Serre, LNER. His posters are held at the British Museum, Victoria & Alpine World Ski Championships. 30 x 21”. Linen backed. A.
ca. 1920s. A railway travel poster depicting old medieval ruins Offset lithograph tourism poster depicts skiers on the slopes,
Albert Museum, Museum of Modern Art, and other prominent with the majestic Banff Springs Hotel in the background. 36 x 100/200
on a French countryside. 41 x 29 ½”. Expertly repaired closed institutions. 24”. Expert over-painting in image; minor tears and creases to
tears with inpainting, light creasing to border. B+. Linen backed. 308. [Ski] Swissair / Greatest Ski Lift in the World. 1970s.
edges. Linen backed. B.
500/700 301. [Ski] Willmarth, William. Sun Valley Idaho. 1950s. Offset 200/300 Photo-offset airline poster depicting downhill skiers. 40 x 25”.
lithograph depicting a couple framed by skis. Small version. 16 Linen backed. A.
x 12”. Minor scuffing. Linen backed. A-. 150/250
300/500
316 317 318
309 310 315
311 312 313 314
319 320 321
309. [Ski] Suisse / Oberland Bernois. Zurich: Paul Attinger, 312. [Ski] Germany / Winter in Allgau. Munich, 1966. Color
1970s. Photo-lithograph offset poster after a photo of skiers by photo-offset poster depicts a couple of skiers on the slopes in
Philipp Giegel. Printed for the Swiss National Tourist Office. 40 Allgau. 29 x 20”. Linen backed. A. 316. Brian, Jean. Xth Winter Olympic Games / Grenoble 319. Comoz / Le Vrai Chambery / Inventeur du Vermouth
x 25”. Linen backed. A. 125/225 France. 1968. Offset lithograph poster for the 1968 Olympic Blanc. A. Mulcey, ca. 1930. Lithograph advertising poster
125/225 Games, the Olympic symbols illustrated in a downhill ski depicts a snowman with skis and a glass of white vermouth.
313. [Ski] France / Les 2 Alpes. Paris: Draeger, 1960s. Color position. 37 ½ x 25”. Linen backed. A. 15 ¾ x 12 ½”. Scattered over-painting primarily to edges and
310. [Ski] Gerster, Georg (Swiss, 1928-2019), Emil Schulthess photo-offset ski poster issued by the French Government, 200/300 corners. Linen backed. B+.
and Hans Frei. Swissair / Switzerland. Switzerland, ca. 1971. depicting a woman skier smiling at the viewer. Photo by 250/350
Airline poster with an air view of a ski marathon in Engadin, Ducatez. 23 ¾ x 15 ¾”. Linen backed. A. 317. Orne, Harold. New Hampshire. [Concord], ca. 1940s. A
Switzerland. 40 x 25 ¼”. Restored loss to lower right corner. 125/225 winter vacation travel poster featuring a photographic image 320. Borer, Al. Brunex. Zurich: Hug & Sohne, 1962. Offset
B+. Linen backed. From a series of over a dozen airview of two adorable sled dogs “at the end of the race.” 28 x 21”. lithograph advertising poster for the skiwear brand. 50 x
posters designed for Swissair, many examples of which are 314. [Ski] BOAC / Ski en France. 1960s. Tourism poster Over-painted tears and losses outside central image. Linen 35 ½”. Unmounted. Minimal edgewear. A-.
held at the Museum of Modern Art. The earliest printing of this published by the French Government, after a Kodak backed. B+. 300/400
poster, indicated by the Swissair logo. Ektachrome photo of skiers. 39 x 24 ¾”. A few marginal 200/300
250/350 repairs. Linen backed. A-. 321. Aigner, Paul. Winter Sports in Austria. Vienna: Brüder
125/225 318. Orne, Harold. New Hampshire. [Concord], ca. 1940s. Rosenbaum, ca. 1950. A woman gazes upon the slopes as a
311. [Ski] Austria. Vienna: G. Gistel & Cie, 1970s. Photo-offset Winter sports travel poster with a photographic illustration of ski lift roars by. 37 x 25”. Few short creases of scuffs to image.
winter sports tourism poster printed for the Austrian Federal 315. [Ski] Canada for Winter Sports / Canadian Pacific. N.p., a pair of skis in the snow outside a icicle-covered cabin at the Linen backed. A-.
Government. After a photograph by Markowitsch. A woman in ca. 1930s. Lithograph travel poster depicts backcountry A.M.C. Pinkham Notch Camp. 28 x 21”. Small restored loss 300/500
an all-red ski suit lounges at the foot of a ski slope, outside a skiers in the Canadian wilderness. 35 x 23 ¼”. Extensive over- upper right corner. Linen backed. A-.
lodge. 32 x 19 ½”. Linen backed. A. painting to tears and losses. Linen backed. B-. 200/300
125/225 300/500
322 326 329 332 333 334
322. Chermayeff, Ivan (American, 1932-2017). Pan Am’s 329. [Skiing] La Province de Quebec. Provincial Tourist
World / Austria. USA, ca. 1970s. Photographic travel winter Branch, ca. 1950. A woman is seen riding a ski lift as others fly
sports skiing poster. 42 x 28”. Short closed tears to outer edge; down the snowy mountain. 33 x 22”. Professional inpainting at
expertly repaired. Linen backed. A-/A. corners and border, few vertical creases visible to image area.
300/500 Linen backed. B/B+.
This series of posters by Chermayeff is held at the Museum of 300/500
Modern Art, New York.
330. Squaw Valley / Lake Tahoe. Circa 1950s. A rare stone
323. Percy, Loran. Ski Gunstock! Circa 1960s. Photographic
lithograph of the ski resort featuring the “world’s largest ski lift”.
lithograph “featuring the nation’s only twin double chairlifts!”
and “home of Penny Pitou ski school”. 28 x 22”. Few expertly 38 x 25”. Few short tears to outer margins; expertly repaired,
repaired tears to image. Linen backed. B. occasional small creases to image area. Linen backed. A.
323 324 325 327
100/200 1,000/1,500
324. Shelton, Hal. Sierra Blanca / Ruidoso, New Mexico. 331. Sun Valley, Idaho / Union Pacific Railroad. Circa 1950s.
Circa 1960s. Travel poster featuring Shelton’s detailed terrain Photographic lithograph of skiers gazing below at the snow-
representation of a skiing destination in New Mexico. 19 x 25”. covered lodge and the picturesque mountain range. 26 x 36”.
Linen backed. A. Linen backed. A.
150/250 600/800
325. Ski Colorado / Continental Airlines. Circa 1970s. 332. Burger Beer / South Carolina. Cincinnati/Akron, ca.
Photographic lithograph. 39 ½ x 25”. Pinholes at corners; 1955. Lithograph advertising poster depicting a horse-drawn
expertly repaired, few faint creases to image area. Linen
carriage outside a Southern plantation home. 25 x 21”. Linen
backed. B+/A-.
backed. Minor repaired tears in image. A-.
100/200
250/350
328 two of nineteen 326. Ski See Stay in the White Mountains / Franconia Village,
New Hampshire. Circa 1930s. A rare color lithograph of 333. Stockmarr, Erik (1905–1963). Dänemark. Andreasen
Cannon Mountain Ski Area. 38 x 25”. Linen backed. A. & Lachmann. 1937. Offset lithograph in colors. 39 x 24”.
600/800 Pinholes at corners, light spotting to margins. Unmounted. A-.
100/200
327. [Skiing] Fischer Ski / Top of the World of Skis. Circa
1970s. Photographic lithograph. 30 x 20”. Few small closed 334. Storm, Mark (1911–2002). Official Texas Brags Map of
tears at margin; expertly repaired. Linen backed. A. North America. Houston: John Randolph, [1948]. A whimsical
150/250 color lithograph showing a larger-than-life state of Texas,
pictorial borders. 17 ½ x 22 ½”. Fold lines visible as issued.
328. [Skiing] Large Group of 19 Photographic Ski Prints and Linen backed. A.
Posters from Out West. 1980s/2000s. Including Park City, 250/350
Telluride, Aspen, Crested Butte, Whitefish, Purgatory, Copper
Mountain, Fernie, The Grand, Snowbird, Squaw Valley, Park
330 City, Steamboat, and Taos Valley. Each framed. Largest, 27 x
22”. Fine examples.
331 150/200
335
336 337
341 342 343
344 345
338 339 340
335. Stummvoll. Tirol Austria / Walchsee. Circa 1940s. 338. Gerster, Georg (Swiss, 1928-2019), Emil Schulthess and 341. Gerster, Georg (1928-2019), Emil Schulthess and Hans 343. Gerster, Georg (1928-2019), Emil Schulthess and Hans
Lithograph in colors depicting a woman water skiing. 27 x 19”. Hans Frei. Swissair / Europe. Switzerland, ca. 1972. Color Frei. Swissair / West Africa. Switzerland, ca. 1971. Color offset Frei. Swissair / Argentina. Switzerland, ca. 1971. Photo-offset
Linen backed. A. photo-offset travel poster with an airview of 13th century airline poster with an airview of houses and granaries of Mali. airline poster of the harvest in the Pampas in Argentina. 39 ¾
200/300 star-shaped drainage in France. 40 x 25 ½”. Linen backed. 40 x 25 ½”. Linen backed. A. The earliest printing of this poster, x 25 ¼”. Minor wear. Linen backed. A. From a series of over a
A. From a series of over a dozen airview posters designed for indicated by the Swissair logo. MoMA 1585.2015. dozen airview posters designed for Swissair, many examples
336. Gerster, Georg (1928-2019), Emil Schulthess and Hans Swissair, many examples of which are held at the Museum of 300/500 of which are held at the Museum of Modern Art. The earliest
Frei. Swissair / California. Circa 1971. Color offset airline Modern Art. The earliest printing of this poster, indicated by the printing of this poster, indicated by the Swissair logo.
poster with an aerial view of salt evaporation ponds. 40 x Swissair logo. 342. Gerster, Georg (1928-2019), Emil Schulthess and Hans 200/300
25 ½”. Minor repaired tears. Linen backed. A. MoMa 200/300 Frei. Swissair / USA. Switzerland, ca. 1971. Color offset poster
1573.2015. with an aerial view of spring disking near Wichita, Kansas. 40 x 344. Swissair / [Grand Canyon]. N.p., ca. 1970s. Photo-offset
300/500 339. Gerster, Georg (1928-2019), Emil Schulthess and Hans 25 ½”. Linen backed. A. From a series of over a dozen airview airline poster depicts a Swissair jetliner over the Grand Canyon.
Frei. Swissair / Philippines. Circa 1971. Color offset airline posters designed for Swissair, many examples of which are 25 ½ x 39 ¾”. Linen backed. Slightest touch-ups along lower
337. Gerster, Georg (Swiss, 1928-2019). Swissair / Brazil. poster with an aerial view of a fish-trap and water-hyacinths. 40 held at the Museum of Modern Art. edge. A. From a series of over a dozen airview posters designed
Switzerland: Neidhart + Schon, 1970s. Photo-offset poster x 25 ½”. Minor creases. Linen backed. A. MoMA 1582.2015. 300/500 for Swissair, many examples of which are held at the Museum
depicting a dirt road winding through the Mato Grosso rain 200/300 of Modern Art.
forest. 40 x 25”. Linen backed. A-. From a series of over a 150/250
dozen airview posters designed for Swissair, many examples of 340. Gerster, Georg (1928-2019), Emil Schulthess and Hans
which are held at the Museum of Modern Art. Frei. Swissair / Holy Land. Circa 1971. Color offset airline poster 345. Swissair / [Swiss Alps]. N.p., ca. 1970s. Photo-offset
200/300 with an aerial view of King Herod’s Tomb near Bethlehem. 40 x airline poster depicts a Swissair Boeing 747B jetliner over the
25 ½”. Linen backed. A. MoMa 1577.2015. Swiss Alps. 25 ½ x 39 ¼”. Linen backed. A.
250/350 150/250
353 354 355
348 351
346
347 352
349 350
356 357 358 359
346. Switzerland / All-Electric Trains Everywhere. Zurich: Fretz 349. Thelander, Henry (1902–1986). Royal Danish Ballet 353. [United States Travel Service / Discover America] USA. 356. Valerio, Robert de (1896–1951). Saint–Nectaire. Paris:
Bros., 1940. A Swiss Federal Railways travel poster. 40 x 25”. Festival / Copenhagen, Denmark. Denmark: The National Circa 1968. Brightly colored lithograph depicting a Native Devambez. ca. 1925. Lithograph in colors. 39 x 25”. Few
Unmounted. A. Travel Association / Albert C. Petersen, 1952. Lithograph in American greeting the viewer. 40 x 25”. Light inpainting to creases at border to image. Linen backed. A.
200/300 colors. 39 x 24 ½”. Inpainting to corners, closed tear to upper edges, few scuffs to image area. Linen backed. A-. Scarce. 200/300
image. Linen backed. A-. 150/250
347. [Texas] Ozark is Big on Texas / Dallas-Ft. Worth. 1981. 100/200 357. Vepsäläinen, Olavi. Finland / Fly American Airlines.
Glossy offset lithograph travel poster, signed in plate by the 354. Vagnby, Viggo (Danish, 1896–1966). Hans Christian Finland: Oy Tilgmann, ca. 1950s/60s. Color offset lithograph.
350. Thollander, Earl. Napa Valley, California / Wine Country.
designer. 28 x 22”. Linen backed. A. Andersen / Odense Denmark. Odense: Hagen & Sorensen, 38 ½ x 24 ½”. Tiny short closed tears near corners; expertly
Nut Tree, 1971. Pictorial map of well-known wineries in Napa
80/125 ca. 1960s. A tourism poster for Odense, Denmark, where the repaired. Linen backed. A.
Valley. 35 x 24”. Repaired tears and slight losses to corners
expertly restored. Linen backed. B+. author Hans Christian Andersen was born, depicts “The Ugly 150/250
348. [Texas] Buelow. Viva HemisFair / Texas World’s Fair, 150/250 Duckling” next to an imposing white swan. 38 ¾ x 24 ¾”.
San Antonio. April 6 – Oct. 6, 1968 Ole! Poster on glossy Large closed tear to lower image area; expertly repaired, lower 358. Verbaere, Herman (Belgian, 1906–1993). Belgian
paper depicting a steer with a flower in its mouth, flags of 351. Toussaint, Maurice. La Bretagne Pittoresque / Lannion. corner creased. Linen backed. B+. National Railways / The Hills of Flanders. Liège: Benard,
many nations, including sponsor American Airlines. 20 x 15”. Paris: M Déchaux, 1922. One-sheet tourism poster advertising 300/500 ca. 1930s. A painterly image of rolling hills. 39 x 24”. Linen
Diagonal creases in lower image with some over-painting; travel to Brittany, Lannion via the French State Railways. 35 backed. A.
scattered abrasions in image. Linen backed. B+. x 29”. Closed tear to lower image area near border; expertly 355. Vagnby, Viggo (1896–1966). Wonderful Copenhagen. 200/300
200/300 repaired, few spots of inpainting to border. Linen mounted. A-. Copenhagen: J. Chr. Sorensen & Co., 1955. Lithograph in color
400/600 depicting a traffic controller stopping the pedestrians, trolley, 359. Verbaere, Herman (Belgian, 1906–1993). [Belgian
and car traffic to let ducks cross the street. 39 ½ x 24 ½”. Tiny National Railways] / La Campie. Brussels: J. de Grève,
352. Towner, Donald C. (1903–1985). The Abbeys of Britain. short closed tears to outer margin; expertly repaired. Linen ca. 1930s. Lithograph in colors. 39 x 24”. Several spots of
England: Chromoworks Ltd., 1949. Painterly image of Tintern backed. A. inpainting to lower image area. Linen backed. B.
Abbey. 30 x 19 ¾”. Linen backed. A.
300/500 100/200
100/200
370
367 369
360
362 366
361 363 364 365
371
360. Villa, Hernando B. Land of Pueblos / Santa Fe Railroad. 364. Weidema, F. (1915–1999). Verzend Per Spoor. 1947.
368
Circa 1950s. A railroad travel poster depicting southwestern Lithograph in colors advertising shipment to be to be sent by
Native Americans in a drum circle. 24 x 18”. Linen backed. A. rail. 42 x 31”. Few tiny spots of inpainting. Linen backed. A.
300/400 100/200 367. Wilkinson, Norman (British, 1882–1971). Come to Britain SPORTS
for Fishing. London: W.S. Cowell Ltd., ca. 1948. Lithograph in
361. Villemot, Bernard (1911–1989). Spain. Barcelona: 365. Weller, Don. Western Airlines / SkiBirds. Circa 1970s. colors of two fishermen casting their reels streamside with 370. [Boxing] Big George Foreman vs. Tommy “The Duke”
Rieusset, ca. 1940s. Lithograph in colors. 39 x 24”. Upper Colorful offset lithograph. 37 x 24”. Few light creases to mountains in the background. 29 ¾ x 20”. Linen backed. A. Morrison Window Card. 1993. Printed in black on white
corner creased with few closed tears. Linen backed. A-. margins or corners. Linen backed. A. 200/300 on heavy card stock, featuring the WBO Heavyweight
250/350 100/200 Championship at Remington’s in Chicago. 22 ½ x 17 ½”. Light
368. Zdinak. Bermuda / Pan Am. Circa 1960. Offset lithograph dust soiling, tape residue to upper and lower margins with
362. Weber, Eric. Jungfraujoch / Berner Oberland Schweiz. 366. Wiertz, Jupp. Berlin / Evening Near the Memorial Church. in colors. 42 x 28”. Few spots of professional inpainting at or slight marring. Scarce. [Together with:] “Chicago’s Finest Live
Circa 1950s/60s. Chromolithograph of skiers being pulled by German National Railway (translated to English), 1935. near corners. Linen backed. A. Amateur Boxing” Window Card (Tribune Showprint).
snow dogs or “polarhundes”. 39 x 25”. Profession inpainting Lithograph in colors showing a neon colored Berlin at night. 900/1,200 150/250
restoration to corners and margins, few small tears to image; 39 ½ x 25 ½”. Large closed tear to upper title; expertly
expertly repaired. Linen backed. B. repaired. Linen backed. B+. 369. West Coast Airlines / San Francisco. USA, ca. 1970s. 371. [Boxing] The International Contest Between Heenan vs.
800/1,000 400/600 Offset lithograph with a minimalist illustration of a cable car. Sayers at Farnborough… 1860. London: George Newbold,
40 x 25”. Short repaired tears lower left. Linen backed. A-. 1860. Color lithograph drawn by W.L. Dalton and executed by
363. Weidema, F. (1915–1999). Verzend Per Spoor. 1947. 200/300 Bufford Sons of Boston. Framed, 33 x 44 ½”. Image area and
Lithograph in colors advertising shipment to be to be sent by margins creased, outer margins stained, few abrasions.
rail. 42 x 31”. Linen backed. A. 200/300
100/200
373
372 374 378 380

379
382
381 383
378. Mühlberger, Max, photographer. 1972 Munich Olympic 381. Tormo. Mestalla / Proximo Domingo 12 de Enero de
375 376 377 Games. A brightly colored lithograph depicting the American 1932. Valencia: Ortega, 1932. An early soccer (fútbol) poster
Olympic basketball team. 46 x 33 ½”. Light inpainting to advertising an upcoming match between Valencia C.F. and F.C.
corners. A. Linen backed. Barcelona. 13 ½ x 9 ½”. Gentle age toning to outer margins.
372. [Golf] Melnhof, Mayr. Salzburg Klessheim / Golf. ca. 375. [Horses] Stenzel. Neustadt–Dosse / Grosses Reit 300/500 Linen backed. A.
1935. A striking golf advertisement on a blue background. und Fahrturnier. Hanel & Dietz, 1925. Lithograph in colors This poster is the rarer, larger size that was used in train 150/250
16 x 11”. Repaired tear to upper lower image area, inpainting advertising a horse race. 31 x 23”. Folds present with small stations, bus terminals, and locations within Munich.
to pinholes at corners, horizontal center fold visible. Linen tears at edges and folds; expertly repaired. Linen backed. B. 382. [Basketball] Cincinnati Royals / 1971-72. Cincinnati
backed. B-. 100/200 379. Pan American Games in Chicago. 1959. An advertisement Basketball Club Co., (1972). Black and white photo-offset team
100/200 printed in red and black for the “sports spectacle of the world!” roster poster with pre-printed signatures of the players in the
376. [Horses] Whitmore, Olive. Dublin Horse Show. Dublin: 41 x 28”. Fold lines present with professional inpainting along margin, including Hall of Famer Nate Archibald. 24 ¼ x 35 ¼”.
373. Cassidy. John Madden / Celebrity Golf Classic. 1991. The Temple Press, 1954. Advertising for one of the first horse lines. Linen backed. B+/A-. A few repaired tears in corners. Linen backed. A-.
Glossy poster. 25 x 19”. Rolled. Crease upper left corner. B+. jumping competitions ever held sponsored by Pan Am. 40 250/350 125/225
100/200 x 25”. Few short creases or tears to margins; also to upper The 1971-72 season was the team’s last in Cincinnati, before
corner and image area. Unmounted. B+. 380. [Tennis] Moneny, Enric (1903–1973). S’Agaró / IX relocating to Kansas City.
374. Hajnal–Kardos. X-Ème Jeux Universitaires Mondiaux 350/450 Concurso Internacional de Tenis. Barcelona: José Antonio,
d’Été. 1949. Lithograph in colors featuring track stars running 1950. A painterly advertisement for a tennis tournament in 383. Yerman, Marcia G. Women’s National 9-Ball
in the university competition. 23 x 16”. Pinholes at corners. 377. [Horses] Young Wellington / English Thoroughbred Costa Brava. 19 ½ x 13 ½”. Horizontal center fold visible. Championship. 1988. Bassette Printers, 1988. Poster
Linen backed. A. Stallion. Rochester: Charles W. Folsom, 1873. A stunning Linen backed. A. advertising the pool tournament in New York. The poster
100/200 pictorial broadside printed in red and black advertising for the 150/250 design was featured on the cover of Pool & Billiards magazine.
purchase of this “beautifully built jet black horse”. 31 x 17”. 34 x 24”. Minor creases. Unmounted. Rolled. A-.
Few closed tears at border; expertly repaired. Mounted on 80/125
Japanese paper. A.
100/200
ADVERTISING
384 385 386
387 388 389
384. [Advertising] Soufre Bouillie Engrais Gré. Marseille: 387. [Bicycles] Ravo, René. Velo Solex. Paris: Avenir, 1960.
Moullot, ca. 1920s. French advertisement lithograph featuring Lithograph in colors advertising the French motorized bicycle.
a baby eating grapes off of the vine by the artist, Stephano. 47 x 30”. Few spots of inpainting to upper corner, closed tear to
Framed, 35 x 27”. Occasional pale spotting. A. lower border; expertly repaired. Linen backed. A-.
150/250 300/400
385. [Ammunition] 1917 Hercules Powders. WWI era calendar 388. C’est un Hurricane. Brussels: L & H Verstegen. Lithograph
top (lacking pad) featuring a soldier heading off to war with the printed in colors. 33 x 23”. Linen backed. A.
caption below: “Not This Trip, Old Pal!” 20 x 13”. Pinholes at 100/200
corners or margins.
100/200 389. Birkhauser, Peter (1911–1976). Rheinbrucke. Birkhauser
and Wassermann, ca. 1942. Lithograph in colors depicting
386. [Baker, Josephine]. Bar des Folies Africaines, Boulevard a hook and thread. 50 x 35 ½”. Small spot of inpainting to
Carnot Depuis 1926. French. Color lithograph featuring a border. Linen backed. A.
topless Josephine Baker dancing with a tray of cocktails, the 400/600
Eiffel Tower in the background. 25 ½ x 19”. Linen backed. A.
300/400
396
390 391
392
397
396. Choubrac, Alfred (French, 1871–1930). Derouville

Nancey. French, ca. 1896. Lithograph in colors of a dancing
couple. Framed, 50 x 34”. Few closed tears at margins. A.
RARE.
400/600
398 399
397. [Coca–Cola] Large German Coca–Cola Two Sheet

Advertisement Poster. Circa 1930s (pre-WWII). A cheerful
young man drinks from a cooler chest full of bottled Coke. 66
x 47”. Chip to lower margin; expertly repaired. Linen backed. A.
1,200/1,500
398. Danska, Herbert. Earth / National Academy of Sciences.

1958. Photo offset. 48 x 32”. Few small closed tears to edges.
393 394 395
Linen backed. A-.
100/200
390. Bomba Bloch. Valencia: Ortega, ca. 1920. A vibrant 393. Cassandre, Adolphe Mouron (1901–1968). Philips
pastoral scene of a sprawling quinta or estate, advertising a Television. 1955. Lithograph in colors on heavy cardstock. 16 399. Danska, Herbert. Space / National Academy of Sciences. 400
water pump brand with the image of one in the foreground. 43 x 11”. Few marred spots on verso. Unmounted. A. 1958. Photo offset. 48 x 32”. Linen backed. A.
x 30”. Inpainting and areas of restoration to border and image. 400/600 100/200
Linen backed. B.
100/200 394. Chéret, Jules (1836–1932). Les Damnées de Paris. 400. Deligny. Thomson [Razors]. Paris: Synergie. ca. 1930s.
Paris: Chaix, ca. 1880s. Lithograph in colors advertising for the Vividly colored French lithograph advertising a Thomson
391. Cappiello, Leonetto (1875–1942). Le Thermogène. French novel by Jules Mary. 48 x 24”. Folds visible with several electric razor. Large one-sheet, 59 x 44”. Small corner tear.
Brussels: Imprimerie Marci, ca. 1950s reissue. Lithograph repairs along fold lines. Linen backed. B-. Linen backed. A. Rare.
in colors. 39 x 29”. Slight bubbling to lower image. Linen 400/600 300/500
backed. A.
300/400 395. Chéret, Jules (1836–1932). Une Jeune Marquise. 401. Folies–Bergère / Pantomime par la Troupe Albert &
Lithograph in colors advertising for the French novel. 47 x 33”. Edmund’s. Paris: F. Appel, ca. 1890s. Lithograph in colors. 46
392. Cassandre, Adolphe Mouron (1901–1968). Bonal Folds visible, lower corner completely repaired, closed tears to x 31”. Fold lines visible with some toning. Linen backed. A-.
Gentiane–Quina. Paris: L. Danel, 1935. A large French wine margins. Linen backed. B-. 250/350
advertisement portraying a man taking a generous sip of 400/600
Bonal Gentiane–Quina. 63 x 47”. Small chip to outer margin, Chéret is known as the Maître de l’Affiche, or the “Father of the
sellotape repair to close tear at lower border. Unmounted. A-. poster” due to his groundbreaking developments in the color
800/1,200 lithographic process and his attractive style. 401
408 409 412
402 403 405
404
406 407 411

410
402. Gadoud, Claude (1905–1991). Vins Camp Romain. Paris: 405. [Hats] Cappiello, Leonetto. Mossant. Paris: Edimo, 1938. 408. Igerz, Paul. Prunelle du Velay. Paris, ca. 1940s. A large 410. Loupot, Charles (1892–1962). St. Raphael / Quinquina.
Camis, ca. 1930. An attractive French wine advertisement. 62 A large French advertisement for men’s hats. 62 ½ x 45 ½”. French advertisement of a girl holding a tray of berries with the Paris: Gaillard, 1948. Lithograph in colors depicting the two
x 47”. Light abrasions to image area, small chips or closed Light creasing or crimping to corners, sellotape repair to closed bottle of Prunelle du Velay liqueur laying on top. 61 x 44”. Few iconic waiters: “Rouge” and “Blanc”. 46 x 34”. Inpainting to
tears to borders, some browning to margins. Old linen backing. tear at upper border, few fold lines visible. Unmounted. B+/A-. creases or short closed tears to lower corners. Unmounted. A. corners. Linen backed. A.
B-/B. 1,000/1,500 200/300 1,500/2,500
600/800
406. [Hats] Garretto, Paolo Frederico. Lord. Milan: Alfieri & 409. Loupot, Charles (1892–1962). Mirus Poêle a Bois. Circa 411. Pal (Jean de Paléologue) (1855–1942). Casino de Paris /
403. Garric, T. La Yetta. Paris: F. Garric, ca. 1901. A woman Lacroix, 1936. A bold advertisement for men’s hats. 37 x 27”. 1930s. Lithograph in colors advertising for a French stove. 47 Nouveau Theatre. Paris: Paul Dupont, ca. 1890s. Lithograph in
dancer is dressed in Egyptian-style costume. 62 x 23”. Toned Light inpainting to upper edge near corner. Linen backed. A-. x 31”. Center fold visible. Linen backed. A. colors. 47 x 32”. Inpainting to folds. Linen backed. B+.
margins. Linen backed. A-. 200/300 150/250 2,000/3,000
300/500
407. [Hats] Mossant. Crete: Corbeil, ca. 1930s. A French 412. Pérot, Roger (1908–1976). Corsets le Furet. Paris:
404. Gaufre Rita Crême Surfine. Paris: A. Thorez, ca. 1930. advertisement for men’s and women’s hats. 18 x 16”. Linen Delattre, 1933. Stone lithograph of a woman wearing a corset.
French advertisement for a soft waffle cookie. 31 ½ x 47. Linen backed. A. 51 x 38”. Linen backed. A.
backed. A. 80/125 400/600
100/200
one of six 420 421 422 423
413 416 418
414 one of four
417 419
415 425
424
413. Picauld, Maurice (1900–1977). Folies Bergère / La 417. [Tobacco] Cigarros / El Jefe. Corrales, ca. 1940s. 426
Grande Folie. Paris: Jombart, 1927. An art deco lithograph in Lithograph in colors advertising for the tobacco brand. 14 x
colors on wove paper. 21 x 14”. Linen backed. A. 10”. Few minor scuffs to image, center crease visible. Linen
400/600 backed. A-. 420. [Tobacco] Six Crüwell–Tabak Display Signs. Circa 1920s. 424. Wilquin, Andre. Pétrole Hahn / Pour Les Cheveux. Circa
60/90 Offset lithographs in color on easel-backed boards; one on tin. 1930s. Lithograph in colors advertising for the French men’s
414. [Photography] Four Photography Exhibition Posters. Each 15 x 9”. Near fine examples. hair care product. 22 x 16”. Linen backed. A.
Including: Master of Arts: Photography (Columbia College 418. [Tobacco] Leupin, Herbert. Venidez Salem No. 6 / Milder 200/300 100/200
Chicago; partially affixed to board); Lee Friedlander / Galerie Virgin. Circa 1955. Lithograph in colors advertising for the
Zabriskie (1978); Ray K. Metzker / Photographs (Philadelphia, cigarette brand. 47 x 33”. Large closed tear to lower image 421. Voir L. Bizien. Paris: Watelet Arbelot, ca. 1950s/60s. A 425. Gerard, O.K. Vandenkerckhoven Brasserie-Bruxelles.
1981); and Laurence Salzmann/ The Last Jews of Radauti area with several small spots of creasing; expertly repaired brightly colored lithograph advertising women’s sunglasses. Paris: Leon Verger, ca. 1920s. Lithograph tavern advertisement
(1978). Average, 29 x 21”. Generally, very good. with inpainting. Linen backed. B+. 47 x 32”. Marginal toning, lower corner creased, inpainting to of a dandy surrounded by frothy pints of beer. 24 ½ x 18”.
100/200 150/250 outer border. Linen backed. B+. Linen backed. A.
200/300 125/225
415. Razzia. Orangina. 1992. Lithograph in colors advertising 419. [Tobacco] Crüwell–Tabak “Jnka”. Germany, ca. 1920.
for the beverage, hand signed in bold sharpie by the artist. 63 Lithograph in colors advertising the tobacco brand featuring 422. Widhopff, David O. (Russian, 1867–1933). Estrella de 426. Masui-Castrique, Paul-Auguste. 6th International
x 33”. Linen backed (worn at corners). A. a Native American chief smoking a pipe. 32 x 23”. Metal rod los Rios. Paris, 1906. Lithograph in colors. Framed, 51 x 34”. Exhibition / Rubber & Other Tropical Products. London: Weiner,
100/200 mounted at each end for hanging. A. A. RARE. 1924. Lithograph. 37 x 25”. Linen backed. Over-painting and
150/250 200/300 restored losses to corners, margins, along folds, and to parts
416. [Shoes] Robys. Légères Comme une Gazelle. Reunies of image. B.
de Lyon, ca. 1935. French advertisement featuring men’s and 423. Wijga, Jan (1902–1978). Vacantie…met ‘n Boek. 800/1,200
women’s shoes. 59 x 44”. Few minor scuffs to lower image at Amsterdam: Kunstdruk, ca. 1950. A Dutch advertisement for
border. Linen backed. A. reading. 29 x 19 ½”. Linen backed. A.
300/500 100/200
431 432 433
427 428 429
427. Laurencin, H. De. Priceless-Oil. Paris: Gaillard, ca. 1920s.

Lithograph advertising poster depicts a Native American
pouring motor oil over the Earth on which he is standing. Bold
blue background red and yellow lettering. 62 x 45 ½”. Linen
backed. Nice copy. A-.
600/900
428. Monnier, Henry Le. Valmya. Paris, 1930s. Lithograph

wine advertising poster. 63 x 47 ¼”. Linen backed. Scattered
scuffing and minor soiling. A-.
300/500
429. Gesmar, Charles. Mistinguett / Moulin Rouge. Paris: 436

434 435
Chachoin, 1926. A gorgeous lithograph depicting the French
actress showing off her big green eyes. “One of Gesmar’s most
beautiful posters: without jewels or fancy dress, it is the Miss, 431. Dola, Georges. Chanson d’amour / Franz Schubert. 434. Dorfi (Albert Dorfinant). L’Al Sacienne / Teint Tous
child of Paris, which he shows us here… alluring, tender and 1936. Lithograph poster advertising the operetta by Schubert, Tissus. Brussels: J.E. Goossens, ca. 1920s. Color lithograph
roguish with the rose between her lips which we would like to with an image that features the composer. 47 x 31”. Scattered advertising poster. 63 x 47”. Linen backed. Minor marginal
pluck” (Folies Bergere p. 11). 46 x 30”. Fold lines visible with marginal wear. Linen backed. A-. wear. A-.
few touch ups, inpainting to upper image area with a portion of 250/350 200/300
the lettering professionally redone. Linen backed. B-.
600/800 432. Anaya, Ricard. Cadiz / Fiestas Tipicas Gaditanas. 1964. 435. Savignac, Raymond. Armagnac Ryst. Paris, ca. 1940s.
Lithograph. 37 x 24 ½”. Linen backed. Light over-painting Lithograph advertising poster. Large version. 63 x 46 ½”. Linen
430. Rosetti. La Raphaelle Bonal. Paris: I. Lang, 1908. along central fold, minor repaired tears. B+. backed. Evenly browned margins; light creases and abrasions
Lithograph advertising poster depicts the liquor beverage 80/150 in image. B+.
dropped from an airplane, as the moon laughs at the folly. 64 x 300/500
49”. Linen backed. Scattered creases, minor over-painting. B+. 433. Gamez, Alvarez. Jerez / Feria de Primavera. 1954.
430
1,400/1,800 Lithograph. 38 x 26”. Linen backed. A-. 436. Fouqueray, Charles. La Journee Serbe. France, 1916.
150/250 Lithograph, signed and dated in plate by artist. 44 ½ x 32”.
Linen backed. Minor restoration and wear along faint old folds
and edges. B+.
200/300
442 443 445
438 440
437. Molkenboer, Antoon. Historische Feesten, Utrechtsch

Studentencorps. Amsterdam: Ellerman, Harms & Co., 1911.
Vibrantly two-sheet color lithograph poster advertising a
celebration to mark the 55th anniversary of the school,
complete with a reenactment of the events of 1345
surrounding Count William IV. Approximately 80 x 26”. Linen
backed. Restored chip to the top right corner, small repaired
scattered tears. B+.
437 700/900
438. Oge, Eugene (1861-1936). Quinquina Royal. Paris,

ca. 1900. Large lithograph poster advertising the wine-
based bitters drink, depicting two men breaking into a safe
containing a shining bottle of the beverage. 55 x 39”. Linen
447
backed. Repaired tear from bottom edge extending into image; 446
scattered repaired tape marks. B+.
400/600
444
439. Lewitt, Jan, and George Him. D N / Overallt. 1952.
Esselte, Sthlm. Lithograph. 56 x 41”. Linen backed. Restored
442. Villemot, Bernard (1911-1989). Orangina. Barcelona: 445. Villemot, Bernard (1991–1989). Le Livres Chamois.
nicks at corners, a few repaired tears with over-painting from
Cantin, ca. 1973. Offset lithograph. Classic advertising poster L’Edition Publicitaire, ca. 1940s. Advertisement for the French
edges. B+.
in which an orange peel is repurposed as an umbrella. 38 ½ x publishing house. 15 ½ x 20 ½”. Folds visible with few spots of
500/750
439 27 ¼”. Linen backed. A. inpainting along lines. Linen backed. A-.
200/300 150/250
440. Van Noten, Jean. Idolum Diabolicum / Musee Royal du
Congo Belge. Brussels: Linsmo, ca. 1960s. Offset lithograph
443. Villemot, Bernard (1911-1989). Orangina. Fernandez, 446. Grenzer Stumpen. Stuttgart: Artell Reklame, ca. 1950.
poster depicting the Idolum Diabolicum praying mantis,
1999. Authorized posthumous printing, 39 ½ x 27 ½”. With Offset lithograph cigar advertising poster depicts a candy-cane
advertising the museum of natural history and ethnography.
Orangina Dr. Trigo Archivo stamp to verso. Rolled. A-. lollipop smoking. 19 ¼ x 13”. Linen backed. A.
39 x 24”. Repaired old tape mark to lower right, not affecting
125/225 250/350
image; scattered repaired closed tears and small losses
outside image. Linen backed. B+.
444. Villemot, Bernard (1911-1989). Tricotez Pernelle. N.p., 447. Penfield, Edward. Harper’s / Christmas. 1895. Lithograph
200/400
ca. 1950. Offset lithograph. 31 x 22 ½”. Linen backed. A. Rare advertising poster depicts Santa Claus leading a lady by the
in this size. hand, raising a glass in his other hand toward the viewer. 25 ½
441. Villemot, Bernard (1911-1989). Orangina. France:
500/750 x 20 ½”. Over-painting to losses along folds; scattered repaired
Createurs Conseils, ca. 1980s. A woman in a red and white hat
tears with over-painting. Linen backed. B.
and bikini rests on the beach, a bottle of Orangina in the sand
200/400
at center. 23 ¼ x 17 ½”. Linen backed. A-.
441 200/300
449
453 455 458 459 460

448
451
456
457
450 452 454 455. [Aviation] Boucherat, A. Journées Internationales

d’Aviation de Lyon. Lyon: H. Richard, 1933. A rare advertisement
for a four-day aviation meet in Lyon. 15 ¾ x 11 ¾”. Horizontal
448. [Pin-Up] Armstrong, Rolf. Pin-Up Calendar. 1937. Sample 452. Maserati Auto Showroom Poster. 1972/73. Photo-offset center fold visible. Linen backed. A-.
calendar with the illustration “My Time is Your Time.” 45 x 22”. poster with a panoramic image of two Maserati sports cars on 100/200
Rolled. Minor edgewear. A-. the beach. 24 x 37”. Unmounted. A.
300/400 200/300 456. [Aviation] Gamy. Meeting de Deauville. Paris: Mabileau,
1913. Lithograph with pochoir depicting a seaplane descending 461
449. [Pin-Up] Eat More Fruit. British, 1950s. Offset lithograph. 453. 1968 Corvette…Daringly New. USA, (1968). Dealer/ for landing. 17 ½ x 35”. Margins slightly toned, closed tear to
upper image. Linen backed. B+/A-. 459. Alfa Romeo. Milan: Pietro Vera, 1950. An automotive
Issued by the Retail Fruit Trade Federation. 15 x 20”. showroom poster with an illustration of a couple and a lifeguard
300/500 advertisement depicting the various Alfa Romeo car models
Unmounted. A. admiring the new car. 24 ⅛ x 18”. A few repaired losses to
from 1912 to 1950. 52 ½ x 15 ½”. Light inpainting to edges.
200/300 edges. Linen backed. B+.
Linen backed. A-.
300/500 457. [Aviation] Walther, Jean (1910–1968). Douglas DC–3 /
100/200
450. Vargas, Alberto (1896-1982). Varga / Sleepy Time Gal. K.L.M. Royal Dutch Air Lines. 1937. A fully opened brochure
San Francisco: Art Exchange Pub. Co., 1986. Offset lithograph 454. Harley-Davidson Motorcycles 1922 Price List Poster. promoting the latest Douglas aircraft with more illustrations 460. 1961 Bonneville Salt Flats Racing Promotional Window
reproducing the painting from the Esquire Collection at the Milwaukee, (1922). Poster listing price reductions to by Walther and information on the inside. Fully opened, 24 x Card. Printed in blue and red on heavy stock, advertising for
University of Kansas. 38 x 26”. A. Linen backed. motorcycles and sidecars. 27 ½ x 21”. Heavy losses to edges 29”. Fold lines as issued (few archival tape repairs to folds). the National Speed Trials. Pinholes, few small spots of pale
100/200 with some loss of text. Folds and staining. Linen backed. C. Unmounted. A. dampstaining, overall browning.
200/300 300/500 100/200
451. Nockolds, Roy. Dawn at Montlhery / Jaguar. 1952.
Original showroom poster with a dramatic image of the XK120 458. [Aviation] Walter, Carl. International Air Races / St. 461. [Camions] Bernard. French, ca. 1938. An advertisement
shooting down the track under the pre-dawn sky. 18 x 24”. Louis, October 1–2–3… 1923. Window card on heavy stock, for the French dump truck. 14 ½ x 20 ½”. Fold lines visible
Unmonuted. A. promoting one of America’s great early aviation expos. 21 x with inpainting at lines, worming at sides touched up with hand
14”. Corners slightly rounded. coloring. Old linen backing. C/C+.
200/300
400/600 80/125
463
462 464
465 467
466
462. Gebauhr, Hans. Startschnell / [Volkswagen]. Circa 1958. 465. Renault…Femme Elegant. Circa 1930s. Lithograph in
Colorful advertising poster for the Volkswagen Beetle. 46 x colors advertising for the French automobile manufacturer
32”. Pinholes at corners, inpainting to closed tear near upper featuring the 3-seater coupe. 47 x 31”. Several fold lines
WAR &
corner. Linen backed. A-/A. present, few dampstains to upper margin. Old linen backing. B.
400/600 200/400
463. Jacquelin, Jean (1905–1989). Mathis. Paris: 466. Strack. Crazy Horse Saloon / Paris, France. 1968. Bold
PROPAGANDA
Gennevilliers, ca. 1930s. An art deco design of black and white screenprint poster featuring nude striptease illustrations. 38 x
car models. 22 x 17”. Folds present with inpainting. Linen 21”. Unmounted. Closed tear upper margin, creases at edges,
backed. A-. but bright and clean. B+.
60/90 300/400
464. Looser, Hans. One Million Volkswagens. 1955. 467. Savignac. Il Giorno. 1965. Cartoony boy in pajamas opens
Lithograph in colors advertising for the VW Beetle and its his window to see a huge, rainbow-like Italian newspaper. 55 x
newest achievement of one million cars produced. 46 x 31 ½”. 39”. Unmounted. Minimal edgewear. A-.
Horizontal creases to outer edge. Linen backed. A-. 200/300
400/600
514 - change Sire to Sure in title

82 VINTAGE POSTERS, PRINTS & WORKS ON PAPER 538 -photo num. POTTER & POTTER AUCTIONS • NOVEMBER 14, 2020 83
556 - photo num.
p. 130/31 - photo nums. incorrect
469 474 477
468
476
470
475 478 479 480
471 472 473
468. Baker, Ernest Hamlin. For Every Fighter A Woman Worker 471. Christy, Howard Chandler (1872-1952). Americans All! 474. Lie, Jonas (1880-1940). On the Job for Victory. United 477. Step Into Your Place. London: David Allen & Sons, ca.
/ Y.W.C.A. New York: The United States Prtg. & Lith. Co., ca. Victory Liberty Loan. Boston: Forbes Litho, 1919. A classic States Shipping Board/Emergency Fleet Corporation. New 1915. Recruitment poster depicts men of all classes and
1918. World War I-era poster of women of various occupations World War I Victory Liberty Loan poster by one of the most York: W.F. Powers Litho., ca. 1918. All aspects of American professions marching together as soldiers. 19 ¾ x 29 ½”.
marching en masse as a “second line of defense.” 41 x 28”. recognized American illustrators of the early twentieth century. industry are depicted in Lie’s poster, among them cranes, Linen backed. Repaired chip lower left corner. Linen backed.
Closed tear in center lower margin into image; chipping and 40 x 26 ¼”. Repaired tears with some over-painting around scaffolds, foundries, and men at work. 29 ¼ x 38 ½”. Closed B+.
tears to edges, but vibrant image. Unmounted. B. edges. Linen backed. B+. tear into image center right margin; margins a bit ragged in 250/350
100/200 250/350 spots. Unmounted. B.
250/350 478. Melde Dich freiwillig zu den Panzerdivision der Waffen-
469. Bush, Charles Green (1842-1909). Original Teddy 472. Christy, Howard Chandler (1873 -1952). Clear the Way!! SS. 1940s. German WWII propaganda recruitment poster. 21
Roosevelt Political Cartoon. Circa 1900. Pen and ink on
New York: Niagara Litho, ca. 1919. Classic WWI Fourth Victory 475. Lie, Jonas. Four Years in the Fight / The Women of ¾ x 16”. Linen backed. Over-painting in margins and image,
thick paper, signed “C.G. Bush” lower right. Cartoon depicts
Liberty Loan poster by one of the most widely recognized France / We Owe Them Houses of Cheer. USA, ca. 1918. repaired tears. Linen backed. B.
Roosevelt, dressed as a Rough Rider, running away from the
American illustrators. 27 x 20”. A few repaired tears with over- Lithograph. 42 x 28”. Scattered tears to corners and margins; 200/400
Van Wyck Ice Trust scandal, as well as the Panama Canal
painting in image and edges. Linen backed. B+. light creases. Unmounted. B+.
scandal. The cartoon was published in the New York World on
250/350 80/125 479. Arend, Nelson A. Cleveland War Fund. Cleveland: The
Oct. 26, 1900. Sheet 29 x 23”. Closed tear to right edge not
affecting artwork. Central Lithograph, ca. 1918. WWI lithograph in colors. 42 x
300/600 473. Herter, Albert. His Home Over There / Y.M.C.A. / Y.W.C.A. 476. Men Wanted / American Red Cross. New York/St. Louis: 28”. Inpainting to lower margin. Linen backed.
USA: Committee on Public Information, ca. 1917. Lithograph. National Printing & Engraving, 1918. Lithograph poster depicts 100/200
470. Christy, Howard Chandler (1872-1952). Will Rogers 41 x 28”. Scattered slight chipping and tears at edges, light a Red Cross medic vehicle coming to the rescue of a wounded
Memorial Fund. [Signed by Christy]. New York: Tooker-Moore, creases. Unmounted. B+. soldier. Signed with initials P.I.B. in image. 41 x 28”. Closed 480. Be Ready! / Join Now. Middlesex: David Allen & Sons, ca.
1935. Lithograph. Inscribed and signed by Christy in the lower 80/125 marginal tears, one slightly touching image. Linen backed. B+. 1918. A striking yellow and black WWI lithograph. 39 x 25”.
left image area, “To Kate Tiedemann [?]/with best wishes/ 200/300 Large closed tears to lower portion of image; expertly repaired,
Howard Chandler Christy.” Period wooden frame, overall 27 inpainting to upper corners. Linen backed. B-.
x 18 ¼”. 100/200
500/700
481
490 491
482 486
489
489. Give / United Jewish Appeal. New York: Amalgamated

Lithographers of America, ca. 1940s. Photographic lithograph.
45 x 29”. Minor creases and abrasions in margins and image.
Linen backed. A-.
800/1,200
490. Grant, Gordon. What are You Doing to Help? / Join Your
American Red Cross. Circa 1918. WWI lithograph in colors. 38
x 25”. Creasing visible. Linen backed.
100/200
483 484 485 487 488
491. Greenleaf, Ray. Answer the Red Cross Christmas Roll
Call. Buffalo: Niagara Litho, 1918. WWI lithograph produced for
the American Red Cross. 30 x 20”. Central image completely 492 493
481. The British Commonwealth of Nations. Leicester: 485. Enlist Today / WWI Recruitment Poster. London: Roberts restored near outer border, other closed tears; expertly
Flemings / British Information Services, ca. 1942. A WWII & Leete, ca. 1918. British WWI lithograph in colors. 37 x 25”. repaired. Linen backed. C.
pictorial map of the resources, agriculture, and manufacturing Folds visible. Linen backed. B+. 40/80
throughout the Commonwealth. 24 x 38”. Folds visible with 100/200
inpainting. Linen backed. B+. Rare. 492. Halt! Who Goes There? London: Hill Siefken, ca. 1918.
250/350 486. Folon, Jean Michel (1934–2005). Croix–Rouge A British WWI recruitment lithograph. 40 x 24”. Folds visible.
Française. 1985. Advertisement for the French Red Cross. Linen backed. A-.
482. Carlu, Jean (1900–1997). Engagez Vous dans l’Armée 47 x 35”. Few scuffs to edges, old adhesive marring to upper 200/300
Français. Paris: Pierre Lafitte, ca. 1930s. A French war corners. Linen backed. B+.
recruitment advertisement by the Ministry of War. 47 x 31 ½”. 250/350 493. Harris, Laurence W. Third Liberty Loan / “Good Bye, Dad,
Linen backed. A. I’m Off to Fight for Old Glory”. New York: Sackett & Wilhelms,
ca. 1917. WWI propaganda lithograph. 29 ½ x 20”. Few tears
250/350 487. Four WWI British Banner Posters. Circa 1917. Including
to border; expertly repaired. Linen backed. B.
“Each Recruit Brings Peace Nearer”, “What in the End Will
80/125
483. Dunn, Harvey Thomas (American, 1884–1952). Victory Settle This War?”, “In Her Hour of Need, Your Country Calls
is a Question of Stamina. Brooklyn: Latham Litho, 1917. WWI for You”, and “Trained Men”. Largest 30 x 10”. Linen backed.
494. Have You Pledged? We Have 100% Strong. Circa 1917.
lithograph produced for the USFA. 29 x 21”. Several repaired Overall B/A. WWI lithograph in colors. 37 x 25”. Several horizontal and
tears to image and border. Linen backed. C+/B-. 100/200 vertical spots of inpainting. Linen backed. B.
100/200 100/200
488. Foxton, F. Men of Britain! Will You Stand This? London: 494 498
484. Emerson Jr., Casper. Help Them Keep Your War Savings Johnson Riddle, ca. 1918. WWI recruitment lithograph. 40 x 495. Help Crush the Germans. Harrow: David Allen, ca. 1915.
Pledge. New York: American Litho, ca. 1917. WWI propaganda 30”. Extensive inpainting to losses at margins and outer image An English WWI propaganda lithograph signaling Brits to
lithograph depicting soldiers in the trenches, firing off war area. Linen backed. C+. pay five shillings for a war loan to help defeat the Germans.
savings stamps. 30 x 20”. Few spots of inpainting at margins. 100/200 29 ½ x 19 ½”. Folds visible, few tiny spots of inpainting to
Linen backed. B. upper corners. Linen backed. A-.
100/200 100/200
504 505 506 507
496 497 498 499
501
500 502 503
508 509 510 511
496. Herter, Albert. His Home Over There / YMCA. Circa 1918. 500. Illian, George John (1894–1932). Keep it Coming / 504. Must Children Die and Mothers Plead in Vain? / Buy 508. The Salvation Army Lassie / United War Work Campaign.
WWI lithograph promoting YMCA activities for soldiers in World Waste Nothing. New York: The W.F. Powers Co., 1917. WWI More Liberty Bonds. The Sackett & Wilhelms, ca. 1918. A New York: Sackett & Wilhelms, 1918. A girl brings a tray of
War I. 41 x 28”. Lower corners completely repaired, closed tear propaganda poster. 29 x 21”. Upper margin corner completely painterly WWI lithograph. 40 x 30”. Short tears and inpainting biscuits to the soldiers on the front line. 40 x 30”. Fold lines
to upper image area. Linen backed. B. repaired, few closed tears to border; expertly repaired. Linen to margins. Linen backed. B. visible with inpainting, few spots of professional restoration at
60/90 backed. B+/A-. 100/200 borders. Linen backed. B.
100/200 100/200
497. Holland, A. Cabled Appeal for Drafts Wants You. Pretoria, 505. Raleigh, Henry. Blood or Bread. Boston: Forbes, ca. 1918.
ca. 1918. South African WWI poster depicting a bust portrait of 501. Ker, William Balfour (1877–1918). Buy United States WWI propaganda lithograph urging Americans to give blood to 509. Sarra. I’ll Carry Mine Too! 1943. OWI Poster No. 28
General Smuts. 39 x 25”. Few closed tears along border. Linen Government War Savings Stamps. Cincinnati: Strobridge, shorten the war. 29 x 21”. Upper margin corner completely featuring a woman carrying her groceries and packages while
backed. B+. 1917. Lithograph poster depicting a group of people lined up her husband or son carries his rifle. 28 x 22”. Folds visible with
restored, closed tears to upper image; expertly repaired. Linen
to buy stamps sold Uncle Sam, while they admire a small girl
100/200 backed. B+. inpainting, few repaired closed tears. Linen backed.
waving an American flag. 30 x 40 ½”. Several short closed
100/200 100/200
tears to lower border, central horizontal crease visible. Linen
498. If You Can Use Tools You Are Wanted. Circa 1918. WWI
backed. B.
volunteer lithograph. 41 x 27”. Fold lines visible with inpainting. 506. Recruits are Required for the First South African Infantry 510. Sheridan, John E. (1880–1948). Hey Fellows! / Your
100/200
Linen backed. B-. Brigade. Pretoria, ca. 1918. A broadside recruitment poster Money Brings the Book We Need When We Want It. New York:
100/200 502. Kidder. “The First Three!” / Give Till it Hurts– They Gave with information regarding requirements and pay. 41 x 25”. American Lithographic Co., 1918. American Library Association
Till They Died. Circa 1918. Lithograph in colors depicting the Linen backed. A. propaganda poster with bold orange background. 30 x 20”.
499. Illian, George John (1894–1932). L’Italia Ha Bisogno. first three doughboys killed in action in France. 27 x 20 ½”. 100/200 Upper portion of image near border completely redone using
1917. A WWI propaganda poster depicting Victor Emmanuel III, Inpainting to margins, large closed tears affecting image area; archival methods. Linen backed. C+/B-.
the King of Italy. 28 x 20 ½”. Upper corner repaired, few short expertly repaired. Linen backed. B-. 507. Riesenberg, Sidney H. (1885–1971). Over the Top for You 80/125
closed tears to border. Linen backed. A-. 80/125 / Buy U.S. Gov’t Bonds. Philadelphia: Ketterlinus, ca. 1917.
100/200 WWI propaganda poster. 30 x 20”. Horizontal creases to upper 511. The Signal “Send Books”. New York: The H.C. Miner Litho,
503. Love, C.W. Red Cross WWI Poster. New York, 1918. and lower titles. Linen backed. A-. ca. 1917. WWI advertisement for sending books overseas to
Lithograph in colors. 41 x 28”. Folds visible with inpainting. 100/200 the soldiers fighting. 38 x 25”. Several spots of inpainting to
Linen backed. B. image, closed horizontal tear to image, central crease visible.
100/200 Linen backed. B-.
100/150
512 513 514 515 520 521 522
516 517 518 519
523
524 525
512. St. John, J. Allen. The Hun – His Mark / Blot It Out. New 516. Welcome to the Y.W.C.A. / Soldiers–Sailors and Women 520. Wilkinson, Norman (1878–1971). War Savings are 523. [WWII Rationing] Three WWII Victory Garden Posters.
York: Brett Litho, 1917. Striking two-color WWI Liberty Bond Guests. New York: Rotoprint Gravure Co., ca. 1918. WWI Warships. 1915. A British propaganda poster depicting Circa 1940s. Color lithographs with gardening scenes from the
propaganda poster. 42 x 28”. Upper corner repaired, inpainting lithograph. 38 x 28”. Two closed tears to lower image area near warships camouflaging themselves by producing large billowing Garden Educational Service (Ford Motor Company), Garden
to lower margin. Linen backed. B. border. Linen backed. A-. smoke clouds. Designed by a Navy officer and the inventor of Victory, and the U.S. Crop Corps. Framed, largest 37 x 29”. A.
100/200 60/90 “Dazzle” camouflage. 30 x 20”. Folds visible. Linen backed. A-. 300/400
250/350
513. Treidler, Adolph. Care for Her Through the YWCA. New 517. What Can You Do? Join Our Red Cross. Circa 1917. WWI 524. Your War Savings Pledge. Government Printing Office, ca.
York: American Lithographic Co., ca. 1918. WWI poster for the
volunteer poster. 42 x 28”. Few short closed tears to border 521. [WWII Propaganda] Avenge December 7. U.S. Government 1917. WWI propaganda lithograph. 32 x 21”. Inpainting to few
United War Work Campaign. 41 x 30”. Horizontal creasing to
and central image. Linen backed. B+. Printing Office, 1942. OWI Poster No. 15. Artwork by Bernard small tears at border. Linen backed.
central image, inpainting to closed tears at borders. Linen
backed. B. 100/200 Perlin. The poster seeks vengeance for the attack at Pearl 80/125
100/200 Harbor. 40 x 28”. Folds visible, few small closed tears at or
518. Where Our Men are Fighting, Our Food is Fighting. 1943. near corners. B+. 525. Together to More Prosperity / More Coal…and More
514. Beneker, Gerrit A. Sure! We’ll Finish the Job / Victory WWII rationing lithograph. 28 x 22”. Inpainting at corners, 200/300 National Savings. London: National Savings Committee,
Liberty Loan. Chicago: Edwards & Deutsch, 1918. WWI large closed to upper image near border; expertly repaired. 1950s. Vintage poster promoting more coal-powered plants
lithograph in colors. 37 x 26”. Horizontal crease, few closed Linen backed. B. 522. [WWII Propaganda] Carlu, Jean (1900–1997). America’s for energy savings. 29 ½ x 20”. Linen backed. A.
tears to border. Linen backed. A-. 50/100 Answer! / Production. Washington DC: U.S. Government 80/150
100/200 Printing Office, 1942. One of the most iconic images of
519. Whitehead, Walter. Come On! / Buy More Liberty Bonds. WWII, depicts the gauntlet clad hand applying a torque to a
515. Victory Liberty Loan / And They Thought We Couldn’t Cincinnati: The Strobridge, ca. 1918. WWI propaganda poster. bolt signaling American’s to mobilize and help end the war.
Fight. Philadelphia: Ketterlinus, ca. 1917. WWI propaganda 29 x 19 ½”. Few tiny spots of inpainting. Linen backed. A. 29 x 40”. Fold lines visible, light inpainting to corners. Linen
poster depicting an injured soldier carrying the helmets of 150/250 backed. B+.
his fallen enemies. 30 x 20”. Few spots of inpainting. Linen
1,500/2,500
backed. A-.
100/200
526 527 528
529 530 531
526. Benko, Sandor. Bolgar / Nagy-Circhusz. 1964. Circus 529. Swierzy. Cyrk / [Lion Tamer]. 1965. Offset lithograph
poster with the humorous image of a man feeding an orange poster of a female lion tamer in the cage, against a bright
to a look-alike of himself balanced on his head. 33 x 22 ¾”. yellow background. 38 x 26 ½”. Unmounted. Paper wavy;
Folds, light edgewear. Unmounted. B+. closed tears to top edge. B.
100/200 60/90
527. Cieslewicz, Roman. Cyrk / [Blue Dogs]. Poland, 1966. 530. Swierzy. Zwiedzajcie Zoo / [Pink Flamingos]. 1960s.
Offset lithograph. 38 x 26 ½”. Unmounted. Paper wavy; small Vintage poster advertising the Warsaw Zoo in Poland, featuring
creases and short tears, small sticker to verso. B+. a group of flamingos. 38 x 26”. Paper wavy; light soiling, a few
100/200 light creases. Small sticker on verso. Unmounted. B+/B.
200/300
528. Jodlowski, Tadeus. Cyrk / Variete. Poland, 1968. Stylized,
psychedelic poster depicting of a dancer with bright lettering. 531. Cyrk / [Animal Equilibrists]. Circa 1971. Designer
Unmounted. 38 x 26 ½”. Paper wavy; small corner creases, a unknown. Offset lithograph poster depicting a rooster balancing
few short tears. B+. on a sheep, on a turkey, on a pig. 38 x 26 ½”. Unmounted. Small
MAGIC & CIRCUS

100/200 original hand-stamp to verso: “Printed in Poland/Distributed by
Triton Gallery…” Paper wavy; slight creases. Unmounted. B+.
150/250
538 539
532 534
533 one of three
540 one of two 541 542 543
538. Chang and Fak Hong’s United Magicians Presents A 541. Pair of Chang and Fak Hong Magic Posters. Valencia:
Night in Tokio. Valencia, E. Mirabet, ca. 1934. Lithograph in Mirabet, ca. 1920s. Lithographs in colors featuring Hara–Kiri
535 536 one of two 537
colors. 30 x 43”. Inpainting at outer margins. Linen backed. and The Invisible Man. Both, 25 x 17”. Linen backed. A.
B+. 200/300
300/400
532. Cyrk / [Red Tiger]. 1960s. Offset lithograph with a stylized 535. Cioca, Dan. Circus / Cyrk / Circ. 1960s. Stylized depiction
542. Ringling Bros and Barnum & Bailey Circus. Circa 1950s.
tiger standing on a ball. 38 x 26 ½”. Paper wavy; several spots of a ringmaster with a trained elephant. 38 x 26”. Old folds,
539. The Great Chang and Fak-Hong’s United Magicians A leopard’s face dominates the image. 41 x 28”. Inpainting to
of soiling. Unmounted. B. short tears, light soiling lower left. Unmounted. B+.
Presents The Noe Ark. Valencia: E. Mirabet, ca. 1910. A lettering and out margins. Linen backed. B.
60/90 100/200
stunning lithograph of Noah’s Ark and all of its animals. 43 x 200/300
30”. Few spots of inpainting at edges, margins gently toned.
533. Cyrk. Trio of Horse / Equestrian Posters. 1960s/70s. 536. Ringling Bros. and Barnum & Bailey. Two Posters. USA,
Linen backed. B+/A-. 543. San Antonio’s Siamese Twins Daisy and Violet Hilton.
Offset lithographs. 38 x 26 ½”. Paper wavy. Short tears and ca. 1960s. Offset lithographs. 27 x 20 ½”. Paper wavy; slight
300/500 Kansas City: Quigley Litho, ca. 1930s. Lithograph in colors
creases. Small stickers to versos. One designed by Swierzy. creases and short tears. Unmounted. B+.
depicting the famous conjoined twins. 42 x 27”. Edges chipped,
Unmounted. B+/B. 100/200
540. Mieoza–Tomaszewski, S. Cyrk. Polish, ca. 1970. A tear with loss to outer image area, old tape repair to upper title.
100/150
magician saws a woman in half. 38 x 26”. Linen backed. Few Unmounted. Sold as is.
537. Ringling Bros. and Barnum & Bailey / [Hippopotamus].
minor abrasions. Linen backed. A. 100/200
534. Cioca, Dan. Circo / Bucarest International Show Circus. USA, ca. 1950s. Offset lithograph circus poster advertising
100/200
1960s. Colorful poster of a clown. 38 x 26”. Old folds, short The Greatest Show on Earth. Half-sheet (28 x 19 ¼”). Central
tears, light creases in image. Unmounted. B+. horizontal fold; small tears to edges, but an overall clean
100/200 image. Unmounted. B+.
80/150
one of three 545
one of nine 544 one of two 546
ART &
one of two 547 one of two 548 one of two 549
544. [Art Exhibition] Nine Art Exhibition Posters. Including 547. [Art Exhibition] Two Artist Exhibition Posters. Including:
Marcel Mouly / Galerie Berri. Paris: Mourlot, 1958. –– Klee. Friedlaender / Musée d’Art Moderne (1978); and Wassily
EXHIBITION
Paris: Berggruen & Cie, 1955. –– Max Bill / Centre National Kandinsky (1970). Generally, 31 x 22”.
d’Art Contemporain. 1969. –– Galerie Maeght / Mobiles de 60/90
Calder. –– Linder / Galerie Maeght. 1980. –– Les Peintres
Témoins de Leur Temps / Musée Galliera. Paris: Mourlot, 1958. 548. [Artist Prints] Pair of Artist’s Lithographs. Including Ray,
–– M. de Gallard / Galerie Framond. Paris: Mourlot, 1958. –– Man. Image à Deux Faces. France: Nouvelle Images, 1970.
Galerie Maeght / UBAC. Paris: Mourlot, ca. 1950s. –– Riopelle –– Indiana, Robert. Yield Brother. Japan: Abrams Color Print,
/ Galerie Maeght. Most, 29 x 20”. Very good examples. 1963. Largest, 28 x 24”. Near fine examples.
300/600
200/400
545. [Art Exhibition] Three Art Exhibition Posters. Including:
549. [Artist] Murphy, Michael (American, 1941–1986). Pair
Kollwitz, Kathe. Barcelone le 17 Mars 1938 (closed tear to
of Michael Murphy Signed Posters. Including a linocut titled
outer margin). –– Fernand Léger / Composition in Three
“Tutankhamen” (inscribed and signed by the artist; margins
Profiles. Arthur Rothmann Fine Arts, 1937. –– Jacques Villon
Peintures / Galerie Louis Carré. Paris: Mourlot, 1955. creased with few pinholes); and a black & white lithograph
100/200 exhibition poster for the Contemporary Arts Center in New
Orleans (signed). Largest, 30 x 24”.
546. [Art Exhibition] Pair of Art Exhibit Posters. Including: Andy 100/200
Warhol / Galerie Borjeson (1983); and The Chicago Imagist
Print: Ten Artist’s Works, 1958–1987. Average, 39 x 27 ½”.
Very good.
100/200
556
550 551 552
559
557 558
556. Bak, Hedi (1927-2010). “Song of Songs,” Five Artist’s

Proofs. 1969. Woodblock prints, each artist’s proofs, from the
portfolio of 30. Each signed and dated to lower right. Uniform
metal frames. 24 x 16”. See Art Institute of Chicago, Ref. #
1970.559.
125/225
553 554
557. Bak, Hedi (1927-2010). Untitled, Aquatint. Circa
1960s. Signed lower right. Impressively matted and framed,
550. Bak, Bronislaw (Polish-American, 1922-1981). Ecce sight 14 x 9”.
Homo. 1961. Large woodblock print, titled, signed, and 150/250
numbered 11 of 20 in margin. Framed and matted, sight
28 ¾ x 20 ½”. 558. Baskin, Leonard (1922-2000). Euripedes. Etching,
150/250 number 101 of 200, signed lower right. Matted and framed,
sight 13 x 8”.
551. Bak, Bronislaw (Polish-American, 1922-1981). Untitled, 100/200
Seated Figures. 1969. Watercolor, ink, and graphite, with cut
559. Bezem, Naftali (Israeli, b. 1924). Caricature. Lithograph, 560
and pasted strips of paper. Signed “Bak” lower right. Matted
and framed. Sight 28 x 20”. number 51 of 100, numbered and signed. Matted, sight 12
x 16”.
250/350 555
50/150
552. Bak, Bronislaw (Polish-American, 1922-1981). Spiritual
554. Bak, Bronislaw (Polish-American, 1922-1981). Untitled, 560. Brauner, Victor (1903-1966), after. Victor Brauner /
Singer. 1965. Color woodblock print, number 8 of 20, signed Oeuvres Anciennes. Paris: Union, 1963. Exhibition poster,
Couple Embracing. Oil on cut and collaged strips of paper,
and dated lower right, titled lower left. Matted and framed, serigraph and lithograph. 26 ½ x 19 ¾”. Mounted to board
signed and dated 1969 lower right. Matted and framed, sight
sight 28 ¾ x 20 ¾”. in upper margin with cloth tape. Light creases, minor soiling.
20 ½ x 16”.
150/250 60/90
250/350
553. Bak, Bronislaw (Polish-American, 1922-1981). Untitled, 561. Carracci, Annibale, after (1560–1609); Cesio, Carlo,
555. Bak, Bronislaw (Polish-American, 1922-1981). Horizontal.
Hanging Male Figures. Ink and watercolor, signed “Bak/1969” engraver. Moderation. Italy, 17th century. Engraving of a
1969. Color woodblock, artist’s proof, titled, signed, and dated
lower right. Matted and framed, sight 23 x 18”. seated woman with a yoke. Margins trimmed to image. 5 ½
in the margin. Matted and framed. Sight 4 x 7 ½”. x 4”. Framed.
250/350 561
50/100 100/200
563 566 568
567
566. Chagall, Marc (1887-1985), after. Septieme Biennale de

Peinture / Menton. 1968. Lithograph exhibition poster, printed
by Mourlot. 30 x 20”. Set in a white wooden frame. Phillip E.
Freed (Chicago) gallery label to verso.
100/200
567. Chagall, Marc (1887-1985), after. Die Zauberflote [The

Magic Flute] / Mozart / Metropolitan Opera. 1967. Color
lithograph, printed in France by Mourlot. From an edition of
3,000 copies. 39 x 25 ½” (sight). In a heavy contemporary
frame. Sorlier 38.
600/900 569
562 564 565 568. Chagall, Marc (1887-1985). Marc Chagall. Four Seasons
/ Chicago. 1974. Lithograph, printed by Mourlot. From the
edition of 5,000 copies. 37 x 25”. Creases in image and
562. Cassatt, Mary Stevenson (1844-1926). Antoine Holding 564. Chagall, Marc (1887-1985), after. Reims-Musee des margins, some corner wear. Strong colors. B+. With limitation
Her Child. 1908. Drypoint etching. Platemark 8 ¼ x 6”. Matted Beaux-Arts. 1960. Lithograph exhibition poster, printed slip; retains original shipping tube with mailing label from Art
and framed. by Mourlot. 30 x 20”. Set in a black wooden and metal Institute of Chicago.
500/750 frame. Gallery label of Phillip E. Freed. Scattered marginal 200/300
discoloration, light creases; not examined out of frame.
563. Chagall, Marc (1887-1985). Springtime in the Meadow, 300/500 569. Chagall, Marc (1887-1985), after. Two Lithographs. Color
(from Daphnis and Chloe). Color lithograph, from an edition of lithographs from Derriere le Miroir, including “L’Accordeoniste”
250, on Arches. 16 ½ x 25”. Central vertical fold, as issued. 565. Chagall, Marc (1887-1985), after. Clown in Love. (sight 8 ¾ x 15”); and “Le Poisson Bleu” (sight 8 ¾ x 14 ¼”).
Set in a gilt wooden frame with linen matting. Gallery label of Lithograph, from Vol. II of catalogue published by Sauret Framed and matted. Both with vertical folds as issued.
Phillip E. Freed (Chicago) to verso; facsimile of limitation paper (1963). Matted and framed, sight 12 x 9”. Light foxing. Gallery 200/300
mounted to verso of frame. Mourlot 314. label of Phillip E. Freed (Chicago).
2,000/3,000 100/200 570. Chagall, Marc (1887-1985), after. The Village. Circa 1957.
Lithograph. Sight 8 ½ x 7 ½”. Matted and framed, retains
contemporary gallery label.
80/150 570
577
574
571
579
572 578
575
577. De Ruth, Jan (1922-1991). Odalisque. Lithograph,

numbered 53 of 200, signed and titled in the margin. Matted
and framed, sight 13 ¼ x 16”. Gallery label of Phillip E. Freed
(Chicago).
80/125
578. Dubourg, Matthew. Nine Aquatints of Hunting Scenes.

London: Edward Orme, 1813. Includes scenes of hunting
German deer, chamois, mackerel, tartars, tiger cats, Siberian
wildlife, and others. Elegantly framed, 12 x 10”. Light foxing to
margins. 580
200/400
573 576
579. Fairey, Shepard (b. 1970). Nubian Sign. [Los Angeles:

571. Chagall, Marc (1887-1985), after. Le Christ a l’horloge. 574. Chesham, Francis H. (1749–1806); Cotton, C., after. Six Obey Giant 2000]. Screenprint in colors on cream paper.
Color lithograph, one of 6,000 copies published with Chagall Hand Colored Engravings of Heraldic Coats of Arms. London: Signed, dated, and annotated in pencil along lower edge.
Graveurs (1957). Framed and matted, sight 8 ¾ x 7 ½”. T. Spilsbury, 1790. Taken from The English Peerage... Ancient Number 9 of 140 copies. 24 x 18”. Several horizontal creases
100/200 and Present Ste of the English Nobility. With gilt illumination. visible. B.
Families include Effingham, Spencer, Chatham, Graham,
100/200
572. Chagall, Marc (1887-1985), after. Five Framed Chagall Sydney, and Rodney. Framed (23 x 13”, few chips to wood),
Prints. Including a plate from “The Jerusalem Windows” prints (4 x 6 ½”). Few spots of pale browning.
580. Gauguin, Paul (1848-1903). La Femme aux Figures.
(1962); “The Flute Player”; Lassaigne/Chagall title page; and 100/200
Etching on laid paper, inscribed upper left, “Chez Seguin a
a pair of postcard-size prints after Chagall. Size of largest St. Julien.” Image 10 ⅛ x 16 ¼”. Linen matting and wooden
(framed) 14 x 20”. 575. Daumier, Honore (1808-1879). Les Honneurs du 581
Pantheon. 1834. Lithograph. Sight 10 x 11”. Matted and frame. Phillip E. Freed (Chicago) gallery label to verso.
125/225 Guerin 88.
framed. Philip E. Freed (Chicago) gallery label to frame verso.
50/150 300/600
573. Chagall, Marc. “Reverie” from Derriere le Miroir. Paris:
Maeight, 1970. Lithograph in colors. Framed, overall 20 x 27”. 581. Green, James Leehan (American, 1911–2000). Original
576. Derain, Andre (1880-1954), after. Deux Femmes Nues
Center fold visible. et Nature. Lithograph, number 183 of 350, printed by Andre watercolor and Gouache on Paper. Signed by the artist to
200/300 Dunoyer on Arches. Matted, sight 16 x 19 ¼”. lower right corner. Framed, 21 x 47”.
50/100 100/200
582
588 one of two 589 591
583 584
588. Katz, A. Raymond. Damages. Circa 1970. Woodcut, titled,

numbered, and signed in margin. Number 33 of 100. Matted.
Image area 14 x 11”.
50/150
589. Kelen, Linda (American). Pair of Original Woodcuts. On

wove paper. Hand-made wooden frames. Largest image area
16 x 12”. Fine.
100/200
590. Klimpert, Rudi (1926-2011). Clown’s Folly. Oil painting,

590
signed “Klimpert” lower left. Contemporary gallery frame,
bearing label of Studio Gallery (Geneva, IL) to verso. Sight 7 ¾
585 x 9 ¾”. Overall, 16 x 18”.
50/80
586 587
591. Kollwitz, Kathe (1867-1945). Mother and Child.
Lithograph. Framed and matted, sight 13 ¼ x 9”. With a
second matted print, unframed, by Penn Prints [slight creases
582. Goya, Francisco (1746-1828). No Llegan a Tiempo. 585. Haring, Keith (1958–1990). American Music Festival lower image area].
Etching, plate 52 of The Disasters of War. Platemark 6 1⁄16 x – New York City Ballet – 1988. [New York]: Philip Morris 50/100
8 1⁄16”. Matted and framed. Philip E. Freed (Chicago) gallery Company. Offset lithograph in colors on wove paper. 23 x 36”.
label to frame verso. Pinholes at corners. Rolled. A. 592. Kirsch, Frederick (1899-1981). Mother and Child. Oil on
300/500 150/250 Masonite. 5 ¾ x 3 ¾”. Signed lower left. Gilt frame and velvet
mat, with gallery label to verso of Phillip E. Freed (Chicago).
583. Haring, Keith (1958–1990). August 1st 1991. 586. Jansem, Jean (1920-2013). Seated Nude. Lithograph, 50/100
Switzerland: Albin Uldry, [1989]. Silkscreen in colors on smooth number 159 of 200. Matted and framed, sight 14 x 10 ¼”. 592 593
wove paper. 38 x 27 ½”. Unmounted. A. Described as signed on old gallery tag, but not visible as 593. Laurencin, Marie (1885-1956). Young Girl with Guitar.
300/500 framed, and unexamined out of frame. Gallery tag of Phillip E. Etching with added colors, signed in plate. Image 7 ¾ x 6 ½”.
Freed (Chicago). Handsomely matted and framed.
584. Haring, Keith (1958–1990). Crack Down. 1986. Offset 100/200 100/200
lithograph. 22 x 17”. Rolled. Slight crease lower left corner.
150/250 587. Karcher, E. Henry. Societe des Amis des Arts d’Angers 594. Lebadang, Hoi (French-Vietnamese, 1922-2015).
31eme Exposition. Angers: Hudon, 1926. French exhibition Femmes et Chats. Intaglio etching, artist’s proof, signed lower
lithograph. 31 x 24”. Linen backed. A. right. Sight 8 ¼ x 9 ⅛”. Matted and framed, gallery label of
200/300 Phillip E. Freed (Chicago) to verso.
100/200
594
595 596 597
601
603
604
598
601. Mattise, Henri (1869-1954). Teeny. 1938. Linocut, signed
and dated in plate lower left. From an edition of approximately
1500. 11 ⅞ x 9”. Slight scuffs not affecting image; very good.
300/500
599
602. Minaux, Andre (1923-1988). Femme. Color lithograph,

600
number 18 of 40, signed lower right. Framed and matted, sight 602
12 ½ x 9 ½”. Gallery label of Phillip E. Freed (Chicago).
595. Levy, Beatrice (1892-1974). Illinois Springtime. 1937. 598. Manet, Edouard (1832-1883). Charles Baudelaire de 80/125
Etching, number 12 of 50, signed and dated lower right. Face III. Etching, signed in plate and inscribed with the artist’s
Matted and framed with old exhibit entry labels mounted to and printer’s name in margin, on wove paper. Sight 5 x 4 ¾”. 603. Miró, Joan (1893–1983). Three Color Lithographs with
frame verso. Sight 8 x 10”. Framed and matted, gallery label of Phillip E. Freed (Chicago). Pochoir. Circa 1950s. Wove paper, unsigned. Each, 13 x 40”.
80/125 100/200 Few creases visible to outer image, versos toned. Unmounted.
1,500/2,500
596. Maillol, Aristide (1861-1944). Nude. Lithograph. Sight 8 x 599. Matisse, Henri (1869-1954). Portrait of a Woman with
13”. Matted, in a wooden frame, bearing gallery label of Phillip Flowers in Her Hair. Lithograph, signed and dated “42” in 604. Miró, Joan (1893-1983), after. Untitled, Blue
E. Freed (Chicago). Frame with light chipping upper right. With: plate, on Velin. Matted and framed, sight 12 x 9”. Composition. Color lithograph, ca. 1956, published by Maeght.
another lithograph after Maillol of similar size, wooden frame. 300/500 Central vertical fold as issued. Framed and matted, sight 8 ¾
100/200 x 14 ½”.
600. Matisse, Henri (1869-1954), after, by Jacques Villon 80/125
597. Maillol, Aristide (1861-1944). Nude. Lithograph, number (1875-1963). L’Espagnole. 1925. Etching and aquatint in
127 of 275, monogram “M” in plate. Matted and framed, sight colors, signed in plate upper left, “Grave par Jacques Villon 605. Modigliani, Amedeo, after (1884–1920). Depuis
14 ½ x 10 ¾”. Gallery label of Phillip E. Freed (Chicago) to 1925.” Handsomely framed and matted, platemark 15 ½ x Bonnard… / Musée National d’Art Moderne. Paris: Mourlot,
verso. 10 ¾”. Light skinning to lower margin. 1957. Color lithograph advertising an exhibition at the Modern
125/225 400/600 Art Museum of Paris. 29 x 20”. Pinholes at corners, outer
margin lighting bumped. Unmounted. A-.
200/300 605
613
614 616
611
612
606
617 618 619

615
607 608 609 610
606. Mucha, Alphons Maria (1860–1939). L’Habitation 610. Mueller, Howard (American, 20th Century). Group of Four 613. Neiman, LeRoy (1921-2012). Golfers. Lithograph, number 617. Picasso, Pablo (1881-1973), after. Picasso et la gravure
Pratique. Bifolium (upper and lower covers) for the April, 1907 Nudes. Watercolor and/or graphite on paper. Size of largest 385 of 500, signed in pencil lower right. Framed, overall 23 x contemporaine. 1966. Serigraph exhibition poster, from
issue with lithographed upper cover designed by Mucha. 15 ½ 23 x 14 ½”. 35”. Damp-soiling along bottom edge. an edition of 1,200, printed by Baviera, for an exhibition of
x 13”. Few chips and toning to fore edge. 80/125 80/150 Picasso’s engravings in Vallauris. 26 x 16 ½”. Set in a white
300/400 wooden frame.
611. Mueller, Howard (American, 20th Century). Original Civil 614. Pacific Design Center / AIGA Presentation. Brighton, 200/300
607. Mueller, Howard (American, 20th Century). Reclining War Illustration. Circa 1950s. Large original illustration of MN: Print Craft Inc., August 1992. Exhibition lithograph for
the artist, Charles S. Anderson. 34 x 25”. Rolled. A. MoMA
Nude. Circa 1950s. Oil on Masonite. 22 ½ x 18”. Unsigned; an artillery regiment charging on horseback. 23 ½ x 20 ½”. 618. Picasso, Pablo (1881-1973), after. Two Lithographs
255.1998. [Together with:] Cream of Meat punch-out (unused)
from the artist’s estate. Matted. Signed lower right. after Picasso. Including “Visage de Vieux Marin”; and a satyr,
designed by Anderson on “6 meaty sheets, live-stocked and
100/200 100/200 ready to ship”; signed by the artist. skinned in central area from removal of “L’Atelier Mourlot”
100/200 text. Both matted and framed, size of larger (framed) 18 x 14”.
608. Mueller, Howard (American, 20th Century). Nude. Circa 612. Mueller, Howard (American, 20th Century). “Late, Late Smaller 15 ½ x 13”.
1950s. Oil on board. 23 x 17 ½”. Unsigned; from the artist’s Show.” Circa 1960s. Original illustration of a tired woman with 615. Picasso, Pablo (1881-1973), after. Mother and Child. 80/125
estate. coffee and cigarettes, looking away from a television which 1963. Lithograph on Chiffon de Mandeure paper, signed in
100/200 shows a distressed woman seemingly menaced by a man with plate. Image 19 ½ x 15 ¼”. Matted. One slight ripple in image 619. Picasso, Pablo (1881–1973). Exposition / 1958 Vallauris.
cigar. 21 ¾ x 16”. Matted; printed title label on verso. by woman’s left arm. Silkscreen in colors. 35 ½ x 22 ½”. Old adhesive staining to
609. Mueller, Howard (American, 20th Century). Nude. Circa 60/90 400/600 upper corner, few dings to lower margin area. Unmounted.
1950s. Oil on Masonite. 18 x 15”. Unsigned; from the artist’s A-/A.
estate. 616. Picasso, Pablo (1881-1973), after. Thompson Collection 100/200
100/200 Kunsthaus Zurich. 1960. Lithograph exhibition poster,
reproducing “Garcon au panier,” printed by Wolfsbergdruck
(Zurich). 25 ¼ x 17 ¾”. Set in a white wooden frame. Phillip E.
Freed (Chicago) gallery label to verso of frame.
100/200
627
620 622 623
626
626. Renoir, Pierre A (1841-1919). Le Chapeau Epingle

(Pinning the Hat). Etching on laid paper, signed in plate lower
left. Platemark 4 ⅝ x 3 ⅜”. Matted and framed. 628
300/500
627. Robbin, Rand (b. 1938). Two Etchings. Including “Isaac”,

number 43 of 50 (sight 15 ¾ x 10 ½”); and “Nick’s New Cap”,
621
number 20 of 50 (sight 8 ¾ x 6 ¾”). Both signed, numbered,
and titled in pencil in margin. Uniformly framed and matted,
gallery labels of Phillip E. Freed (Chicago).
100/200
625 628. Rouault, Georges (1871-1958), after. Reincarnations

du Pere Ubu. A wood-engraving, probably printed by Georges
624
Aubert, ca. 1930s. 9 x 7 ¾”. Matted.
50/100 629
620. Picasso, Pablo (1881–1973). Picasso / Mes Dessins 623. Picasso, Pablo (1881–1973). Toros en Vallauris / Picasso.
d’Antibes / Au Pont des Arts. Paris: Mourlot, 1958. One of 1954. Black and white silkscreen. 30 x 23”. Unmounted. A. 629. Ryden, Mark. Rolling Stone / PM Dawn. 1993. Offset
500 copies. Lifetime lithograph used by Picasso to promote his 200/300 lithograph of the American hip hop group, PM Dawn. 11 x
artwork at Galerie Lucie Weill. 25 x 18 ½”. Faint corner crease 8 ½”. Faint central vertical crease.
to upper border. Unmounted. A. Czwiklitzer 124. 50/100
624. Redon, Odilon (1840-1916). Cain and Abel. Etching.
400/600
Image 7 ¼ x 4 ¾”. Matted and framed. Gallery label of Phillip
E. Freed (Chicago). 630. Schiavonetti, Luigi. The Memorable Address of Lewis
621. Picasso, Pablo (1881–1973). Picasso’s Vollard Suite.
200/300 the Sixteenth at the Bar of the National Convention. London:
The Christian A. Johnson Memorial Gallery, 1980. Exhibition
Testolini, 1796. Pair of stipple engravings after paintings by W.
poster printed in black and blue. 17 x 20”. A.
Miller and Charles Benazech. Each, 21 x 25”. Light toning or
60/90 625. Renoir, Pierre A (1841-1919). Berthe Morisot. Etching,
pale dampstaining at margins. Linen backed.
signed in plate. Image 4 ⅜ x 3 ¾”. Matted and framed. Philip
100/200
622. Picasso, Pablo (1881–1973). Retrospective Picasso E. Freed (Chicago) gallery label to frame verso. Delteil 4.
630
Gemmaux. Paris: Richard/A.J. Jourdin, 1957. A rarely seen 200/300
631. Silva, Guillermo (1921-2007). La Guerra. 1964. Engraving
exhibition poster promoting Picasso’s first exhibition of
with intaglio, with hand-coloring. Numbered A/61, signed and
gemmail at the famous Gallery du Faubourg Saint–Honoré
which became a great success among important collectors dated lower right. Sight 12 x 37 ½”. Matted and framed, gallery
(Raymond Loewy, Nelson Rockefeller, the Rothschild family, label of Phillip E. Freed (Chicago).
The Prince of Monaco, etc.) who acquired more than half of the 125/225
works in the exhibition. 19 ½ x 14 ½”. Old adhesive ghosting
near corners, cockling to pictorial label. B+.
400/600 631
633
636
632
642
637
634 635 one of two

638 one of two
632. Stark, Margaret (Indiana/New York, 1915-1988). 636. Toulouse-Lautrec, Henri (1864-1901). Yvette Guilbert,
Abstract [Egyptian Pharaoh]. Painting on textured parchment. dans Columbine a Pierrot. Lithograph, posthumous edition,
Signed M. Stark/1966 lower right. 34 x 24”. Linen mat, framed. initialed in plate. Matted and framed, sight 11 x 8 ¼”. Delteil
Scarce late-career work. Slipped out of mat along lower edge. 96.
500/1,000 150/250
641
633. Steinberg, Saul (1914-1999), after. The Artist at Work, 637. Vlaminck, Maurice de (1876-1958). Boissy-les-Perches. 639 640
or The Table. Lithograph with added coloring. 10 x 7”. Framed 1951. Etching, Musee du Louvre blind-stamp in margin. Full
and matted to 14 ½ x 11 ½”. Philip E. Freed (Chicago) gallery margins, matted. Sight 11 x 13 ½”.
label to verso. 125/225 639. Bonnard, Pierre (1867-1940). Le Bonne Graveur [The 641. Early American Watercolor of a Basket of Cherries.
100/200 Printmaker]. Circa 1930. Etching. Platemark 7 3⁄16 x 4 ¾”. American, early 1800s. Wash on board. Contemporary frame,
638. Wardle, Edmund. Pair of Mezzotints, Uniformly Framed. Matted and framed. Phillip E. Freed (Chicago) gallery label to backing with small early cut nails. Overall, 14 ½ x 20”.
634. Tapies, Antoni. Chicago International Art Exposition. Circa 1890s. Color mezzotints by Wardle, after Sir Thomas verso of frame. 200/400
1987. Limited edition poster, printed by Maeght (France), Lawrence, “Mrs. Siddons,” signed lower right in pencil. In 150/300
signed in plate by Tapies lower right. 41 x 27”. Metal frame. matching contemporary gilt wooden frames with lattice-work 642. Grooms, Red (American, b. 1937). Moon Under Miami
80/150 sides and painted floral corners. 640. Morisot, Berthe (1841-1895). Les Oies [The Geese]. / Twenty Dollars. Circa 1995. Watercolor and gouache on
50/100 [1888]. Drypoint etching. 5 ⅞ x 4 ¾”. Matted and framed, heavy card stock. Signed by both Grooms and playwright, John
635. Thornton, Robert John (1768-1837), after. The Dragon overall 17 x 13”. Phillip E. Freed gallery label to verso of frame; Guare, for their collaboration on the play that premiered at
Arum / Night-Blooming Cereus. Pair of color floral prints, artist name and numeral labels applied to glass. Near fine. the Remains Theatre in Chicago. Each, 5 x 12”. Framed and
uniformly matted and framed, sight areas 12 ¼ x 9 ¼”. Later 100/200 archivally mounted. Fine.
printings. 2,000/3,000
80/150
644
647 648
649
645
643
650 651 652
643. Jessup, Frederick (Australian, 1920–2007). “Lemon 648. [Folk Art] Finster, Roy. Ernest Tubb. 2001. Enamel paint, 650. Max, Peter (b. 1937). The Coach with the Six Insides.
Squeezer”. Still life oil on canvas, signed by artist in lower 646 one of five marker, and glitter on thin board, signed lower right, inscribed Circa 1967. Poster advertising the play based on James Joyce’s
corner. Distelheim Galleries (Chicago) label on verso, catalogue and dated on verso. 13 ½ x 9 ¼”. Small area marred at brim “Finnegans Wake.” 32 ½ x 24”. Linen backed. A-.
no. JG 73. Original frame, overall 36 x 29 ½”. of hat, upper right, otherwise very good. 150/250
500/700 646. [Erotica] Amft, Robert (1916-2012). Group of 5 Erotic 100/200
Watercolors. 2002/4. Watercolor on Arches. Each signed “R. 651. Max, Peter. Dove, signed and dated. Lithograph in colors,
644. Migonney, Jules (French, 1876–1929). “Roses”. Still life Amft” in pencil, and dated. Sheets 22 ¼ x 30 ¼”. Light creases 649. Max, Peter (b. 1937). Midget’s Dream, [Signed by Max]. signed in sharpie by the artist. 35 x 24”. Few tears at edges,
oil on canvas, signed by artist in upper right corner. Ornately and scuffing, overall very good. New York: Security Printing, 1967. Offset lithograph. Signed staining to lower image area. Rolled. B.
framed, 21 x 44”. 400/600 and dated by Max in the year of printing to the right image area. 200/300
800/1,000 24 x 36”. Linen backed. A.
647. [Folk Art] Finster, Roy. Andrew Jackson. 2001. Enamel 700/900 652. Max, Peter. Statue of Liberty Poster, inscribed. Circa
paint and marker on thin board, signed lower left, inscribed 2000. From the 1997 acrylic on canvas “Statue of Liberty”
645. Thompson, Richard Earl (American, 1914–1991). “Still
and dated on verso. 14 ½ x 10 ¼”. by the artist. Inscribed: “To Erik–Love/Max/2001” in bold
Life Fruit”. Circa, 1959/60. Varnish over oil on board, signed
100/200 sharpie. Professionally framed, 39 x 20”. A.
by artist to lower left. 14 x 26”.
200/300
100/200
653
655
654 656 657 one of eleven 658
653. Alice in Wonderland. RKO, 1951. Style A. Walt Disney’s 656. The Big Noise. 20th Century Fox and Tooker Litho., 1944.
adaptation of Lewis Carroll’s classic story. Half sheet, 22 x 28”. Comedy starring Stan Laurel and Oliver Hardy, with Doris
Few faint creases to image area and margins, small closed Merrick. Laurel and Hardy posing as detectives confronting
tears to borders repaired with archival methods. Rolled. B. enemy agents who are after “the bomb.” 41 x 27”. Trifolds
400/600 visible with light restoration. A-. Linen backed.
200/300
MUSIC, MOVIES,
654. Antics. Mudnaney Film Service, ca. 1950s. Originally
released under the title “Hog Wild” in 1930. 40 x 30”. Light 657. The Bullfighters. 20th Century Fox and Tooker Litho.,
creasing with inpainting at title. Linen backed. B+. 1945. Starring Laurel and Hardy as bumbling detectives on the
60/90 trail of Larceny Nell (Carol Andrews) who is headed to Mexico.
& THEATER
41 x 27”. Small paper losses at crossfolds; professionally
655. The Batman. Columbia, R-1954. Chapter 7 “The Phoney restored. B. Linen backed.
Doctor”. Serial. Starring Lewis Wilson and Douglas Croft. 41 100/200
x 27”. Fold lines visible with inpainting along lines. Linen
backed. B. 658. Burt Lancaster Lobby Cards and Poster. 11 total. Includes
200/300 5 lobby cards featuring “The Train”; 5 lobby cards and one
poster (one-sheet folded) featuring “Valdez is Coming”. Lobby
cards, 11 x 14”. Generally, very good to fine conditions.
200/300
659 661 662 664 one of five
667 669
four of eight 668
660 one of six
665 one of three 666 one of two
663
659. The Chinese Ring. Monogram, 1945. Starring Roland 663. Fiddler on the Roof. United Artists, 1972. Silkscreen.
670 one of five 671 672
Winters in his first outing as Charlie Chan, the sleuth, and Musical starring Topol, Norma Crane, and many other notable
Mantan Moreland as his chauffeur, Jefferson Brown. 41 x 27”. names. Banner, 24 x 82”. Occasional dust soiling. Rolled. B+/A-.
Corner pinholes and losses at edge near fold line; professionally 50/100
restored. B-. Linen backed. 667. French Cancan. Circa 1955. Cuban movie poster for 670. Gentleman Jim. Warner Bros. and Continental Litho Co.,
100/200 664. [Film] Five Movie and Documentary Posters. Including (3) the musical-comedy starring Maria Felix, Jean Gabin, and [1942]. A Raoul Walsh boxing sports biography about world
The War Room (October Films, 1993); The War Room various Francoise Arnoul. 36 x 26 ½”. Linen backed. Extensive over- heavyweight champion boxer James J. Corbett, starring Errol
660. [Cinema] Six Movie Lobby Cards. Including: Manhattan advertising poster proofs ; and To Live (1994). Approx. 40 x painting along folds and edges. B-. Flynn, Alexis Smith, Jack Carson, Alan Hale Sr., William Frawley
(1979); Two for the Road (1967); Being There (1980); 27”. Rolled. A. 100/200 and Ward Bond. 41 x 27”. Trifold visible with light inpainting at
Compulsion (1959); That’s Entertainment (1974); and Minnie 30/60 folds and margins; expertly repaired. B+. Linen backed.
and Moskowitz (1972). Generally, 11 x 14”. 668. From Russia With Love. United Artists, 1964. Lobby 150/250
665. [Film] Group of Three 1950s Movie Posters. One-sheets
100/200 card set of 8. The second film in the James Bond franchise.
include: A Time to Love and A Time to Die (Universal, 1958);
11 x 14”. Old corner staple holes, light browning or spotting to 671. [Grove Press] Five Grove Press International Film Festival
The Americano (RKO, 1955); and The Naked and the Dead
661. Criminal Lawyer. Columbia, 1951. Drama starring Pat margins; else clean and square. Posters. 1970. Including: “Mister Freedom” (Paris); Thanos &
(Warner Bros., 1958). Approx. 40 x 30”. General soiling,
O’Brien and Jane Wyatt. Framed, 49 x 35”. A. 600/800 Despina (Greece); The Joke (Prague); Early Works (Yugoslavia);
marring, and marginal closed tears. Rolled.
100/200 100/200 and The Most Beautiful Age (Czechoslovakia). Approx. 30 ½ x
669. 4 Gangsters de Chicago. Suevia Films, 1965. A Spanish 23”. Rolled. Overall, A. [Also with:] VI Festival Internacional de
662. “The Eskimo”. London: The Unity Film Co. Pictorial 666. [Film] Pair of Mid-20th Century Movie Posters. Including film featuring Frank Sinatra, Dean Martin, and Sammy Davis Jr. Cinema (1990).
broadsheet advertising the British play with critic reviews. 30 x Viridiana. Kingsley International, 1964. Drama starring Silvia 41 x 27”. Folds visible. A-. 200/300
19”. Folds visible with inpainting. Linen backed. B. Pinal and Francisco Rabal. One sheet, 41 x 27. Folded (lines 100/200
100/200 visible), few marginal closed tears. B. –– Pat and Mike. MGM, 672. Grün, Jules (1868–1934). Le Grand Guignol. Paris:
1952. Comedy starring Spencer Tracy and Katherine Hepburn. Bougerie, ca. 1900. French lithograph in colors. 49 x 36”. Few
Half sheet, 36 x 14”. Folded (lines visible). A-. spots of restoration at edges, folds visible. Linen backed. B-.
150/200 100/200
678A 679 680
673 674
675 678A. That Naughty Girl Advertising Proof. New York: Films
Around the World / Donald L. Velde Enterprises, 1956. An “ad
campaign” with various images of Brigitte Bardot, for ways to
advertise this “sexy” film. Framed, 22 x 17 ½”.
100/200
679. The Nightmare Before Christmas. Touchstone, 1993.

Starring the voices of Chris Sarandon, Catherine O’Hara,
Danny Elfman, and many others. Story by Tim Burton. 40 x 27”.
Rolled. A. [Together with:] Frankenweenie. Walt Disney Studios,
2012. 40 x 27”. Rolled. A.
150/250
680. Ralluriau, Paul. Le Petit Theatre / Ombres – Comédies

– Intermèdes. Seine: La Lithographie Nouvelle, 1901. An Art
Nouveau design lithograph in colors. 44 x 30”. Dampstaining
to out margin, some offsetting. Old linen backing. B.
676 250/350
677
681. Rebel Without a Cause. Warner Brothers, 1955. Style
“Y”. Starring James Dean and Natalie Wood. Large one-sheet,
678 60 x 40”. Lower corner tear with loss (marginal only), short 681
creases to edges and image area, marginal soiling. B-. Rolled.
673. Hamlet. Universal, R–1953. Oscar-winning film of the 676. La Dolce Vita. Astor, 1961. Pair of half-sheets (36 x 800/1,200
Shakespearean tragedy starring Laurence Olivier. 40 x 30”. 14”; 22 x 28”). Starring Marcello Mastroianni, Anita Ekberg,
Several marred areas to image and margins, possibly from and directed by Federico Fellini. Considered “the most talked 682. Redemption. Triumph, 1917. Early window card starring
worming. C+/B-. Rolled. about–the most shocked about film of our years”. Folded (lines Evelyn Nesbit and her real-life son, Russell Thaw. Hand titled
100/200 visible), some marginal creases. A-. to upper margin (“Colonial / Thurs. Feb 14”). 21 x 13”. Image
250/350 area dampstained, closed corner tear with pinhole.
674. 7th Heaven. William Fox, 1927. Window card. Overprinted 300/400
for the Tivoli Theatre. Starring Janet Gaynor and Charles 677. Lipinski, Eryk. Kryptonim Nektar. Circa 1963. Lithograph
Farrell, based on John Golden’s stage drama. 22 x 14”. Edges in colors. 33 x 23”. Linen backed. A.
browned. A. 150/250
200/300
678. My Lady of Whims. Oscar Rosenbergs Filmbrya, 1925.
675. King Kong. RKO, R–1956. Silk screen movie poster Swedish one sheet (35 x 23”). This was Clara Bow’s last
starring Fay Wray, Bruce Cabot, and Robert Armstrong. 40 x film with Arrow Productions before trading up to work for
30”. Pinholes at corners, few spots of marring or creasing to Paramount. Folded with cross fold separation. A.
image area, margins with occasional short tears or creases. 500/700
Rolled. B-.
600/800 682
685
683 690 692

686
684
693
691
689 one of three

one of two 694 695 696
687 688
690. Superman and the Mole Men. Lippert, 1957. First release 693. Touch of Evil. Universal International, 1958. Style “Z” with
French Grande. Serial. Starring George Reeves, Phyllis Coates, blue coloring (could not locate any other examples). Directed
Jeff Corey, and many others. 47 x 31 ½”. Folds present with by Orson Welles. Starring Wells, Charlton Heston, and Janet
683. Return of the Jedi. 20th Century Fox, 1983. Style B. 686. Sidewalks of London. Paramount, 1938. Starring Charles restoration along lines, light offsetting to image. Linen backed. Leigh. 40 x 30”. Professionally repaired folds at lower and
Starring Mark Hamlin, Harrison Ford, and Carrie Fisher. 41 x Laughton and Vivien Leigh. One sheet, 41 x 27”. Folds visible B/B+. outer edge, few closed tears near margins; expertly repaired.
27”. Rolled. A. with light inpainting at folds at borders. Linen backed. B+/A-. 200/300 B. Linen backed.
200/300 200/300 600/800
691. Take the Money and Run. Cinema Releasing, 1969.
684. Rough and Ready. Fox Film and Alpha Litho., 1918. Early 687. The Stolen Bride. First National/Morgau Litho., 1927. 694. Track of the Cat. Warner Bros., 1954. Pair of lobby cards,
Silkscreen. Starring Woody Allen. Banner, 24 x 82”. Few vertical
stone lithograph featuring William Farnum as “America’s most Style A. Starring the Hollywood legend, Billie Dove. 41 x 27”. both SIGNED by Robert Mitchum. 11 x 14”. Upper corner
creases to outer image, some scuffing. Rolled. B. bumped, light marring or soiling to outer margin.
popular actor”. 41 x 28”. Folds visible with light touch ups Linen backed. A. 50/100
along lines, creasing to central image, inpainting along border. 200/300 100/200
Linen backed. B. Rare. 692. This Gun for Hire. Paramount, 1947. Belgian, first post- 695. Valerio, Robert de (1896–1951). Bouche A Bouche.
300/500 688. The Strength of the Weak. Faulkner’s Exclusive, 1916. war release. Starring Veronica Lake, Robert Preston, and Laid Paris: Devambez, 1925. Lithograph in colors. 23 x 15 ½”. Faint
Drama. Lithograph in colors. 60 x 40”. Folds present with Gregar. 22 x 14”. Pinholes at corners. Linen backed. A. horizontal creases visible. Unmounted. A-/A.
685. San Antonio. Warner Bros., 1945. Western film starring inpainting. Linen backed. B. 350/450 200/300
Errol Flynn and Alexis Smith. 41 x 27”. Pinholes at corners, 200/300
inked stamp bleed-through at margin, tiny paper loss under 696. Whistling in the Dark. MGM, 1941. The first in the
“S” in San Antonio. B-. Linen backed. 689. Superman Against the World Mexican Lobby Cards. “Whistling” series featuring Red Skelton. 40 x 27”. Expert
80/125 3 total. Colorful examples starring George Reeves. 12 ¾ x restoration of chips and fold line losses, inpainting to pinholes
16 ¾”. Pinholes to corners with a bit of pale staining at margins. at corners. B-. Linen backed.
150/250 100/200
704 705 706 707
697 701
698
700
702 703 708 709 710 711
699
697. Zenobia. United Artists, 1939. Comedy starring Oliver 700. Excelsior. [Boston]: Forbes Litho, 1883. Color lithograph
Hardy, Billie Burke, and Alice Brady. 41 x 27”. Trifold visible, poster with a scene from the Imre and Bolossy Kiralfy 704. Dorival, Georges (1879–1968). Ménage Polonaise. 708. Chwast, Seymour. Judy Garland. Lincoln Center
tiny chip to lower margin and upper corner. B+. Linen backed. production. 20 x 28”. Extensive restoration to borders; slight Paris: Max Eschig, 1914. A French advertisement for the Philharmonic Hall. G. Keys & John Myterson, 1968. Offset
150/250 in-painting to folds. Linen backed. B.
vaudeville operetta. 31 x 23”. Minor inpainting to image area. lithograph concert poster. 36 ¾ x 23”. Rolled. A.
125/225
Linen backed. A. 150/250
698. Vroom, Gerard. Princesse Schouwburg / Alexander 100/200
Moissi. Germany, ca. 1930s. Stylized face looms over the gold 701. Beyond Bengal. Showmen’s Pictures, 1934. One sheet
709. The Rolling Stones in Concert Poster. Stone Promotions,
and black text for this theater poster. 34 ¾ x 47 ½”. Edges (27 ½ x 41”). Poster for the adventure film directed by and
starring Harry Schenck. Linen backed. Old fold lines with some 705. Hank Snow. Grand Ole Opry, 1948. Large pictorial window 1969. Designed by David Byrd. 21 ½ x 14”. A.
chipped with some small losses. Linen backed. B+. card printed in red and black on heavy stock. 28 x 22”. Pinholes 100/200
500/700 restoration and overpainting, some small repaired marginal
tears. A-. at corners or margins, dark stain to right outer margin.
250/350 150/250 710. The Rolling Stones / Havana Moon. 2018. An
699. Bartley Campbell’s Great Play Galley Slave / Francesca advertisement for the Stones concert film screened at the
Remini. New York/London: Strobridge, ca. 1890s. Vertical 706. [Jazz] Christen, Albin. 34th Montreux Jazz Festival, signed Troxy in London. 23 ½ x 16 ½”. Unmounted. A.
702. The Asphalt Jungle. MGM, 1950. One-sheet movie poster
panel poster depicting a female character from the play. 36 ½ by several musicians. 2000. Framed, 41 x 29”. 40/80
for the film noir starring Sterling Hayden. 41 x 27”. Linen
x 14 ½”. Over-painting to edges and along central horizontal backed. Faint old folds, extensive over-painting in margins. B. 150/250
fold. Linen backed. B+. 200/300 711. Pasche, John. The Rolling Stones European Tour 1970 / A
150/250 707. Messett’s Musical Entertainers. Newport, Kentucky: Sea Presentation. Denmark: Fred Kehler/Reklame. First printing
703. Return of the Fly. 20th Century Fox, 1959. One-sheet The D.L. Co., ca. 1920s. American vaudeville advertising poster for the Stones’ 22 show tour of Continental Europe in the
movie poster for the sci-fi horror film starring Vincent Price. 41 lithograph. 41 x 27”. Horizontal crease to lower image area year sandwiched between the releases of Let It Bleed (1969)
x 27”. Linen backed. Faint old folds. B+. with separation near border. Rolled. B+. and Sticky Fingers (1971). 33 x 24”. Unmounted. A.
150/250 80/125 200/300
one of two 719 one of seven 720 one of five 721 one of eight 722
712 713 714
one of eight 723 724 725
715 717 one of two 718 one of two
716
719. David Bowie / Nine Inch Nails Polaris Amphitheatre 722. Group of 8 Gig/Concert Posters. 1990s/2010s. Including
Poster. 1995. Signed by the designer, Mark Arminski. 22 x Red Hot Chili Peppers; Jethro Tull; Los Lonely Boys; Muse; Tool;
10 ½”. Also with Patti Smith Theatre of Living Arts poster Dresden Dolls; Pantera; and Steve Kimock Band (signed by
(2009), signed by Arminski, 22 x 10 ½”. A-. Kimock). Several from signed, numbered editions. Designers
712. Pasche, John. The Rolling Stones UK Tour 1971. 716. Zhukov, I. Moscow Theatre Festival. USSR: Intourist, 1934 125/225 include Bob Masse; Billy Perkins and Michael Michael
Lithograph in colors. 30 x 20”. Short closed tears along border; (1935 label affixed over original imprint, most likely reusing the Motorcycle. Size of largest 24 x 18”.
expertly repaired. Linen backed. B+/A-. original poster for the following year). A stunning westernized 720. Group of 7 Gig/Concert Posters, Mostly Chicago Venues. 125/225
100/200 Art Deco image printed by the Soviet state travel agency to 2010s. Various designers. Concert/gig posters, several from
attract foreign visitors, especially those versed in the English signed and numbered editions, for Death Cab for Cutie; 723. Group of 8 Gig/Concert Posters. 2010s. Silkscreens.
713. Pasche, John. The Rolling Stones American Tour 1972. language. 40 x 25”. Large vertical tear affecting the central Nobunny; Jon Spencer Blues Explosion; Ornery Little Darlings; All designed by Martin Cimek, signed, some from numbered
Sunday Promotions/Chipmonck. Lithograph in colors by John image; old repair visible, few faint scuffs to lower image. Linen and others. Venues include Empty Bottle, Schubas, Double editions. For Chicago venues including Double Door, Metro,
Pasche. 38 x 25”. Corners completely redone, professional backed. C+/B-. Door, Beat Kitchen, Mercury Café, and The Vic. Size 26 x 20” Delilah’s, Cobra Lounge, and Cicero Stadium. Size of largest
inpainting to upper image area. Linen backed. B-. 500/700 and smaller. Condition generally very good; some with creases, 23 x 17”. Condition generally very good.
100/200 tackholes, and small tears. 125/225
717. Metallica Artist Proof Gig Posters. 2017. Two posters, 150/250
714. Sedlik, Jeff. B.B. King Photographed by Jeff Sedlik. Large both signed by the designers, Skaggs and Dan Grissom, and 724. B.B. King Poster. Massive enlarged photographic poster
black & white photographic print, signed by the artist to lower marked “AP” in pencil to lower left. 24 x 18”. Slight marginal 721. Group of 5 Gig/Concert Posters. 2010s. Including (3) of King. Signed by the photographer, Peter Amft, lower right. 61
margin. Framed, 34 x 26”. Fine. blemishes. Print Mafia, two being artist’s proofs, the third number 54 of x 44”. On thick paper; rolled. Light creases.
50/100 100/200 66, for Dwight Yoakam, My Morning Jacket, and They Might be 200/300
Giants; and Todd Slater designs for Ministry and Billy Corgan,
715. Warner, John. The Allman Brothers Band / Chicago 718. Willie Nelson / Santa Cruz. 2006. Silkscreen concert one an A/P, the other 69 of 150. Size of largest 23 ½ x 17”. 725. Buddy Guy Poster. Massive enlarged photographic poster
Theatre 2013. Signed and limited (499/650) in pencil by the poster, one of 500 copies, embossed, signed and numbered 125/225 of Guy. Signed by the photographer, Peter Amft, lower right. 61
artist to lower margin. Framed, 25 x 19”. A. by the artist, Emek. 25 x 12”. Slight edgewear. A-. x 44”. On thick paper; rolled. Light creases.
40/80 80/125 200/300
726 727 728
729
730 732
731
726. The Man Who Fell to Earth. Silkscreen, signed by designer 729. Sutter’s Mill. Quicksilver Messenger Service, Country Joe
Tim Doyle and numbered “A/P.” 30 x 20”. Short closed tear and The Fish. San Francisco: Rick Griffin/Family Dog (FD-62),
lower left, slight edge creases. B+. 1967. First printing color lithograph (small blue dot in right
150/250 hand margin). 14 x 20”. Unmounted. A.
60/90
727. Tom Petty Signed Poster. [Chicago, 2003]. Poster for
Tom Petty and the Heartbreakers at the Vic. Signed in silver 730. Crumb, R. Stoned Agin. Los Angeles/Atlanta: Star City,
Sharpie center right image. Signature obtained in person by 1971. Offset lithograph blacklight poster with black velvet
CIVIL RIGHTS
the consignor at the appearance. 24 x 18”. Light marginal border, as issued. 35 x 23”. Unmounted. Upper left corner
wear, minor creases. ragged, otherwise very good.
200/300 80/150
& AFRICAN
728. Shirley Temple Signed Poster. Nostalgia Merchant, 1977. 731. Crumb, R. Keep on Truckin’… N.p., ca. 1967. Offset
Number 1288 of 2000, signed at center lower margin by lithograph. 22 x 33 ¾”. Unmounted. Slightest creases. A-.
Temple. 30 x 24”. Scattered scuffing and marring to image. 100/200
150/300
AMERICANA
732. Frank Zappa “Phi Zappa Krappa”. N.p., ca. 1960s. Poster
design incorporating a photograph by Robert Davidson. 32 x
23”. Unmounted. Small marginal tears and creases. B+.
50/80
739 740 741
733
734
735
737
736 738
742 743 one of two 744

733. Borowski, Ron. I Pledge Allegiance to the Flag… Chicago, 736. Chained Hands. Los Angeles, 1971. Designed by Robert
ca. 1960s/70s. Photographic litho first used for the CBS show Carl Cohen. 22 ¼ x 17”. Unmounted. Light creases in image.
“Of Black America”. 28 x 21”. Some inpainting and creasing to 80/125 739. [Gregory, Dick] Needed / Public Citizen #1. N.p., 1969. 742. The Message. 1960s. Civil rights poster issued by the
lower image. Linen backed. A-. In 1972 Cohen published “Black Crusader,” an autobiography Offset lithograph, parodying the design of a “wanted” poster. Louisville Courier –Journal and Times, after a photograph by
100/200 of Robert Franklin Williams, the first Black American to advocate 22 ½ x 17 ½”. Unmounted. Very good. staff photographer Charles Fentress, Jr. of a protester at the
in favor of armed self-defense. A passage in the autobiography 125/225 1965 Freedom March in Selma. 20 x 15”. Ragged and damp-
734. You Can’t Jail the Revolution / Stop the Trial / Free references police chaining Williams’ hands during his trial for Printed after the comedian and activist’s campaign for soiled bottom margin; tape stains to corners, light soiling to
participating in a sit-in, as a form of intimidation to the greater President as a write-in candidate of the Freedom and Peace image.
the Conspiracy 8. Chicago, ca. 1968. Poster in support of
Black community. Party. 200/300
the Chicago 8 (or, as here, Conspiracy 8) who were charged
with conspiracy for protests at the 1968 Democratic National 737. Ziering, Bob. Break the Links / U.S. Apartheid. N.p., n.d.,
Convention in Chicago. The image evokes the Black Power 740. Glaser, Milton. Dick Gregory on Poppy. [1969]. Offset 743. Shamsud-Din, Isaka. Wine in the Wilderness. 1979.
ca. 1978. Offset lithograph poster supporting breaking links
salute of gold medalist Tommie Smith at the 1968 Summer lithograph poster with a portrait of Gregory. 36 x 24”. Folds as Offset lithograph poster for a staging of Alice Childress’ play at
between the U.S. and apartheid South Africa. A flyer using
Olympics. 24 x 20”. Small hole center right, folds, damp-soiling, issued. A-. the Portland Black Repertory Theatre, sponsored by the Albina
this image was issued by the American Friends Services
and contemporary adhesive marks to corners. 100/200 Women’s League. 17 x 12”. Unmounted. Slight creases.
Committee, the presumed publisher of this poster. 17 x 15 ¼”.
200/400 Tackholes, light soiling. 200/300
80/150 741. [Genet, Jean] The Blacks. N.p. [San Francisco], ca. 1971.
735. Make Black Count. N.p.: Coalition for a Black Count, ca. Designed unknown. Screenprint poster for a staging of Genet’s 744. Bible, Charles. Two Afro-Arts Inc. Poetry Posters. New
1970. Poster on light board urging Black families to “get in the 738. Join the Fight Against Racism! New York, 1976. Offset play, directed by Keith Grier, designed by Keith St Clare, and York: Afro Arts, 1970. Offset lithographs. The first with a design
’70 Census.” Image of a raised fist holding a pen, and a family lithograph poster with a photographic image of protesters costumes by G.D. Anderson. 20 x 13”. Unmounted. A-. accompanying a poem by Ed Bullins, “Many Worlds Separate/
of five lower right. 22 ½ x 14”. The coalition operated under demanding the desegregation of Boston schools. Text in white 150/250 Morocco from Manhattan”; the second with cartoon-strip
the auspices of the National Urban League. Rare in poster size. on green background. Issued by the Socialist Workers 1976 illustrations accompanying a poem by Sterling Brown, “The
Campaign Committee, listing candidates of the party: Peter Ballad of Joe Meek.” 22 ½ x 17 ½”. Unmounted. The first with
300/500
Camejo for president, and Willie Mae Reid for vice president. some skinning to center right image; spotting and uneven
17 x 11”. Unmounted. Fine. discoloration.
50/150 200/300
745 746 747 752 753 754
one of four 755 one of four 756
748 one of two 749 750 751
745. Caldwell, Ben. Journal of Black Poetry Press. 1970. 748. Experimental Improvisational Black Music Ensemble.
Offset lithograph advertising the Black poetry journal edited by 1975. Two posters issued by the University of Wisconsin-Madison
Marvin X, depicting a black figure holding Earth, the continent School of Music, advertising the music ensemble directed by
of Africa facing the viewer. 22 ¾ x 17 ¾”. Spotting and Jimmy Cheatham. 11 x 15 ½”; 15 ¼ x 10”. Unmounted. One
757
darkening. Unmounted. with central fold and hole upper right printed area.
200/300 150/250 758
746. Morrison, Toni. Toni Morrison Reading Lecture Poster. 749. Powell. Howard University / National Conference of 752. House-Rent Party. Toddy, 1946. One-sheet. 41 x 27”. 756. Prison Bait. Toddy, R-1940. Set of four lobby cards for the
Circa 1980s. An advertisement printed in turquoise and white Afro-American Writers. 1976. Poster advertising the three- Folded. Slight losses along folds and margins. Crisp copy. A-. film starring an all Black cast. 11 x 14”. In sleeve.
for a Toni Morrison reading lecture at the University of Illinois day public Black literature conference at Howard, listing 200/300 80/150
at Chicago on March 30th. 18 x 12”. Uneven sunning at edges; participants including Toni Morrison, Sonia Sanchez, William
very good. Unmounted. Greaves, Bill Gun, Amiri Baraka, and others. 22 x 18”. Slight 753. Harlem on the Prairie. 1937. One-sheet. 41 x 27”. Folded. 757. [Minstrelsy] Jesse James The Missouri Outlaw / Lige and
100/200 soiling. A-. Scarce. Crisp copy. A-. Eliza Making Soldiers Toes Out. Newport: Donaldson Litho,
200/300 100/200 ca. 1910s. Stone lithograph poster. 41 x 27 ¼”. Linen backed.
747. Cobb, Ron. Uncle Tom Says / Only You Can Prevent Ghetto Restored losses and tears along folds and edges; scattered
Fires. Los Angeles: Sawyer Press, 1967. Poster depicting an 750. Fremuth, Jerry. Mandabi. Grove Press International Film 754. Paradise in Harlem. [Jubilee Production Co.], n.d., ca. tears and some discoloration in margins. Overall, bright copy. B.
Uncle Tom character pointing at the viewer, parodying the Festival Presentation. 1970. One-sheet. 41 x 27”. Folded. 1939. Movie poster for the film starring Mamie Smith and 500/750
familiar Smokey Bear image and slogan. Produced in the wake Crisp and clean. A. Frank Wilson. One-sheet. 41 x 27”. Folded. Old tape repairs
of the 1965 Watts riots. 32 ½ x 22 ¼”. Over-painting and 100/200 along folds, marginal chipping and tears. B-. Scarce. 758. [Minstrelsy] Tommy Donnelly’s Minstrels. Erie Litho, ca.
restoration in margins and image. Linen backed. B. 150/250 1910s. Stone lithograph depicts a large cast of minstrels with
250/350 751. Lucky Ghost. Toddy Pictures Co., 1948. Silkscreen. band, spectators in boxes and seats. 28 x 42”. Linen backed.
Featuring an “All Star Colored Cast” starring Mantan Moreland 755. Voodoo Devil Drums. Toddy, 1944. Set of four lobby Over-painting along folds, repaired marginal tears. B+.
and F.E. Miller, promising “Thrills! Chills!” 41 x 27”. Trifolds cards for the zombie film starring an all Black cast. 11 x 14”. In 200/300
visible. A-/A. Linen backed. original paper sleeve.
100/200 80/150
761
759
764 766
764. Group of 22 Embossed Alligator / Black Americana

762 Postcards. Germany/New York: S. Langsdorf, ca. 1900s. Linen-
finish postcards with embossed alligators serving as frames
759. Tommy Donnelly / Minstrels. Minneapolis: Diamond of images of African American people in the rural South, from
Litho, ca. 1900. Lithograph in colors of a bust portrait of the the series the “Sunny South.” 11 postally used, few with small
minstrel actor. 40 ½ x 28”. Fold lines visible with toning and spots of pale staining, otherwise an outstanding group from a
inpainting. Linen backed. B. desirable and valuable set.
300/500 800/1,200
760. Vogel’s Big City Minstrels / Tommy Donnelly. Newport: 765. Group of 12 Embossed Thanksgiving Related Black
The Donaldson Litho., ca. 1900. Lithograph in colors. 40
Americana Postcards. Most postally used. Very good overall.
x 28”. Fold lines visible with short creases and inpainting. 765
100/200
Linen back. B.
400/600
766. Massive Collection of Over 700 Black Americana
Postcards. Linen and RPPCs housed in four full binders.
760 761. [Currier & Ives] Darktown Fire Brigade. Under Full Steam.
1887. Currier & Ives Series No. 9. Stone lithograph firefighting Subjects include babies and young children, watermelon eating,
print. 14 x 18 ¼”. Small spot of soiling along top edge, light cotton picking, leather postcards, French advertisements,
corner creases, image near fine. trade cards, servants, chicken thieves, and several from
200/300 various series. A wonderfully curated collection. Must be seen.
1,500/2,500
762. [Currier & Ives] The Darktown Hook and Ladder Corps. 767
1884. Currier & Ives Series No. 7. Stone lithograph firefighting 767. Three Golliwog Postcards by Florence Upton. Raphael
print. 14 x 18 ¼”. Short tears at edges, slight creases, image Tuck “New Year” Postcard Series 1791. Two postally used with
near fine. ink inscriptions to front of cards.
200/300 100/200
763. Collection of Approx. 70 Blackface Minstrel Show 768. Three Real Photo Postcards of Subjects with Guns.
Postcards, [several signed]. Majority RPPC’s, entertainers Including an African American male with a rifle, a child dressed
include circus groups, Deacon Livingston, Chirgwin, Kail Stern, as a Native American holding a BB-gun, and two well-dressed
Marguerite Kendall & The Robinson Bros., Rufus & Roberta, hunters with shotguns. Unused.
Eddie Cassady, White Wash, Golliwogs, “Black & White”, Three 100/200
Black Diamonds, Maurice Laski, Mark Leslie, Bruce, Harry
Fern, and others. Group acts include Churchill’s Happy Valley
Minstrels, Hayshakers, Eagles Minstrels, Jubilee Minstrels 768
763
(Yarmouth), and many more. Very good condition.
500/700
778
769
772 775
779
773
770
776
771 774
PO S TC A R DS
777
780
769. Nudes, Risqué, and Women Postcards. Lot of 34. Bulk 772. Coney Island Postcards. Lot of Over 200. Approximately
1900s/20s. Including (3) French nude photo postcards; 220 postcards, almost entirely devoted to Coney Island, a
several artist signed (Farini, Donald McGill, Clapsaddle); and majority pre-1920. Many different scenes and views, including 775. Halloween Postcards. Lot of 11. 1900s/10s. Various 778. Ships and Ocean Liner Postcards. Lot of 35. Bulk
assorted postcards of women, risqué, and beauties. Stored in Luna Park, Dreamland, Shooting the Chutes, Japanese Café, Halloween postcards depicting witches, pumpkins, black cats, 1900s/10s. Including a Titanic postcard by Koehler
sleeves; generally very good. views from the ocean, Surf Avenue, lagoon, Dragon’s Gorge, and bats. One by Clapsaddle, and one for a Halloween Carnival (postmarked a week after sinking with related message);
60/90 and others. Includes a small group of Rockaway Beach in Albany, NY. Neatly stored in sleeves; generally very good. and assorted ferry boats, steamers, battleships, ship yards,
postcards and other American amusement parks. Neatly 125/225 riverboats, and other vessels. A few RPPCs. Neatly kept in
stored in sleeves; generally good or very good condition. sleeves; overall very good.
770. Holiday and Greetings Postcards. Lot of Over 100. Bulk
Additional photos available on request. 776. U.S. Military / Patriotic Postcards. Lot of 77. Bulk
1900s/20s. Collection of holiday and greetings including 125/225
125/225
Easter, Thanksgiving, and Christmas, plus St. Patrick’s Day, 1900s/10s. Assortment of postcards of American barracks,
birthdays, Valentine’s, New Year, and others. Neatly stored in 773. Santa Claus Postcards. Group of 34. Bulk 1900s/10s. camps, and military bases; battleships; World War I; West 779. Dirigible, Zeppelin, and Rocket Mail Postcards and
sleeves; condition generally very good. Collection of early 20th century postcards depicting Santa Point; soldiers and several patriotic (Memorial Day, George Covers Lot. Approximately 56 pieces, including (14) U.S.S.
100/200 Claus, majority embossed color lithographed, and primarily Washington, American flag). Several RPPCs. Neatly stored in Macon; U.S.S. Akron (many); Graf Zeppelin; assorted rocket
German and American publishers. Includes Santa Claus in red sleeves; condition generally very good. mail; and miscellaneous zeppelins. Neatly stored in sleeves;
771. Baseball, Football, Golf, and Sports Postcards. Lot of Over and other color coats; with gifts; descending the chimney; on a 150/250 condition generally very good.
30. Bulk 1900s/10s. Includes early 20th century amateur sleigh; and other depictions. Neatly kept in sleeves; condition 125/225
generally very good. Nice lot. 777. Executions and Prison Postcards. Lot of 20. 1900s/10s.
baseball, football, and basketball team postcards, some RPPC;
200/300 Including (18) Chinese Boxer Rebellion postcards depicting 780. Complete Set of Bull Durham’s “Trip Around the World”
Richard Bergmann table-tennis champion signed postcard;
several golf courses; horse racing; fishing; and others. Neatly 774. Native American Postcards. Lot of 60. Bulk 1900s/10s. grisly war atrocities such as Death by a thousand cuts, Postcards. Circa 1910. Complete set of 33 postcards, each
stored in sleeves; condition generally very good. Postcards of various Native American tribesmen and women, beheadings, and torture; (1) Sing Sing Electric Chair; and (1) featuring a colorful scene from 33 individual countries or
125/225 chiefs, children, monuments, and others, including Apache, Oregon State Penitentiary. Neatly stored in sleeves; condition continents with a poem below the image in which the culture
Seminole, Chickasaw, Blackfoot, Navajo, and others. Several generally very good. or people illustrated are endorsing the tobacco brand. Faint
from a series by F.A. Rinehart (with some duplication). Neatly 150/250 bleed-through to versos; a fine and clean set rarely ever seen
kept in sleeves; condition generally very good. complete and in this condition.
200/300 1,000/1,500
781
786 787 788
785
781. Group of 16 Advertisement Real Photo Postcards and

782
Calendars. Subjects are all women and children advertising for
shoes, light fixtures, tires, livestock, hardware, milk, shirts, and
meats. Brands include Nebraska Livestock, Richard Wilcox
Manufacturing, Northfield Milk Products, Aaron Nusbaum
F. Mayer Boot & Shoe Co., Miller Shirt Maker, Consolidated
Rubber Tire Co., Morrell Hams, Fowler Martin Tire & Repair
Co., Boston Rubber Shoe Co., and more. Several postally used,
occasional dust soiling at margins.
100/150
791
789
782. Large Group of Approx. 190 Advertising Related
790
Postcards. Mostly linen. Advertisements include food, men’s
clothing, automobile and gas, Chicago related products and
activities, tobacco, appliances, watches, paint, and various
786. Group of 24 Real Photo Exaggeration Postcards. Circa 789. Lot of 25 Real Photo Postcards. Including “five old maids”,
others including an original free sample safety razor affixed to
1930s. Includes images of a giant fish eating a car, Black Mexican Revolution, Barbados, Blondie Jones campaign,
its advertisement postcard. Mostly unused.
Americana watermelon houses, horses pulling massive Shasta Spring, a man measuring bananas, class photo from
300/500
783 potatoes, a man with an axe riding a walleye, four men and 1910, picnickers eating watermelon, flower mill, Seal Rocks
a dog riding on top of an ear of corn, wheat taller than man, Grayline tour, a general store, and others of women and male
783. Nine Fourth of July and Thanksgiving Postcards. Circa oversized rabbits, and many other wild exaggerations. 3 ½ x subjects. Most unused.
1900s. Embossed images with gilt embellishments. Few 5 ½”. Many used; overall, images very good. 100/200
postally used. 150/200
50/100
790. Over 200 Linen Postcards of Hotels and Motels Around
787. Large Group of Over 150 Automotive and Airplane
America. A colorful collection of prominent lodges during the
784. [Shoes] Large Group of Approx. 138 Shoe Advertisement Related Postcards. Including linen and RPPCs that feature gas
1940s/50s. Several postally used; a handsome collection.
Postcards. All linen. A colorful assortment, few postcards with stations and repair shops, advertisements for car oil and tires,
200/300
original shoelaces attached to versos. Most unused. greyhound buses and terminals, airplane models, and others.
300/500 Very good overall.
791. Boy Scouts / Borden’s Milk Advertising Lithographs.
200/300
Circa 1913. Ten color lithographed cut-outs with depictions
785. A Large Collection of Over 800 Linen and Real Photo
788. Lot of 31 Embossed Seashell and Shellfish Travel of Boy Scouts in camping scenes. Height of each approx. 12”.
Postcards of Diners and Roadside Stops. 1930s/50s. Six
Postcards. Germany (bulk): Various publishers including Neatly cut. One with spotting to image, a few short tears, but
full binders of postcards featuring diners, Greyhound bus
Langsdorf, M. Rieder, Illustrated Postal Card Co., Souvenir Post overall very good. Versos blank.
stops, motels, state parks, dealerships and service stops, gas
Card Co., ca. 1900s. Linen finish postcards with embossed 100/200
stations, restaurants, and drive-ins. 3 ½ x 5 ½”. Many used;
784 seashells and shellfish serving as frames of images of various
very good overall. Must be seen. E ND OF SA LE
600/800 travel destinations. Many postally used; very good overall.
200/300
ABSENTEE/TELEPHONE BID FORM CONDITIONS OF SALE Bidding Increments - Expected bid increments are as follows:
□ Telephone Bid □ Absentee Bid The lots listed in this catalogue (whether printed or posted online) will be offered at Min Value Max Value Increment
public auction by Potter and Potter Auctions, Inc., as agent for consignor(s) subject
$0.00 $29.00 $5.00
to the following terms and conditions. By bidding at auction you agree to be bound by
Name Primary Phone these Conditions of Sale.
$30.00 $99.00 $10.00
$100.00 $499.00 $25.00
________________________________________ ________________________________________ PRIOR TO THE SALE $500.00 $999.00 $50.00
Business Name (If Applicaple) Secondary Phone/FAX $1000.00 $1,999.00 $100.00
Please examine lots. Prospective buyers are strongly advised to “in person” or by
$2,000.00 $4,999.00 $200.00
personally retained Agent, examine any property in which they are interested before
________________________________________ ________________________________________
the auction takes place. Condition reports may be provided if requested in a timely $5,000.00 $9,999.00 $500.00
Billing Address E-mail Address manner.
$10,000.00 $19,999.00 $1,000.00
Condition of lots, Warranties and Representations - All lots are sold “AS IS” and without
$20,000.00 $49,999.00 $2,000.00
________________________________________ ________________________________________ recourse, and neither Potter and Potter Auctions, Inc. nor its consignor(s) makes any
City/State/Zip warranties or representations, express or implied with respect to such lots. Neither $50,000.00 and above 10% of current bid
Potter and Potter Auctions, Inc. nor its consignor(s) makes any express or implied Note: the auctioneer may modify the increments at any time.
warranty or representation of any kind or nature with respect to merchantability,
________________________________________ ________________________________________ fitness for purpose, correctness of the catalogue or other description of the physical Reserves – Although the majority of the lots in the sale are offered without reserve,
condition, size, quality, rarity, importance, medium, material, genuineness, attribution, some lots in the sale may be subject to a reserve which is the confidential minimum
provenance, period, source, origin, completeness, historical significance of any lot sold.
Lot Number Description U.S. Dollar Limit price below which such lot will not be sold. The reserve will not exceed the low estimate
The absence of any reference to the condition of a lot does not imply that the lot is in of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the
(Exclusive of Buyer’s Premium)
perfect condition or completely free from wear and tear, imperfections or the effects absolute discretion of Potter and Potter Auctions, Inc. The auctioneer may open the
of aging. No statement, whether written or oral, and whether made in the catalogue, bidding on any lot below the reserve by placing a bid on behalf of the seller. The
or in supplements to the catalogue, an advertisement, a bill of sale, a posting or auctioneer may continue to bid on behalf of the seller up to the amount of the reserve,
announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create either by placing consecutive bids or by placing bids in response to other bidders. With
any warranty, representation or assumption of liability. Potter and Potter Auctions, Inc. respect to lots that are offered without reserve, unless there are already competing
and its consignor(s) make no warranty or representation, express or implied, that the bids, the auctioneer, in his or her discretion, will generally open the bidding at half of
purchaser will acquire any copyright or reproduction rights to any lot sold. the low estimate for the lot. In the absence of a bid at that level, the auctioneer may
proceed backwards at his or her discretion until a bid is recognized, and then continue
up from that amount.
AT THE SALE
Auctioneer’s Discretion – The auctioneer has the right at his or her absolute and sole
Registration Before Bidding – A prospective buyer must complete and sign a discretion to refuse any bid, to advance the bidding in such a manner as he or she may
registration form and provide identification before bidding. We may require bank or decide, to withdraw any lot, and in the case of error or dispute, and whether during or
other financial references. Potter and Potter Auctions, Inc., is under no obligation to after the sale, to determine the successful bidder, to continue the bidding, to cancel
approve the registration of any prospective registrant. the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale,
our sale record is conclusive.
Bidding as Principal – When making a bid, a bidder is accepting personal liability to pay
the purchase price, including the buyer’s premium, all applicable taxes and all other Successful Bid – The highest bidder acknowledged by the auctioneer will be the
applicable charges, unless it has been explicitly agreed upon in writing with Potter and purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer
Potter Auctions, Inc. before the commencement of the sale that the bidder is acting as at his or her sole discretion. In the event of a dispute between bidders, the auctioneer
agent on behalf of an identified third party acceptable to Potter and Potter Auctions, has final discretion to determine the successful bidder or to reoffer the lot in dispute. If
Inc., and that Potter and Potter Auctions, Inc. will only look to the principal for payment. any dispute arises after the sale, the Potter and Potter Auctions, Inc. sale record shall
For absentee bids, indicate your limit for each lot, excluding the Buyers’ I authorize Potter & Potter Auctions to bid on my behalf up to the be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest
Premium. Your bids will be executed at the lowest prices allowed by amount(s) stated above. I agree that all purchases are subject to the Absentee Bids – Potter and Potter Auctions, Inc. will use reasonable efforts to carry acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder
reserves and other bids. If more than one bid of the same value is “Terms & Condition of Sale” as stated in the sale catalogue and that I will out written bids given to us prior to the sale for the convenience of clients who are not
assumes full risk and responsibility.
pay for these lots on receipt of invoice. present at the auction in person. Bids must be placed in U.S. dollars. If we receive
written bids on a particular lot for identical amounts, and these are the highest bids
-“+” bids indicate willingness to go up one increment if needed to break a on the lot at the auction, it will be sold to the person whose written bid was received AFTER THE SALE
tie. “Buy” or unlimited bids are not accepted. and accepted first. Execution of written bids is a free service undertaken subject to
-References and/or a deposit are required of bidders not known to ___________________________________________________ other commitments at the time of the sale and Potter and Potter Auctions, Inc. does Buyer’s Premium – In addition to the hammer price, the buyer agrees to pay Potter and
Potter & Potter Auctions, Inc. not not accept liability for failing to execute a written bid or for errors and omissions in
SIGNATURE DATE Potter Auctions, Inc. a buyer’s premium of 20%, and the applicable sales tax added to
-A buyer’s premium of 20% per lot is payable on each successful bid. connection with such written bid(s). the final total.
Potter & Potter is not responsible for failure or other inadvertent errors Telephone Bids – If a prospective buyer makes arrangements with us prior to the Payment – The buyer must pay the entire amount due (including the hammer price,
relating to execution of your bids. commencement of the sale we will use reasonable efforts to contact said prospective buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the
___________________________________________________ buyer to enable them to participate in the bidding by telephone and we do not accept seventh (7) business day following the sale. Payment in U.S. dollars may be made
THE AUCTIONEER’S DECISIONS ARE FINAL. liability for failure to do so or for errors and omissions in connection with telephone with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire
FOR POTTER & POTTER DATE transfer unless other arrangements are made with Potter and Potter Auctions, Inc.
bidding.
Bids may be executed via fax: 773-260-1462, mail (address below), or email: potterauctions@gmail.com until 5:00 PM (CDT) on the last Potter aAuctions, Inc. reserves the right to hold merchandise purchased by personal
check until the check has cleared the bank. The purchaser agrees to pay Potter and
business day immediately preceding the sale. Bidding will then be closed to fax and email.
Potter Auctions, Inc. a handling charge of $50 for any check dishonored by the drawee.
In the event buyer desires to pay by using a credit card, a convenience fee equaling
Potter & Potter encourages you to mail, fax and email bids, as telephone operators are limited, and telephone bidders will be served on a
2.5% of the entire amount due shall be added to the buyer’s invoice.
Potter & Potter Auctions, Inc. Shipping Terms - By Potter & Potter. Choice of packing and shipping method is strictly
at the discretion of Potter and Potter Auctions. P&P generally provides in house
3729 N. Ravenswood Ave., Suite 116, Chicago, IL 60613
shipping via FedEx or USPS to winning bidders.
Phone: 773-472-1442 / FAX: 773-260-1462
Please allow 3—4 weeks for delivery.
www.potterauctions.com
Customer’s obligation to inspect and report claims. Potter and Potter professionally LIABILITY
and safely packs and ships thousands of items every year, and insurance is provided
for successful purchasers. In the unlikely event that damage or loss occurs, these
Condition Reports – Potter and Potter Auctions, Inc. is not responsible for the
are subject to our insurance carrier’s rules and limitations. Customers are required to
correctness of any statement of any kind concerning any lot, whether written or
report, in writing, any damage or loss within 72 hours of receipt of merchandise. The
oral, nor for any other errors or omissions in description or for any faults or defects
carrier’s delivery record shall be conclusive as to this matter.
in any lot. Neither the seller, ourselves, our officers, employees or agents, give any
Correcting Shipping Address and report of non-receipt: Prior to shipping winning representation, warranty or guarantee or assume any liability of any kind in respect of
lots, customers must provide Potter and Potter with a current and accurate shipping any lot with regard to merchantability, fitness for a particular purpose, description, size,
address. Once an order has been shipped, any address changes or updates are quality, completeness, condition, attribution, authenticity, rarity, importance, medium,
subject to a $25.00 return to Sender fee, in addition to shipping charges. provenance, prior ownership history, or historical relevance. Except as required by local
In the event an item is lost during transit, it is customer’s obligation to report non- law any warranty of any kind whatsoever is excluded by this paragraph.
receipt within 7 days of the date on which the item(s) were shipped.
Purchased Lots – If for any reason a purchased lot cannot be delivered in the same
Third-party shipping. Certain large, high-value, and fragile items will require the services condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or
of professional packing and transportation company, or pick-up directly from our gallery. lost prior to delivery, Potter and Potter Auctions, Inc. shall not be liable for any amount
We suggest that you contact our Shipping Department before the sale for advice on the in excess of that paid by the purchaser.
shipping and handling requirements that apply to the lots of interest to you.
Legal Ramifications – The rights and obligations of the parties with respect to these
If third-party shipping is chosen by the buyer or required by Potter & Potter, the buyer Conditions of Sale, the conduct of the auction and any matters connected with any
will arrange for removal of the merchandise from P&P within 15 days following the sale of the foregoing shall be governed and interpreted by the laws of the jurisdiction in
and must communicate and coordinate removal arrangements with P&P during regular Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal
business hours (Monday – Friday, 9am – 5pm).
or unenforceable, that part shall be discounted and the rest of the conditions shall
Arrangements for third-party transportation are the responsibility of the buyer. We continue to be valid to the fullest extent permitted by law.
will not be responsible for the acts or omissions of carriers and packers whether
Discretion - Any and all of the conditions may be waived or modified in the sole
recommended or not by us. Property will not be released to the shipper without the
buyer’s written consent and until payment has been made in full. Unless otherwise discretion of Potter and Potter Auctions, Inc.
agreed, all purchases should be removed by the 15th day following the sale. Potter and Potter offers historically significant items which may include culturally
Risk of loss or damage in shipment. Any risk of loss or damage to the shipment insensitive material, including but not limited to racist and sexist content. The content
through a third party carrier, once the item is removed from Potter and Potter, is at the and form of such items does not reflect the views or values of the auctioneers or staff.
risk of the buyer, and Potter & Potter is not liable for loss or damage of these items.
Ship to address. The winning bidder is responsible for providing Potter & Potter with an
accurate address for the order destination as well as specific instructions for delivery.
Shipping costs. Shipping costs include charges for labor, materials, insurance, as well
as actual shipper’s fees. Buyer agrees to reimburse Potter & Potter the difference if
actual shipper’s fees exceed the invoice amount.
Potter & Potter Auctions, Inc. Phone: (773) 472-1442
Storage fees. Potter & Potter will charge a storage fee of $50 per week for any orders (Illinois Lic. # 444.000388) Fax: (773) 260-1462
awaiting payment and/or removal for more than 15 days following the auction date. 3759 N. Ravenswood Ave. Ste. 121 www.potterauctions.com
This cost shall constitute a lien against such property, which may be removed to a
Chicago, IL 60613 info@potterauctions.com
public warehouse at the risk, account, and expense of the purchaser.
International shipping. Potter and Potter ships internationally. All shipments will
Sami Fajuri, Managing Auctioneer
include an itemized invoice with the actual and correct purchase totals including the
Lic. #441.001540
buyer’s premium and shipping cost. International buyers are responsible for knowing
their country’s laws on importing items as well as paying all customs and duties fees Text: Christopher Brink and Joe Slabaugh
on purchased items. Layout: Stina Henslee
Photography: Shelby Ragsdale
Non-Payment – If we do not receive payment in full, in good cleared funds, within
seven (7) business days following the sale, we are entitled in our absolute discretion to Note: Many supplemental and detailed images of auction lots
exercise one or more of the following measures, in addition to any additional actions
available to us by law: (1) to impose a late charge of one and a half percent (1.5%) per
-- not shown in the pages of this catalog -- are available online
thirty (30) days of the total purchase price, prorated to commence on the date of the at Liveauctioneers.com, or directly from Potter & Potter.
sale; (2) to hold the defaulting buyer liable for the total amount due and to begin legal
proceedings for its recovery together with interest, legal fees and costs to the fullest Potter & Potter wishes to thank Christopher Jandacek, Deborah
extent permitted under applicable law; (3) to rescind the sale; (4) to resell the property Adelman, George Bennett, Jonathan Brown, John Carcerano,
publicly or privately with such terms as we find appropriate; (5) to resell the property Linda Connelly, Bradley Emalfarb, Morris Everett, Susan Fink,
at public auction without reserve, and with the purchaser liable for any deficiency, George Glastris, Richard Halegua, Greg Isbell, Lyn Knight, Helene
cost, including handling charges, the expenses of both sales, our commission on both
Lys, Derek Magnette, Muriel Minot, Eva Reibe, John Rogers,
sales at our regular rate, all other charges due hereunder and incidental damages. In
addition, a defaulting purchaser will be deemed to have granted us a security interest
Helene Romer, Bob Scales, Frank Shealey, James Soffer, Matthew
in, and we may retain as collateral security for such purchaser’s obligations to us, any Laubenstein-Smith, Mark Thomas, and Dale Whitman for their
property in our possession owned by such purchaser. At our option, payment will not be assistance in the preparation of this catalog.
deemed to have been made in full until we have collected funds represented by checks,
or in the case of bank or cashier’s checks, we have confirmed their authenticity; (6) to Contents copyright © 2020 by Potter & Potter Auctions, Inc.
offset against any amount owed; (7) to not allow any bids at any upcoming auction by
or on behalf of the buyer; (8)to take other action as we find necessary or appropriate. All rights reserved. No part of this publication may be reproduced or transmitted
in any form or by any means, electronic or mechanical, including photocopy,
recording or any information storage and retrieval system now known or to be
invented, without permission in writing from the copyright holders.

POTTER & POTTER AUCTIONS, INC.
www.potterauctions.com
144 VINTAGE POSTERS, PRINTS & WORKS ON PAPER

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VINTAGE POSTERS

PRINTS & WORKS ON PAPER

Potter & Potter Auctions, Inc.

2 VINTAGE POSTERS, PRINTS & WORKS ON PAPER

POTTER & POTTER AUCTIONS • NOVEMBER 14, 2020 3

13. Alitalia / Italy. 1960s. Photo-offset travel poster depicts

14. Ameijide, Raymond (1924–2000). Bermuda / Pan Am.

15. American Airlines / San Francisco. USA, ca. 1960s. Color

16. Degen, Paul. American Airlines / Los Angeles. 1960s.

30. Badmin, Stanley Roy (1906–1989). Come and Explore…

31. Baumberger, Otto (1889–1960). Switzerland / The

32. Bellini, E. Nice – Thermal. Cannes: Robaudy, ca. 1940s.

41. Seymour, E.O. BOAC / Fly to South America. 1950. Offset

42. Boucher, Lucien (1889–1971). Air France / Le Plus

43. Boyle, James Neil. California / American Airlines. Circa

76. Coelli, Pietro (1893-1980). Istria (Italy). Italy: Modiano-

77. Commarmond, Pierre (French, 1897-1983). Gorges De

103 104 105

115 116 117 118

125. Germany / The Sunny Black Forest Resort. 1950s.

126. Grace Line / Caribbean South American Cruises. Circa

127. Grace Line / Caribbean South American Cruises /

143 144 145

149. Henriksen, Sven (1890–1935). Visit Denmark.

150. Herzig, Hans. Rigi. Zurich: Art Institute Orell Fussli,

170 172 173

181. Kingman, Dong (1911-2000). Pan Am / 50th Anniversary

188 189 190 193 194 195

196 197 198

196. Klein, David (American, 1918–2005). New York World’s

198. Klein, David (American, 1918–2005). Paris / Fly TWA

214 215 217

214. Ley. Mexico / Perfect Year Round Climate. 1950s.

215. Ley. Wonderful Mexico has Everything! Juarez: S.

230 231 232

257 258 259

265 268 269

276 277 278

283 284 285

292. Santa Fe Railways / Mission Churches roundabout

293. Schlatter, Emil Ernst (1883–1954). Schwimmbad

294. Seattle / United Air Lines. Circa 1962. Silkscreened

305 306 307 308

311 312 313 314

319 320 321

341 342 343

338 339 340

361 363 364 365

372 374 378 380

384 385 386

387 388 389

396. Choubrac, Alfred (French, 1871–1930). Derouville

397. [Coca–Cola] Large German Coca–Cola Two Sheet

398. Danska, Herbert. Earth / National Academy of Sciences.

402 403 405

406 407 411

413 416 418

414 one of four

427 428 429

427. Laurencin, H. De. Priceless-Oil. Paris: Gaillard, ca. 1920s.

428. Monnier, Henry Le. Valmya. Paris, 1930s. Lithograph

429. Gesmar, Charles. Mistinguett / Moulin Rouge. Paris: 436

437. Molkenboer, Antoon. Historische Feesten, Utrechtsch

438. Oge, Eugene (1861-1936). Quinquina Royal. Paris,